The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
Pūrva Bhāga · Genealogical & Deva–Asura Narrative Cycle (Dakṣa–Rudra Episode)
एवमुक्त्वा तदा दक्षस्तां कन्यां ब्रह्मसन्निधौ । ददौ रुद्राय महते गौरीं परमशोभनाम् ॥ २१.८२ ॥
evam uktvā tadā dakṣas tāṃ kanyāṃ brahmasannidhau | dadau rudrāya mahate gaurīṃ paramaśobhanām || 21.82 ||
evamuktvA tadA dakShastAM kanyAM brahmasannidhau | dadau rudrAya mahate gaurIM paramashobhanAm || 21.82 ||
وبعد أن قال ذلك، قدّم دَكْشَا، بحضرة براهما، تلك الفتاة—غَوْرِي الباهرة الجمال—إلى رُدْرَا العظيم۔
Varāha
Saṃskāras gain authority through proper procedure and recognized witnessing, aligning personal bonds with cosmic order.
Treat life-transitions (marriage, vows, initiations) as dharmic acts: perform them with due rite, consent, and accountable witnesses.
Kanyādāna is performed in Brahmā’s presence, framing marriage as a sanctioned, ritually witnessed alliance.
Properly witnessed and ritually grounded marriage sustains social-cosmic order; neglect of rite/witness undermines dharmic legitimacy.
Varāha Purāṇa 21.21.83-85 (continuation of marriage acceptance and allotment of abode)
It preserves a Purāṇic narrative motif in which a formal marriage-gift (kanyādāna) is performed publicly, here explicitly “in the presence of Brahmā,” reflecting how Purāṇas frame social rites through mythic authority figures.
No geographic toponym appears in this verse; the setting is indicated only as brahmasannidhau (“in Brahmā’s presence”), a narrative/ritual context rather than a place-name.
The verse primarily conveys a cultural-ritual principle: the conferral of a marriage alliance is portrayed as a formally witnessed act, emphasizing public legitimacy and accountability in social rites.
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