
Rishi: Atharvanic tradition (often anonymous in such restorative formulas)
Devata: Indriya/Ātman (personified faculties); Agni (as dhīṣṇya fires)
Chandas: Bṛhatī/related (the input notes ‘uṣṇig-bṛhatī’ tradition; metrical confirmation depends on recensional padapāṭha)
هذه الصيغة الاستشفائية ذات البيت الواحد تستدعي عودة قوى الإنسان التي فُقدت أو ضعفت—الحيوية (indriya)، والذات/الهوية (ātman)، والثروة (draviṇa)، والقدرة البرهمانية (brāhmaṇa/«قوة البراهمان»). كما تلتمس من نيران dhīṣṇya أن تعيد تثبيت كل شيء «في مقامه اللائق»، فتجعل النشيد تعويذة لإعادة تكوين الشخص، وتعويذةً لإعادة ترتيب النظام الطقسي المنزلي.
It is used to call back a person’s vigor and sense of self after illness, shock, depletion, or loss—along with prosperity and sacred efficacy—so life and ritual order become stable again.
Because the dhīṣṇya fires represent ‘right placement’ and household order. Asking them to set things “in their proper station” symbolically re-seats the person’s scattered faculties and fortunes.
Not necessarily. The verse is designed as a compact spoken restoration; if available, reciting near a clean household fire (with a small offering or water sprinkling) supports the hymn’s theme of re-ordering and return.
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