
Rishi: Atharvanic tradition (maṇi/rakṣā hymnic complex)
Devata: Darbha and Maṇi as personified protective agents; implicitly the apotropaic power (rakṣas-kṣapana)
Chandas: Anuṣṭubh (command-form refrain; typical AV protective cadence)
أثرفافيدا 19.29 ترنيمةٌ موجزة من نمط الرَّكشا-أبهِتشاريكا، تُسخِّر عشب الدَّربها و«مَني» (تميمةً واقية) بوصفهما عاملين مُشخَّصين لإبطال العداء. ومن خلال تكرار صيغ الأمر («اقطع»، «اربط/أحكم»، «اضرب») تهدف إلى قطع شوكة الخصوم، وتقييدهم، وتعطيل المعتدين وأهل السوء، مع تأمين رفاه الراعي وثباته.
Mantra 1
दर्भमणिः। निक्ष॑ दर्भ स॒पत्ना॑न् मे॒ निक्ष॑ मे पृतनाय॒तः । निक्ष॑ मे॒ सर्वा॑न् दु॒र्हार्दो॑ निक्ष॑ मे द्विष॒तो म॑णे
تميمة الداربها (darbha-maṇi). اطرَحْ، يا داربها (Darbha)، أعدائي؛ واطرَحْ عنّي مهاجمي القتال. واطرَحْ عنّي جميع ذوي القلوب الخبيثة؛ واطرَحْ عنّي المبغضين، يا تميمة (maṇi).
Mantra 2
तृ॒न्द्धि द॑र्भ स॒पत्ना॑न् मे तृ॒न्द्धि मे॑ पृतनाय॒तः । तृ॒न्द्धि मे॒ सर्वा॑न् दु॒र्हार्द॑तृ॒न्द्धि मे॑ द्विष॒तो म॑णे
اقطعْ، يا داربها (Darbha)، خصومي؛ اقطعْ عنّي هجمةَ القتال. اقطعْ عنّي جميعَ ذوي القلوبِ الخبيثة؛ اقطعْ عنّي الكارهين، يا مَني (Maṇi) أيها التميمة.
Mantra 3
रु॒न्द्धि द॑र्भ स॒पत्ना॑न् मे रु॒न्द्धि मे॑ पृतनाय॒तः । रु॒न्द्धि मे॒ सर्वा॑न् दु॒र्हार्दो॑ रु॒न्द्धि मे॑ द्विष॒तो म॑णे
اكفُفْ، يا داربها (Darbha)، خصومي؛ واكفُفْ عنّي اندفاعَ القتال. واكفُفْ عنّي كلَّ ذوي القلوبِ الخبيثة؛ واكفُفْ عنّي الكارهين، يا تميمة (maṇi).
Mantra 4
मृ॒ण द॑र्भ स॒पत्ना॑न् मे मृ॒ण मे॑ पृतनाय॒तः । मृ॒ण मे॒ सर्वा॑न् दु॒र्हार्दो॑ मृ॒ण मे॑ द्विष॒तो म॑णे
اسحقْ، يا داربها (Darbha)، خصومي؛ واسحقْ عنّي اندفاعَ القتال. واسحقْ عنّي كلَّ ذوي القلوبِ الخبيثة؛ واسحقْ عنّي الكارهين، يا تميمة (maṇi).
Mantra 5
मन्थ॑ दर्भ स॒पत्ना॑न् मे॒ मन्थ॑ मे पृतनाय॒तः । मन्थ॑ मे॒ सर्वा॑न् दु॒र्हार्दो॒ मन्थ॑ मे द्विष॒तो म॑णे
اخضْخِضْ، يا داربها (Darbha)، خصومي؛ واخضْخِضْ عنّي اندفاعَ القتال. واخضْخِضْ عنّي كلَّ ذوي القلوبِ الخبيثة؛ واخضْخِضْ عنّي الكارهين، يا تميمة (maṇi).
Mantra 6
पि॒ण्ड्ढि द॑र्भ स॒पत्ना॑न् मे पि॒ण्ड्ढि मे॑ पृतनाय॒तः । पि॒ण्ड्ढि मे॒ सर्वा॑न् दु॒र्हार्दो॑ पि॒ण्ड्ढि मे॑ द्विष॒तो म॑णे
يا داربها (Darbha)، اجمعْ خصومي؛ واجمعْ لي اندفاعَ القتال. اجمعْ لي جميعَ سيّئي القلوب؛ واجمعْ لي المبغضين، يا تميمة (maṇi).
Mantra 7
ओष॑ दर्भ स॒पत्ना॑न् मे॒ ओष॑ मे पृतनाय॒तः । ओष॑ मे॒ सर्वा॑न् दु॒र्हार्दो॑ ओष॑ मे द्विष॒तो म॑णे
أحرِقْ، يا داربها (Darbha)، أعدائي؛ وأحرِقْ عنّي المندفعين إلى القتال. وأحرِقْ عنّي جميع ذوي القلوب الخبيثة؛ وأحرِقْ عنّي المبغضين، يا تميمة (مَنيّ).
Mantra 8
दह॑ दर्भ स॒पत्ना॑न् मे॒ दह॑ मे पृतनाय॒तः । दह॑ मे॒ सर्वा॑न् दु॒र्हार्दो॒ दह॑ मे द्विष॒तो म॑णे
أحرِقْ، يا داربها (Darbha)، أعدائي؛ أحرِقْ لي المندفعين إلى القتال. أحرِقْ لي جميع ذوي القلوب الخبيثة؛ أحرِقْ لي المبغضين، يا تميمة (مَنيّ).
Mantra 9
ज॒हि द॑र्भ स॒पत्ना॑न् मे ज॒हि मे॑ पृतनाय॒तः । ज॒हि मे॒ सर्वा॑न् दु॒र्हार्दो॑ ज॒हि मे॑ द्विष॒तो म॑णे
اضربْ يا داربها أعدائي؛ واضربْ عنّي المندفعين إلى القتال. واضربْ عنّي جميع ذوي القلوب الخبيثة؛ واضربْ عنّي المبغضين، أيّها التميمة (مَني).
The hymn opens by directly addressing Darbha (and implicitly Maṇi), treating them as living protectors ready to act on command.
Repeated imperatives demand the removal of all hostile categories: rivals (sapatna), battle-rushers (pṛtanāyataḥ), ill-hearted persons (durhārda), and haters (dviṣat).
Efficacy is asserted through rhythmic repetition and escalating verbs—cut down → bind/compact → smite—showing total control over enemy capacity (movement, cohesion, and vitality).
The final cadence culminates in a decisive striking command addressed to Darbha and Maṇi, sealing the hymn as an executable protection rather than a mere praise.
tṛnddhi darbha sapatnān me
piṇḍḍhi darbha sapatnān me
jahi darbha sapatnān me
Abhicarika (Protective/Counter-sorcery; enemy-subduing) with Paustika overtones (securing one’s welfare)
To disable hostile persons and forces by cutting them down, binding them into impotence, and striking back their aggression, thereby stabilizing the patron’s safety and success.
Householders, warriors/patrons facing rivalry or imminent conflict, and Atharvanic ritual specialists preparing protective amulets and counter-hostility rites.
Darbha (kuśa-like sacred grass) is invoked as a cutting, binding, and warding power; Maṇi is the charged amulet/jewel that embodies portable protection and hostile-force reversal. Together they function as rakṣas-kṣapana (evil- and enemy-dispelling) instruments rather than distant cosmic deities.
To animate darbha and the amulet as direct executors of the patron’s defense—neutralizing adversaries, preventing attack, and sealing personal safety and standing.
Performed when rivalry or threat is felt—before entering contest/battle, at the start of a journey, or as a daily protective reinforcement at dawn/dusk.
Darbha grass
Darbha is cleaned and held, spread, or knotted/compacted in the hand to enact the mantra’s commands; the maṇi is consecrated by recitation and then tied on or touched to the body to ‘carry’ the protection.
Darbha is sacred grass treated as a protective force, and Maṇi is a consecrated amulet/jewel. The hymn speaks to them as if they can act—cutting, binding, and striking hostile forces.
Its primary function is protective counter-hostility: it neutralizes threats by disabling opponents (cutting down, binding, smiting). In Atharvanic terms, that defensive aim can use forceful language and actions.
A practitioner would hold or knot darbha while reciting and consecrate a maṇi amulet by touch and repetition, then have the patron wear or carry it—especially before conflict, travel, or when hostility is suspected.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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