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Varaha Purana 96.9 — Adhyaya 96, Shloka 9

The Threefold Power: The Raudrī Observance and the Manifestation of Chāmuṇḍā

तत्र द्विपा दैत्यवरैरुपेताः समानघण्टायुत किंकिणीकाः ॥ विनिर्ययुः स्वाकृतिभीपणाश्च समत्वमुच्चैः खलु दर्शयन्तः

tatra dvipā daityavarair upetāḥ samānaghaṇṭāyuta kiṃkiṇīkāḥ || viniryayuḥ svākṛtibhīpaṇāś ca samatvam uccaiḥ khalu darśayantaḥ

ที่นั่น ช้างทั้งหลายพร้อมด้วยไทตยะผู้ประเสริฐได้ออกมา ประดับด้วยระฆังที่เข้าชุดและเครื่องประดับกังวานกรุ๋งกริ๋ง น่าหวาดหวั่นด้วยรูปลักษณ์ของตนเอง แสดงย่างก้าวสม่ำเสมอและสง่าผ่าเผยยิ่งนัก

तत्रthere
तत्र:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्ययम्; देशवाचक-अव्यय (locative adverb)
द्विपाःelephants
द्विपाः:
Karta (कर्ता)
TypeNoun
Rootद्विप (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा, बहुवचनम्
दैत्य-वरैःby the foremost demons
दैत्य-वरैः:
Karaṇa/Sahakārī (करण/सहकारी)
TypeNoun
Rootदैत्य + वर (प्रातिपदिक)
Formपुंलिङ्गे, तृतीया (करण), बहुवचनम्; ‘by the best of the Daityas’
उपेताःattended/accompanied
उपेताः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootउप-इ (धातु: इ ‘to go’ + क्त)
Formकृदन्तः (क्त), पुंलिङ्गे, प्रथमा, बहुवचनम्; ‘accompanied/attended’
समान-घण्टा-आयुतwith countless/equal bells
समान-घण्टा-आयुत:
Samāsa-aṅga (समासाङ्ग)
TypeAdjective
Rootसमान + घण्टा + आयुत (प्रातिपदिक)
Form(compound member) ‘with equal bells in tens of thousands’ (ayuta = 10,000)
किंकिणीकाः(having) tinkling bells
किंकिणीकाः:
Karta (कर्ता)
TypeNoun
Rootकिंकिणीका (प्रातिपदिक)
Formस्त्रीलिङ्गे, प्रथमा, बहुवचनम्; ‘small bells/anklets’ (as ornaments)
विनिर्ययुःcame out/emerged
विनिर्ययुः:
Kriyā (क्रिया)
TypeVerb
Rootवि-निर्-या (धातु: या ‘to go’)
Formलिट् (Perfect), परस्मैपदम्, प्रथमपुरुषः, बहुवचनम्
स्व-आकृति-भीपणाःterrifying in appearance
स्व-आकृति-भीपणाः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootस्व + आकृति + भीपण (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा, बहुवचनम्; ‘terrifying in their own form/appearance’
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्ययम्; समुच्चय (conjunction)
समत्वम्evenness/levelness
समत्वम्:
Karma (कर्म)
TypeNoun
Rootसमत्व (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (कर्म), एकवचनम्
उच्चैःloudly/on high
उच्चैः:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootउच्चैः (अव्यय)
Formअव्ययम्; manner adverb
खलुindeed
खलु:
Nipāta (निपात)
TypeIndeclinable
Rootखलु (अव्यय)
Formअव्ययम्; emphatic particle
दर्शयन्तःshowing/displaying
दर्शयन्तः:
Karta (कर्ता)
TypeVerb
Rootदृश् + णिच् + शतृ (धातु: दृश् ‘to see/show’)
Formकृदन्तः (णिजन्त-शतृ वर्तमानकृदन्त), पुंलिङ्गे, प्रथमा, बहुवचनम्; ‘showing’ (concurrent action)

Varāha (default, not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"aesthetics of power / warning against intimidation","core_concept":"Adharma often advances with pageantry—bells, ornaments, disciplined pace—using fear and grandeur as instruments of domination.","practical_application":"Cultivate steadiness (dhairya) amid intimidation; judge authority by virtue, not by the trappings of royal force."}

Subject Matter: ["Mythic Warfare","Material Culture (bells, ornaments)","Courtly-Military Aesthetics"]

Primary Rasa: bhayānaka

Secondary Rasa: vīra

Type: military-cosmic staging ground

Related Themes: Varāha Purāṇa 96 (catalogue of asura military divisions)

Visual Art Cues: {"scene_description":"A line of war-elephants advances, each with matching bells and tinkling ornaments; towering daitya commanders ride or flank them, the herd moving with measured, even strides and imposing height.","item_prompts":["war elephants in formation","bells (ghaṇṭā) and anklet-like kinkiṇī","daitya riders/attendants","ornate caparisons","dust clouds from steady march","sense of scale and height"],"kerala_mural_prompt":"Kerala mural style: richly patterned caparisons, decorative bell motifs; elephants in rhythmic procession; daityas with bold facial features and jewelry.","tanjore_prompt":"Tanjore style: gold-highlighted bells and ornaments; embossed caparisons; elephants rendered monumental with jewel-toned trappings.","mysore_prompt":"Mysore style: naturalistic elephant anatomy with refined ornament detail; soft background wash; emphasis on dignified pace.","pahari_prompt":"Pahari style: stylized elephants in a gentle diagonal march; bright ornament dots; narrative clarity with daitya figures in profile."}

Audio Atmosphere: {"recitation_mood":"processional, intimidating","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"measured, weighty, with audible emphasis on bell-sounds implied by the meter"}

C
Classical Literature
P
Purāṇic Narrative
A
Ancient Military Culture
S
Sanskrit Poetics

FAQs

It reflects the prestige of elephants in South Asian military imagination and provides lexicon relevant to ornamentation and procession in Sanskrit sources.

No specific place-name is provided; the verse remains within the battle-narrative setting.

The verse implicitly contrasts spectacle and intimidation with the deeper question of rightful order, a recurring Purāṇic theme.

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