The Threefold Discipline (Mental, Physical, Verbal) and the Salvific Power of Hearing Nārāyaṇa’s Name
सोऽरण्यमगमत्किञ्चित् तपोर्थी द्विजसत्तमः । तपस्तेपे ततस्तस्मिन्नुपवासपरायणः ॥ ३७.८ ॥
so 'raṇyam agamat kiñcit taporthī dvijasattamaḥ | tapas tepe tatas tasminn upavāsaparāyaṇaḥ || 37.8 ||
ครั้นแล้วพราหมณ์ผู้ประเสริฐนั้นผู้มุ่งตบะ ได้เข้าไปในป่าเพียงเล็กน้อย และ ณ ที่นั้นท่านตั้งมั่นในอุโบสถ จึงบำเพ็ญตบะอยู่ ณ สถานที่นั้น
Varāha (default dialogue frame; speaker not explicit in excerpt)
It reflects a common Purāṇic narrative motif: a learned ascetic (dvija) withdraws to a forest to perform tapas and upavāsa, illustrating the cultural ideal of wilderness-based discipline found across early Sanskrit literature.
No specific toponym is stated; the verse only indicates araṇya (“forest”), a generic wilderness setting rather than an identifiable heritage site.
The verse foregrounds disciplined self-restraint—particularly austerity and fasting—as a philosophical practice associated with focused intention (parāyaṇa) and withdrawal from distractions.
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