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Varaha Purana 187.43: Adhyaya 187, Shloka 43

Determination of the Origin and Procedure of the Ancestral Offering

Pitṛyajña/Śrāddha

एवं निवृत्तसंध्यायां ततो रात्रिरुपागता ॥ पुनश्चिन्तितुमारब्धः शोकसंविग्नमानसः ॥

Sanskrit recitationVaraha Purana 187.43

evaṃ nivṛttasaṃdhyāyāṃ tato rātrir upāgatā || punaścintitumārabdhaḥ śokasaṃvignamānasaḥ ||

ครั้นพิธีสันธยาได้สิ้นสุดลงแล้ว ราตรีก็มาถึง; เขาเริ่มครุ่นคิดอีกครั้ง โดยมีจิตใจหวั่นไหวด้วยความโศก

एवम्thus
एवम्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootएवम् (अव्यय)
Formप्रकारवाचक अव्यय (adverb of manner)
निवृत्त-संध्यायाम्when twilight had ended
निवृत्त-संध्यायाम्:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootनिवृत्त (कृदन्त/प्रातिपदिक) + संध्या (प्रातिपदिक)
Formतत्पुरुष (कर्मधारय/विशेषण-विशेष्यभाव: निवृत्ता संध्या) समास; स्त्रीलिङ्ग, सप्तमी, एकवचन
ततःthen
ततः:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formततः-शब्दः; अपादान/क्रमसूचक अव्यय (then/from that)
रात्रिःnight
रात्रिः:
Karta (कर्ता)
TypeNoun
Rootरात्रि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
उपागताarrived/came
उपागता:
Kriyā (क्रिया)
TypeVerb
Rootउप-आ-गम् (धातु)
Formक्त-प्रत्यय (PPP), स्त्रीलिङ्ग, प्रथमा, एकवचन; धातु: गम्, उपसर्ग: उप+आ
पुनःagain
पुनः:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootपुनः (अव्यय)
Formपुनरावृत्तिवाचक अव्यय (again)
चिन्तितुम्to think
चिन्तितुम्:
Prayojana (प्रयोजन/infinitival complement)
TypeVerb
Rootचिन्त् (धातु)
Formतुमुन्-प्रत्यय (infinitive), अव्यय; धातु: चिन्त्
आरब्धःbegan/undertook
आरब्धः:
Karta (कर्ता)
TypeVerb
Rootआ-रभ् (धातु)
Formक्त-प्रत्यय (PPP), पुल्लिङ्ग, प्रथमा, एकवचन; उपसर्ग: आ
शोक-संविग्न-मानसःwhose mind was distressed by grief
शोक-संविग्न-मानसः:
Karta (कर्ता)
TypeAdjective
Rootशोक (प्रातिपदिक) + संविग्न (कृदन्त/प्रातिपदिक) + मानस (प्रातिपदिक)
Formबहुव्रीहि-समास; पुल्लिङ्ग, प्रथमा, एकवचन; विशेषण (one whose mind is agitated by grief)

Narrator voice within Varāha Purāṇa (default to Varāha framework if required)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"After completing sandhyā (twilight observance), one should maintain mental steadiness; grief-agitation is portrayed as a psychological obstacle to dharma.","karmic_consequence":"Composure supports right action and clarity; grief-driven rumination leads to confusion and potential missteps in ritual/dharma."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"psychology/ethics","core_concept":"Even after correct outer ritual, inner turbulence (śoka) can dominate and distort discernment.","practical_application":"Pair ritual observance with inner calming practices (japa, dhyāna, satsanga) to prevent grief from steering decisions."}

Subject Matter: ["Ethics","Ritual Practice","Psychology of Grief"]

Primary Rasa: karuṇa

Secondary Rasa: śānta

Related Themes: Immediate continuation into remorse over piṇḍa/nivāpa (vv. 48–49)

Visual Art Cues: {"scene_description":"A solitary figure after completing sandhyā, dusk fading into night, sitting and brooding with grief.","item_prompts":["twilight sky transitioning to night","water-vessel/ācamanīya","prayer posture ending","lamp or fading sun","downcast face, seated contemplation"],"kerala_mural_prompt":"Kerala mural: stylized dusk-to-night gradient, figure with expressive eyes showing śoka; ritual items neatly placed beside.","tanjore_prompt":"Tanjore: ornate but subdued scene with gold accents on lamp/halo-like moon; figure seated with folded knees, sorrowful mood.","mysore_prompt":"Mysore: refined interior courtyard at night, soft lamplight, detailed ritual implements, gentle chiaroscuro.","pahari_prompt":"Pahari: moonlit riverside/ghāṭa ambience, cool blues, figure wrapped in shawl, introspective posture."}

Audio Atmosphere: {"recitation_mood":"somber, reflective","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"soft, weighted, narrative"}

C
Classical Literature
P
Purāṇic Narrative
R
Ritual Studies

FAQs

It documents the integration of daily ritual time (saṃdhyā) into narrative structure, showing how Purāṇas embed practice within storytelling.

None; temporal markers (twilight, night) are used rather than place-names.

The verse primarily describes a state rather than issuing a command; it foregrounds the moral-psychological weight of grief following ritual completion.

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