The Sanctity of the Kṛṣṇagaṅgā Pilgrimage-Ford and the Account of the Brahmin Vasu’s Daughter
गीतनृत्यादिषु रता तासां धर्ममुपागता ॥ अल्पैस्तु दिवसैः साध्वी असाध्वीभिः परिवृता ॥
gītanṛtyādiṣu ratā tāsāṃ dharmam upāgatā | alpais tu divasaiḥ sādhvī asādhvībhiḥ parivṛtā ||
เมื่อหลงใหลในบทเพลง การร่ายรำ และสิ่งทำนองนั้น นางก็รับเอาวิถีของพวกนางมา เพียงไม่กี่วัน สตรีผู้มีศีลก็ถูกห้อมล้อมด้วยสตรีผู้ประพฤติไม่งาม
Varāha (default for this fragmentary excerpt)
It shows how Purāṇic narratives frame moral transformation through association and leisure-culture motifs (song/dance), a useful data point for ethical and social-history studies.
No specific geographic identifier appears in this verse.
An implicit caution about moral influence through company and adopted customs (dharma as ‘way of life’ in context).
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