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Varaha Purana 160.82: Adhyaya 160, Shloka 82

The Prescribed Emergence and Procedure of the Mathurā Circumambulation

Parikramā

गङ्गा साध्वी च तत्रैव महापातकनाशिनी ॥ दृष्ट्वा स्पृष्ट्वा तथा ध्यात्वा सर्वकामान्समश्नुते

Sanskrit recitationVaraha Purana 160.82

gaṅgā sādhvī ca tatraiva mahāpātakanāśinī || dṛṣṭvā spṛṣṭvā tathā dhyātvā sarvakāmān samaśnute

ที่นั่นเองมีพระคงคาผู้ทรงศีล ผู้ทำลายมหาปาตกะ (บาปใหญ่) ได้ เมื่อได้เห็น ได้สัมผัสสายน้ำ และได้ภาวนาระลึกถึงพระนาง ย่อมบรรลุความปรารถนาทั้งปวง

गङ्गाGaṅgā
गङ्गा:
Karta (कर्ता)
TypeNoun
Rootगङ्गा (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा विभक्ति (Nominative/कर्ता), एकवचन
साध्वीvirtuous / holy
साध्वी:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसाध्वी (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा विभक्ति (Nominative), एकवचन; विशेषण गङ्गा प्रति
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
तत्रthere
तत्र:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक अव्यय (locative adverb)
एवindeed / just
एव:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारणार्थक अव्यय (emphasis)
महा-पातक-नाशिनीdestroyer of great sins
महा-पातक-नाशिनी:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootमहा (प्रातिपदिक) + पातक (प्रातिपदिक) + नाशिनी (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा विभक्ति (Nominative), एकवचन; समासः तत्पुरुष: महापातकानां नाशिनी; विशेषण गङ्गा प्रति
दृष्ट्वाhaving seen
दृष्ट्वा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootदृश् (धातु)
Formक्त्वान्त (absolutive), अव्ययभाव
स्पृष्ट्वाhaving touched
स्पृष्ट्वा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootस्पृश् (धातु)
Formक्त्वान्त (absolutive), अव्ययभाव
तथाthus / likewise
तथा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक अव्यय (manner adverb)
ध्यात्वाhaving meditated
ध्यात्वा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootध्यै (धातु)
Formक्त्वान्त (absolutive), अव्ययभाव
सर्व-कामान्all desires
सर्व-कामान्:
Karma (कर्म)
TypeNoun
Rootसर्व (प्रातिपदिक) + काम (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया विभक्ति (Accusative/कर्म), बहुवचन; कर्मधारय: सर्वे कामाः
समश्नुतेattains / obtains
समश्नुते:
Kriyā (क्रिया)
TypeVerb
Rootसम् + अश् (धातु)
Formलट् (Present), आत्मनेपद; प्रथमपुरुष (3rd person), एकवचन

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Gaṅgā-tīrtha (a Gaṅgā presence/stream/ghāṭa within Mathurā-maṇḍala)","parikrama_context":"A darśana-sparśana-dhyāna triad offered as practice at a specific water-site during the yātrā.","krishna_connection":"Indirect: Mathurā’s sanctity often merges Yamunā-Gaṅgā tīrtha symbolism in Vaiṣṇava kṣetra; no explicit Kṛṣṇa act stated here."}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"For mahāpātaka-kṣaya, perform Gaṅgā-darśana, sparśa (touching the waters), and dhyāna; this grants fulfillment of aims.","karmic_consequence":"Destroys great sins (mahāpātaka-nāśinī) and yields ‘sarva-kāma’ attainment when done with reverence; neglect forfeits the stated expiatory and wish-fulfilling fruit."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"threefold sādhanā (darśana–sparśa–dhyāna)","core_concept":"Liberation from heavy moral burden arises through embodied contact and contemplative recollection; sacred reality is accessed by senses refined by mindfulness.","practical_application":"At sacred waters: see with reverence, touch with restraint, then meditate—turning external tīrtha into internal purification and intention-setting."}

Subject Matter: ["Geography","Heritage Sites","Ethics"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: river-tīrtha / ghāṭa

Related Themes: Adjacent tīrtha descriptions in Mathurā-māhātmya that assign fruits to specific acts (darśana/snānāni/dhyāna)

Visual Art Cues: {"scene_description":"A luminous river-ghāṭa where Gaṅgā is personified as a serene goddess; devotees see her, touch the water, and sit in meditation, receiving boons.","item_prompts":["Gaṅgā-devī with kalaśa and makara-vāhana (or symbolic river aura)","ghāṭa steps and flowing water","devotee touching water with right hand","meditating figure seated on bank","light rays signifying mahāpātaka-nāśa and sarva-kāma-siddhi"],"kerala_mural_prompt":"Kerala mural: Gaṅgā-devī in stylized form above the river; devotees in three poses (seeing, touching, meditating); rich patterned water motifs.","tanjore_prompt":"Tanjore: Gaṅgā-devī central with gold-leaf halo; sparkling gold accents on water; devotees at ghāṭa; ornate arch framing ‘mahāpātaka-nāśinī’.","mysore_prompt":"Mysore: gentle realism; emphasis on calm faces and meditative posture; soft glow on water surface.","pahari_prompt":"Pahari: poetic riverscape with delicate lines; Gaṅgā as subtle divine presence; quiet devotional scene under trees."}

Audio Atmosphere: {"recitation_mood":"uplifting yet solemn (expiatory)","suggested_raga":"Ahir Bhairav","pace":"medium-slow","voice_tone":"warm, reassuring, devotional"}

C
Classical Literature
A
Ancient Geography
E
Ecological Ethics

FAQs

It documents the river Gaṅgā’s centrality in Purāṇic sacred geography and the triad of practices—seeing, touching, and contemplation—common in pilgrimage literature.

The Gaṅgā is explicitly identified; the precise locality is contextual within the chapter’s itinerary rather than named in this single verse.

To engage sacred natural resources (especially water) with reverence and mindful conduct.

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