HomeVaraha PuranaAdhyaya 11Shloka 38
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Varaha Purana 11.38: Adhyaya 11, Shloka 38

Hospitality at Gauramukha’s Hermitage and the Power of the Wish-Fulfilling Jewel

ततस्तेषु प्रविष्टेषु तदा गौरमुखो मुनिः । प्रगृह्य तं मणिं दिव्यं राजानं छेदमब्रवीत् ॥ ११.३८ ॥

Sanskrit recitationVaraha Purana 11.38

tatasteṣu praviṣṭeṣu tadā gauramukho muniḥ | pragr̥hya taṁ maṇiṁ divyaṁ rājānaṁ chedamabravīt || 11.38 ||

ครั้นเมื่อพวกเขาเข้าไปแล้ว ฤๅษีโคระมุขะได้หยิบแก้วมณีทิพย์นั้นขึ้น แล้วกล่าวแก่พระเจ้าเชทะ

tataḥthen
tataḥ:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottatas (अव्यय)
Formअव्यय; अनन्तर (then)
teṣuamong them
teṣu:
Adhikaraṇa (अधिकरण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (7th/अधिकरण), बहुवचन; ‘in/among them’
praviṣṭeṣuafter they had entered
praviṣṭeṣu:
Sati-saptamī (सति-सप्तमी)
TypeVerb
Rootpra-viś (धातु)
Formक्त-प्रत्ययान्त भूतकृदन्त (past participle), सप्तमी, बहुवचन; सति-सप्तमी (locative absolute): ‘when (they) had entered’
tadāat that time
tadā:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottadā (अव्यय)
Formअव्यय; कालवाचक (then/at that time)
gaura-mukhaḥGauramukha (fair-faced)
gaura-mukhaḥ:
Karta (कर्ता)
TypeNoun
Rootgaura (प्रातिपदिक) + mukha (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारय (one whose face is fair/white)
muniḥthe sage
muniḥ:
Karta (कर्ता)
TypeNoun
Rootmuni (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; apposition to gauramukhaḥ
pragṛhyahaving taken up
pragṛhya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootpra-grah (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययभाव (gerund): ‘having taken/held’
tamthat
tam:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; सर्वनाम
maṇimgem
maṇim:
Karma (कर्म)
TypeNoun
Rootmaṇi (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
divyamdivine
divyam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdivya (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; विशेषण of maṇim
rājānamto the king
rājānam:
Karma (कर्म)
TypeNoun
Rootrājan (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
chedamthese words / statement
chedam:
Karma (कर्म)
TypeNoun
Rootcheda (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; here as speech-content (what was said)
abravītsaid
abravīt:
Kriyā (क्रिया)
TypeVerb
Rootbrū (धातु)
Formलङ् (Imperfect), परस्मैपद, प्रथमपुरुष, एकवचन

Narrator (default framework: Varāha–Pṛthivī dialogue context; speaker not explicit in this fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘divine jewel’ functions as a portable locus of Viṣṇu-tejas; in Purāṇic idiom, such tejas is a sign of dharma’s authority over kings.","yajna_varaha_imagery":"Maṇi as condensed tejas akin to sacrificial fire’s brilliance; the sage ‘taking up’ the jewel parallels lifting an offering before instruction.","vedantic_connection":"Tejas as a manifestation of īśvara-śakti; sacred objects point beyond themselves to the sustaining presence of Nārāyaṇa."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Guru-śiṣya / rāja-ṛṣi pedagogy","core_concept":"True authority arises when royal power submits to brahminical wisdom and Vaiṣṇava sanctity.","practical_application":"Seek counsel in privacy for sensitive matters; treat sacred objects as instruments of dharma, not spectacle."}

Subject Matter: ["Royal discourse","Courtly narrative","Didactic framing"]

Primary Rasa: Adbhuta

Secondary Rasa: Shanta

Type: ekānta/antahpura space within palace

Related Themes: Varaha Purana 11.11.40 (placing the Vaiṣṇava jewel in seclusion)

Visual Art Cues: {"scene_description":"Sage Gauramukha, pale-faced/bright-faced, lifts a radiant jewel and begins speaking to King Cheda in a secluded palace interior.","item_prompts":["sage holding glowing jewel","king listening attentively","dim inner chamber","halo-like radiance from gem","curtains or screens indicating privacy"],"kerala_mural_prompt":"Kerala mural: sage with luminous maṇi casting a soft aura, king seated respectfully; deep reds/ochres, ornate interior, devotional gravity.","tanjore_prompt":"Tanjore: jewel rendered with bright highlight; gold leaf around gem aura and royal ornaments; sage and king in close, formal composition.","mysore_prompt":"Mysore: subtle chiaroscuro with gem as light source; refined faces; quiet, didactic intimacy.","pahari_prompt":"Pahari: delicate indoor scene, jewel as a small but intense focal point; expressive listening posture of the king."}

Audio Atmosphere: {"recitation_mood":"Hushed, wondrous, confidential","suggested_raga":"Raga Yaman (luminous, contemplative)","pace":"slow-medium","voice_tone":"soft, authoritative, intimate"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology
C
Cultural Heritage Texts

FAQs

It reflects a common Purāṇic narrative technique: a didactic exchange framed through a sage addressing a king, situating instruction within courtly and ethical discourse traditions.

No explicit place-name appears in this verse; it references a royal figure associated with 'Cheda' (often linked in Sanskrit literature to the Cedi/Chedi region), but the location is not directly stated here.

The verse primarily sets up dialogue rather than stating an explicit ethical maxim; its philosophical function is to introduce authoritative speech (a muni addressing a rājā) as the vehicle for subsequent instruction.

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