Sukta 9.61
एतमु त्यं दश क्षिपो मृजन्ति सिन्धुमातरम् । समादित्येभिरख्यत ॥
etám u tyáṃ dáśa kṣípo mṛjánti síndhumātaram | sám ādityébhir akhyata ||
ผู้นี้เอง—มืออันฉับไวทั้งสิบชำระเขา ผู้มีมารดาเป็นสายน้ำ แล้วเขาก็ปรากฏแจ้งโดยสอดประสานกับอาทิตยะ (Ādityas) พลังแห่งระเบียบอันกว้างใหญ่และสัจจะ
The ‘ten swift hands’ cleanse this Soma, whose mother is the river (sindhu-mātaram). He becomes manifest together with the Ādityas.
The ‘ten hands’ are the full instrumentation of the human being—often read as the ten powers/faculties (five senses + five action-forces, or ten prāṇic operations) that participate in purification. Soma born of the ‘River’ is delight arising from the flowing stream of life-consciousness; when purified by disciplined faculties, it becomes openly manifest (akhyata) in harmony with the Ādityas—powers of vastness, law, and truth (Mitra-Varuṇa etc.).
Spiritual experience becomes stable and luminous when the whole instrument is trained and purified; then delight aligns with truth-law and reveals itself as a power of ordered vastness, not a private excitement.
Purification by faculties, Waters symbolism, R̥ta and Ādityas
Pavamāna line: strong emphasis on ‘mārjana’ (cleansing) imagery—ritual and psychological purification intertwined.
Shows the integral method: not one faculty but the whole ‘tenfold’ instrument must participate for Soma to manifest with the law-powers (Ādityas).
Mediator between the flowing waters of existence and the solar law of truth; makes delight compatible with cosmic order.
Transforms raw life-flow into a clarified delight that naturally obeys truth and harmony.
Soma cleansing/straining; ‘mārjana’ actions by multiple officiants
ए॒तमु॒ त्यं दश॒ क्षिपो॑ मृ॒जन्ति॒ सिन्धु॑मातरम् । समा॑दि॒त्येभि॑रख्यत ॥
ए॒तम् । ऊँ॒ इति॑ । त्यम् । दश॑ । क्षिपः॑ । मृ॒जन्ति॑ । सिन्धु॑ऽमातरम् । सम् । आ॒दि॒त्येभिः॑ । अ॒ख्य॒त॒ ॥
etam | oṃ iti | tyam | daśa | kṣipaḥ | mṛjanti | sindhu-mātaram | sam | ādityebhiḥ | akhyata
Jagatī (to be verified against pada syllable counts)
48
4 × 12 syllables
Quick internal movement within a spacious frame—mirrors ‘kṣipaḥ’ (swift) acting within ordered cadence.
Invokes alertness and coordinated effort; culminates in a felt ‘revealing’ on akhyata.
Concrete ritual scene: Soma cleansed by the ten fingers and strained; linked to Āditya invocations for order and purity in the rite.
During the cleansing stages when Soma is handled/strained and clarified
Physical cleansing/straining mirrored by mantric cleansing
Practice as ‘tenfold purification’: before meditation, briefly relax and align senses/actions (seeing, hearing, speech, movement, breath) and offer them into a single stream of clarity.
(mṛjanti) from √mṛj ‘to wipe, cleanse, polish’ often implies ‘make bright’. is a ritual idiom for ‘ten fingers’ cleansing Soma; psychologically, the totality of active faculties refining the delight. (sindhu) ‘river’ evokes the streaming matrix; Āditya relates to Aditi (boundless), hence law/rightness and vastness. √khyā (akhyata) ‘to be seen, become manifest’ marks revelation.
Aditi/Ādityas as vast law (R̥ta), manifestation (khyā) as revelation of truth, integration (sam) of powers
Ādityas embody ṛta; Soma becomes effective when aligned with their order.
Akhya—manifestation—is satya becoming visible in experience.
From waters (apas/sindhu) to law (āditya): evolution from flow to ordered consciousness.
Yogic cosmology: ascent from life-waters to truth-worlds through purification of the instrument.
River = stream of becoming; cleansing = refinement of faculties; sun-law = clarity, truth, wide order.
Coordinate the ‘ten’ faculties into one aspiration; let delight become lawful, wide, and truthful.
Ajna (clarity/manifestation) with support from Vishuddha (purified expression)
Counted breathing 10 cycles; each cycle ‘cleanses’ one faculty/intention, ending with silent receptivity on ‘akhyata’.
Clear, wide, law-abiding joy—quietly radiant.
List ten habitual movements (sensory cravings, reactive speech, etc.); during repetition, offer each into purification, then rest in the sense of Āditya-order (truthful wideness).
Accents likely highlight demonstrative emphasis ‘etam u tyam’ and culmination ‘akhyata’; verify with śākhā svara marks.
Make ‘daśa kṣipo mṛjanti’ slightly quicker and articulate; slow and brighten on ‘sam ādityebhir akhyata’.
etam: dental t clear, kṣipo: kṣ conjunct; short i, mṛjanti: vocalic ṛ; j soft (as in ‘judge’), sindhumātaram: keep compound clear; long ā, ādityebhiḥ: long ā; bh aspirated
Bright, clean articulation; slight lift in tone at the revealing phrase.
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