Sukta 9.3
एष देवो अमर्त्यः पर्णवीरिव दीयति । अभि द्रोणान्यासदम् ॥
eṣá devó ámartyaḥ parṇavī́r iva dīyati | abhí dróṇāny ā́sadam ||
ผู้นี้แลคือเทพ ผู้เป็นพลังอมตะ; ดุจผู้มีปีกย่อมแล่นไว เขามุ่งสู่ถังบีบคั้น มุ่งสู่ที่ตั้งอันเป็นที่ให้ตกตะกอนสงบลง
The immortal god speeds like a winged one and moves toward the vats and the settling-place.
Soma Pavamāna, the immortal delight-power, rushes with winged swiftness through the inner channels toward the ‘vats’—the prepared receptacles of consciousness—where it settles and becomes stable experience (āsadaṃ). The image is of ananda descending and taking its seat in the purified mind-life.
True transformation requires not only a flash of inspiration but a ‘settling’ of higher consciousness into stable receptivity; what descends must find a prepared vessel.
Soma-ritual, Purification, Descent/ascent of inspiration, Establishment of the Truth-current
Anonymous Soma seers often represent a collective yogic insight: the process of purification and descent of delight into prepared receptacles of consciousness.
The self-purifying flow that moves toward offering, becoming fit for the gods and for the right-ordered work.
A descending, clarifying bliss-force that ‘installs’ itself in the being and makes it receptive to higher action.
Pavamāna Soma chants during filtration toward the collecting vats.
ए॒ष दे॒वो अम॑र्त्यः पर्ण॒वीरि॑व दीयति । अ॒भि द्रोणा॑न्या॒सद॑म् ॥
ए॒षः । दे॒वः । अम॑र्त्यः । प॒र्ण॒वीःऽइ॑व । दी॒य॒ति॒ । अ॒भि । द्रोणा॑नि । आ॒ऽसद॑म् ॥
eṣaḥ | devaḥ | amartyaḥ | parṇavīḥ-iva | dīyati | abhi | droṇāni | āsadam
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3×8 (likely)
Quick, gliding movement matching ‘winged’ speed.
Energizes aspiration and creates a sense of descending current; helpful for shifting from scattered thought to a gathered receptivity.
Soma-pavamāna hymns used in Soma pressing and purification (pavamāna cycle) within Soma sacrifices such as Agniṣṭoma.
As Soma runs/flows to droṇa vessels and is set for offering.
Accompanies the flow and settling of Soma; supports orderly sequence of pressing → filtering → collecting.
Use at the start of meditation to invite a ‘descent’ of calm joy into the body-mind as into a prepared vessel.
Key terms: (1) amartyaḥ: a-mṛta ‘not dying’, from √mṛ ‘to die’. (2) dīyati: likely from √dī/√dyu ‘to shine/move swiftly’ in Vedic usage, expressing rapid motion/impulsion of the Soma-stream. (3) droṇa: ‘vat, trough’, a ritual container; symbolically a dhāraṇa ‘holder’ of rasa (essence). (4) āsadam: from ā-√sad ‘to sit down, settle, establish’; indicates the movement toward firm establishment of the flow.
Ṛta (right order in the movement toward establishment), Amṛtatva (immortality as stable consciousness), Rasa/Ānanda (essence-delight carried by Soma)
The movement toward the proper ‘seat’ reflects right placement—energies finding their true station in ṛta.
Immortality implies a truth-principle that does not decay with mental fluctuations.
Descent and settling: higher consciousness taking form in lower instruments.
Integral yoga resonance: descent (avataraṇa) into mind-life and establishment (āsana/āsada) as stable realization.
The winged flight is the swift movement of delight through subtle channels; vats are purified faculties; settling-place is stable samādhi-like poise.
Visualize a luminous nectar-current descending and seating itself in the heart and brow; cultivate receptivity.
Anāhata (settling of joy) and Ājñā (clarity)
Inhale: ‘winged ascent of attention’; exhale: ‘settling into the vat’—slow 4–6 count exhale emphasis.
Receptive concentration with a gentle, swift inner movement.
Prepare the ‘vats’ by relaxing body and quieting breath; repeat the mantra and feel the descent of a calm sweetness that becomes stable rather than fleeting.
Rigvedic accenting per Śākala tradition (udātta rise, svarita fall, anudātta low); exact accents require sourced svara text.
Let the first pāda be slightly brighter; soften into the last word āsadam to convey ‘settling’.
eṣa: ‘ṣ’ retroflex; short e, devo: ‘v’ as soft labio-dental, amartyaḥ: clear ‘tya’ cluster, parṇavīr iva: retroflex ṇ; keep iva separate, droṇāny: long ō; palatal ny
Light, flowing, slightly airy at start, grounded at the end.
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