Sukta 9.106
पवस्व देववीतय इन्दो धाराभिरोजसा । आ कलशं मधुमान्त्सोम नः सदः ॥
pávāsva devávītaya índo dhā́rābhir ójasā | ā kalaśáṃ mádhumāntsoma naḥ sadáḥ ||
เพื่อการรับอันชื่นบานของเหล่าเทวะ จงชำระตนให้บริสุทธิ์เถิด โอ อินทุ (Indu) ด้วยธาราแห่งพลัง. โสมะ (Soma) ผู้เปี่ยมด้วยน้ำผึ้ง จงมาสู่กะละศะ (kalaśa) และประทับนั่งภายในพวกเรา.
Purify yourself for the gods’ enjoyment, O Indu, with streams of strength. Come to the vessel, honey-rich Soma, and sit for us.
Soma is invoked to self-purify so the inner gods (higher faculties) can receive and rejoice (devavītaye). The purification happens ‘with streams of ojas’—not weak refinement but forceful currents of energy. The ‘vessel’ (kalaśa) is both the ritual jar and the prepared inner receptacle: a concentrated, quiet heart-mind capable of holding delight without spilling into desire. ‘Sit for us’ asks Soma to take a stable seat within the being—Ananda established as a constant presence, not a passing mood.
Spiritual sweetness must be housed in a prepared vessel: a steady, purified receptivity. Then delight becomes stable and nourishing to the highest powers, and life is transformed from within.
Soma-ritual, invitation, purification, inner seating of the force
Culminating gesture of the sequence: Soma is not only invoked to flow but to ‘arrive’ and ‘sit’—the stabilization of Ananda in the adhāra (support) of the practitioner.
Purifier and delight-giver who becomes the settled nectar in the sacrificial vessel and in consciousness.
Stabilized Ananda that nourishes higher faculties; strong streams of transforming energy (ojas).
Soma filtration and placement into the kalaśa; invitation to the ‘sadas’ (ritual session/seat)
पव॑स्व दे॒ववी॑तय॒ इन्दो॒ धारा॑भि॒रोज॑सा । आ क॒लशं॒ मधु॑मान्त्सोम नः सदः ॥
पव॑स्व । दे॒वऽवी॑तये । इन्दो॒ इति॑ । धारा॑भिः । ओज॑सा । आ । क॒लश॑म् । मधु॑ऽमान् । सो॒म॒ । नः॒ । स॒दः॒ ॥
pavasva | deva-vītaye | indo iti | dhārābhiḥ | ojasā | ā | kalaśam | madhu-mān | soma | naḥ | sadaḥ
2 half-verses; imperative-heavy first half, settling cadence in the second (‘ā kalaśam…sadaḥ’).
From energetic streaming to a calm ‘seating’ resolution.
Begins energizing, ends grounding—excellent for concluding a practice and establishing calm sweetness.
Directly aligned with Soma filtration into the kalaśa (vessel) and invitation for Soma to ‘sit’ in the session (sadas), i.e., to become present for offering and inner reception.
As Soma approaches the vessel and is prepared for offering/distribution
Chant while Soma is poured/settled; inwardly invite delight to collect and abide in the heart
Use at the end of meditation to ‘seal’ the state—asking sweetness to remain seated through the day.
from √ (pū) ‘to purify/cleanse’ in middle imperative. (ojas) from √/ semantic field ‘strength, vigor’ (Vedic ojas as concentrated potency). (deva-vīti) ‘gods’ enjoyment/reception’ from √ (vī) ‘to go/pursue’ → vīti as ‘pursuit/feast/reception’ in ritual diction. (kalaśa) ‘vessel/jar’ (later common).
purification (śuddhi as inner clarification), Ananda (madhu), strengthening of the devas (ojas)
Right order includes not only movement but stable establishment (sadaḥ) of the divine in the vessel of life.
A true vessel holds delight without distortion into craving.
The descent/settling of nectar into form—consciousness embodied and stabilized.
Integral Yoga: descent and fixation of higher Ananda into the adhāra.
Streams = sustained currents of practice; vessel = gathered receptivity; honey = healing delight; seat = stable consciousness.
Prepare the inner vessel; invite delight to settle and remain.
Anahata (heart-vessel) with Sahasrara (nectar descent, subtle)
Slow exhale lengthening (e.g., 4-6) while feeling Soma ‘pour’ down and collect in the heart-center.
Quiet, collected sweetness; stable receptivity.
After purification (letting go of agitation), imagine streams of luminous sweetness descending; feel an inner cup at the heart; repeat the mantra until the sweetness ‘sits’—then rest silently for a minute.
Not provided; chant with a flowing rise on ‘pavasva…dhārābhir ojasā’ and a gentle settling fall on ‘ā kalaśam…sadaḥ’.
Make ‘pávasva’ clear and open; keep ‘dhārābhir ójasā’ as a strong, continuous phrase; soften and lengthen ‘mádhumān soma naḥ sádaḥ’ to convey settling.
(devavītaye): long ‘ī’; avoid ‘devavittaye’, (dhārābhiḥ): long ‘ā’; aspirated ‘bh’, (ojasā): ‘o’ pure; ‘j’ voiced, (kalaśaṃ): final anusvāra as nasalization; ‘ś’ palatal
Smooth, warm, nectar-like; end in a quiet, seated tone.
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