Sukta 2.40
सोमापूषणा रजसो विमानं सप्तचक्रं रथमविश्वमिन्वम् । विषूवृतं मनसा युज्यमानं तं जिन्वथो वृषणा पञ्चरश्मिम् ॥
somā́pūṣaṇā rájaso vimā́naṃ saptácakraṃ rátham áviśvaminvam | viṣūvṛ́taṃ mánasā yujyámānaṃ táṃ jinvatho vṛṣaṇā páñcaraśmim ||
โสมะและปูษันเอ๋ย ท่านทั้งสองเร่งเร้า “รถ” ที่วัดแดนกลาง (รชัส) นั้น—รถเจ็ดล้อ เคลื่อนไปทั่วทุกสิ่ง; หมุนเวียนกว้างใหญ่ ถูกเทียมด้วยใจ—พลังห้าบังเหียนนั้น โอ้ผู้ทรงฤทธิ์ทั้งสอง ท่านทำให้แล่นไป
Soma and Pūṣan are invoked as two strong powers who set in motion a vast chariot that “measures” the mid-world (rajas), seven-wheeled, all-moving; it turns widely, is yoked by the mind, and is described as having five reins.
The rishi sees a single inner “vehicle” of the yoga driven by the twin powers: Soma (ānanda, the delight-essence that makes consciousness supple and luminous) and Pūṣan (the guiding, fostering, path-finding power that leads the seeker on the right tracks). The “chariot that measures rajas” is the dynamic movement of consciousness through the intermediate plane (antarikṣa/rajas)—the field where thought, life-force, and desire-movements must be ordered. “Seven wheels” suggest the full, integral movement of the being (sevenfold energies/planes) made capable of universal progress; “five reins” indicate the disciplined governance of the human instrument (often read as the five vital currents or the five senses/powers of action) so that the journey is not dragged by outer impulses but “yoked by mind” (manasā yujyamānam)—i.e., consciously directed aspiration and attention. The wide-turning movement (viṣūvṛtam) is the capacity to turn in all directions of experience without losing the inner orientation, converting all contacts into fuel for the sacrifice.
Spiritual progress requires both delight (Soma) and right guidance (Pūṣan). When the mind consciously yokes the forces of the nature and holds the “reins,” the whole being becomes a well-governed vehicle capable of moving through the intermediate world of mixed light and obscurity, measuring it, mastering it, and turning every experience into a step toward wholeness.
Divine chariot, Inner discipline, Cosmic measure, Energizing forces
Māṇḍala 2 is largely attributed to the Gṛtsamada family of seers; hymns often emphasize ordered inner progress, protection, and right guidance through mixed planes.
Gṛtsamada’s vision frequently joins dynamic force with luminous order—an inner sacrifice where powers are yoked, guided, and made victorious over confusion. Here the seer frames spiritual travel as a governed chariot-work: delight and guidance together master the intermediate nature.
Soma: the immortal essence that nourishes gods and expands consciousness; Pūṣan: guardian of paths, protector of travelers, nourisher and increaser, guide through perilous passages.
Soma brings ananda and luminous cohesion; Pūṣan brings right direction, safe passage, and the power to integrate and “find” the lost light in the mid-world. Together they mobilize and steer the seeker’s whole nature.
Soma-yajña invocations; dual deity praise within śrauta offerings (contextual use in Soma pressing and offering sequences)
सोमा॑पूषणा॒ रज॑सो वि॒मानं॑ स॒प्तच॑क्रं॒ रथ॒मवि॑श्वमिन्वम् । वि॒षू॒वृतं॒ मन॑सा यु॒ज्यमा॑नं॒ तं जि॑न्वथो वृषणा॒ पञ्च॑रश्मिम् ॥
सोमा॑पूषणा । रज॑सः । वि॒ऽमान॑म् । स॒प्तऽच॑क्रम् । रथ॑म् । अवि॑श्वऽमिन्वम् । वि॒षु॒ऽवृत॑म् । मन॑सा । यु॒ज्यमा॑नम् । तम् । जि॒न्व॒थः॒ । वृ॒ष॒णा॒ । पञ्च॑ऽरश्मिम् ॥
somāpūṣaṇā | rajasaḥ | vi-mānam | sapta-cakram | ratham | aviśva-minvam | viṣu-vṛtam | manasā | yujyamānam | tam | jinvathaḥ | vṛṣaṇā | pañca-raśmim
44
4 pādas of ~11 syllables each
Driving, expansive, and forward-pressing; suited to dynamic invocation and movement imagery.
Creates a sense of propulsion and organized force; supports visualization of inner “yoking” and steady advance through the mid-region.
Chariot/vehicle imagery typical of invitational and empowerment verses in Soma rites; supports the ‘yoking’ (yuj) theme—disciplining energies for the sacrificial ascent.
During Soma-related recitations/invitations to deities; also as supportive stotra-like praise in associated rites.
Calling the deities to energize and guide the rite; aligning the ‘vehicle’ of the sacrifice for successful passage and increase.
Use as a meditation-chanted affirmation for ‘yoking the mind’ and governing the senses/energies; helpful before study, travel, or any transition requiring right direction plus inner joy.
ratha ‘chariot’ is a key IE poetic vehicle-image (cf. Avestan raθa-, Lat. rota ‘wheel’ related to *ret(h)-). vimāna: vi- + √mā ‘measure’ (PIE *meh₁- ‘measure’; cf. Gk. métron). yuj: √yuj ‘yoke, join’ (PIE *yeug-; cf. Lat. iugum, Eng. yoke). raśmi ‘rein/ray’ from √raś ‘to stretch/extend’, indicating lines of control or rays of power.
measuring/ordering consciousness (vi-māna), discipline/yoking (yuj), sevenfold completeness and fivefold instrumentation
The ‘measuring’ chariot symbolizes r̥ta as a lawful traversal and mastery of the intermediate world—movement aligned to truth.
Mind-yoking suggests truth-directed intention; wide-turning without losing aim indicates stable satya in changing conditions.
Sevenfold structuring of the cosmos/being; organized energies that can traverse and transform the middle world.
Proto-Vedāntic/Integral (Aurobindonian) reading: ascent through planes with delight and guidance; also resonant with Sāṃkhya-like mapping of levels/energies.
The atmosphere/rajas corresponds to the subtle field of prāṇa and mental-vital movements; wheels/reins correspond to cyclic energies and their disciplined governance by conscious mind.
Yoking the mind to the divine movement: let delight (Soma) soften resistance while guidance (Pūṣan) aligns intention.
Ājñā (for mind-yoking and inner direction) and Anāhata (for Soma-like sweetness and wideness)
Nadi-śodhana (alternate-nostril) or slow counted breathing while mentally ‘holding the reins’ on exhale.
Collected, forward-moving, wide yet governed awareness (wideness without dispersion).
Before chanting, set a clear inner aim. During repetition, feel the ‘reins’ as attention returning from sense-objects to the heart of aspiration; end by offering all movements into a single steady forward will.
Vedic svara as per Śākala recension: udatta/anudatta/svarita distributed across accented syllables; preserve udātta on key invocatory words (e.g.,, ).
Keep udātta as the perceptible rise; svarita as fall-glide; avoid flattening the dual invocation ‘somāpūṣaṇā’. Split at pāda breaks for breath.
Maintain retroflex ṣ in pūṣaṇā and viṣūvṛtam., Hold long vowels: rājasaḥ/rajasaḥ nuance—do not shorten ā/ī where marked., Pronounce ṛ in vṛṣaṇā with clear syllabic ‘ri’ quality, not ‘ar’., Sandhi: manasā yujyamānam—keep yuj- as ‘yuj-ya-’ (not ‘yoo-jya’).
Clear, steady, forward-pressing; slight emphasis on rhythmic cadence of triṣṭubh.
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