Sukta 1.110
आ मनीषामन्तरिक्षस्य नृभ्यः स्रुचेव घृतं जुहवाम विद्मना । तरणित्वा ये पितुरस्य सश्चिर ऋभवो वाजमरुहन्दिवो रजः ॥
ā́ manīṣā́m antárikṣasya nṛ́bhyaḥ srucéva ghṛtáṃ juhavāma vidmánā | taraṇitvā́ yé pitúr asya saścirá ṛ́bhavo vā́jam aruhan divó rájaḥ ||
เราทั้งหลายถวายด้วยญาณ (vidmánā) รินความอุดมอันใสกระจ่างดุจฆฤตะ (ghṛta) ในทัพพี แด่พลังของเหล่ามนุษย์ในแดนกลาง (antarikṣa)—คือมโนทัศน์อันดลใจของเรา เหล่าริภุ (Ṛbhu) ผู้แนบสนิทกับบิดาด้วยฤทธิ์แห่งการข้ามพ้น (taraṇitvā) ได้ขึ้นสู่วามชนะ (Vāja) และผงาดสู่แดนสว่างไสวแห่งสวรรค์
The singer offers an inspired thought as an oblation—like ghee in a ladle—to the “men” (nṛbhyas) of the mid-region. The Ribhus, by a power of crossing, adhered to the Father and mounted the Vāja, rising to the luminous heavenly realm.
The “mid-region” (antarikṣa) is the inner vital-mental field where aspiration and struggle occur. Manīṣā is not mere opinion but a luminous inspired cognition offered into the inner yajña. The Ribhus are the powers of skilful formation (su-apasyā): they take raw substance and refashion it into a fit vessel for the Divine Work. By taraṇitvā (the power to cross beyond limitation) they cleave to the “Father” (the originating Consciousness, the creative Source) and ascend on Vāja (victorious plenitude/force of realization) into the higher luminous plane (divo rajaḥ).
Spiritual ascent is effected by offering one’s best intelligence and aspiration into an inner sacrifice; when the consciousness acquires the power to “cross over” resistances, the formative powers within us can remake life into a vehicle of plenitude and rise into a higher light.
knowledge-offering, ascent to higher plane, adhesion to the Father principle
Ribhu-praise tradition (Ṛbhukṣaṇa/Ṛbhavaḥ hymnic current); artisan-mystic symbolism of perfecting forms for the gods.
The rishi-vision here emphasizes yoga as ‘right workmanship’: offering illumined thought, crossing beyond limitation, and ascending with the perfected powers into higher consciousness.
Divine artisans who refashion and perfect forms; they restore youth, create fit vehicles for Indra and the gods, and open the ascent to the luminous world.
The psychic-mental capacity for exact formation: transforming crude energies into instruments of the Divine Will; mastery of processes that enable ascent (taraṇa).
Śrauta Soma-yajña associated recitation in praise/invocation sections; also usable as a general stotra-like praise of divine powers of perfection.
आ म॑नी॒षाम॒न्तरि॑क्षस्य॒ नृभ्य॑: स्रु॒चेव॑ घृ॒तं जु॑हवाम वि॒द्मना॑ । त॒र॒णि॒त्वा ये पि॒तुर॑स्य सश्चि॒र ऋ॒भवो॒ वाज॑मरुहन्दि॒वो रज॑: ॥
आ । मा॒नी॒षाम् । अ॒न्तरि॑क्षस्य । नृऽभ्यः॑ । स्रु॒चाऽइ॑व । घृ॒तम् । जु॒ह॒वा॒म॒ । वि॒द्मना॑ । त॒र॒णि॒ऽत्वा । ये । पि॒तुः । अ॒स्य॒ । स॒श्चि॒रे । ऋ॒भवः॑ । वाज॑म् । अ॒रु॒ह॒न् । दि॒वः । रजः॑ ॥
ā | mānīṣām | antarikṣasya | nṛ-bhyaḥ | srucāiva | ghṛtam | juhavāma | vidmanā | taraṇi-tvā | ye | pituḥ | asya | saścire | ṛbhavaḥ | vājam | aruhan | divaḥ | rajaḥ
44
4 pādas × ~11 syllables
Strong, forward-driving, suited to ascent and victorious formulation.
Creates an inner ‘lift’—a firm stride of consciousness—supporting offering (juhavāma) and upward movement (aruhan).
Oblation imagery (ghṛta, sruç) in Soma/yajña setting; emphasizes offering by vidyā (knowledge) rather than mere outer act.
During Soma-sacrifice sequences or hymnic praise to invite supportive powers for the rite’s success.
Offering of ghee/oblations with recitation; inwardly, offering of illumined thought into the psychic fire.
Use as a ‘work-and-yoga’ mantra before creative labor or disciplined practice: offer the mind’s clarity, invoke inner craftsmanship, and aspire upward beyond limitation.
manīṣā from √man ‘think’ + īṣā/formation → inspired intelligence. antarikṣa ‘mid-space’ (between earth and heaven) = intermediary plane (vital-mental). ghṛta from √ghṛ ‘to shine/sprinkle’ (semantic field of brightness and unction) → clarified luminous substance. vidman from √vid ‘to know’ (PIE *weid- ‘see/know’). vāja from √vaj ‘to be strong, to speed’ → force/plenitude; thus not merely ‘food/prize’ but energetic fullness. divaḥ rajas: rajas ‘space/region’ (also ‘dust’ in other contexts) here ‘luminous expanse’.
Vidyā/vidman (knowledge as power), Taraṇa (crossing beyond), Vāja (plenitude of force)
The Ribhus embody ṛta through exact workmanship—right arrangement of energies and forms.
Ascent to divo rajaḥ signifies entry into truth-light where forms are governed by Satya.
Refashioning/renewal: creation as perfection of forms, not ex nihilo making.
Proto-Vedāntic/Vijñāna-oriented reading (Aurobindo/Kashyap): ascent from vital-mental to truth-plane through sacrifice and inner formation.
Clarified ghee = clarified mind-substance; ladle = focused attention; mid-region = vital-mental field; heaven-realm = higher illumination/truth-consciousness.
Offer the day’s highest thought into the inner fire; cultivate the ‘crossing power’ that moves beyond inertia and confusion into clear light.
ājñā (illumined mind) with upward movement toward sahasrāra (luminous realm).
Moderate inhalation on ā…manīṣām; gentle retention on juhavāma; exhale on aruhan divo rajaḥ to feel ascent.
From active concentration to uplifted quiet clarity (illumined mind).
Before study/work: pause, gather manīṣā (one clear intention), offer it inwardly; then act with ‘Ribhu’ precision—small exact steps that cumulatively lift consciousness.
Triṣṭubh with Vedic accents: observe udatta on marked syllables, svarita on combined/marked rises (/ in context), anudatta as the unmarked ground; keep a steady triṣṭubh gait.
Lift the voice on accented syllables such as ā, mánīṣām, antárikṣasya, nṛ́bhyaḥ, ghṛtám, júhavāma; maintain clear fall after udatta to preserve the Vedic contour.
ṛbhavo: vocalic ṛ, not ‘ri’, ghṛtaṃ: ghṛ = aspirated gh + vocalic ṛ, antarikṣasya: kṣ as a conjunct (k+ṣ), divo rajaḥ: rajaḥ with visarga-like ḥ at end (soft aspiration)
Clear, steady, slightly uplifting on ascent phrases (aruhan divo rajaḥ).
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