Sukta 10.39
युवं च्यवानं सनयं यथा रथं पुनर्युवानं चरथाय तक्षथुः । निष्टौग्र्यमूहथुरद्भ्यस्परि विश्वेत्ता वां सवनेषु प्रवाच्या ॥
yuváṃ cyávānaṃ sanáyaṃ yáthā ráthaṃ púnar yúvānaṃ caráthāya takṣathuḥ | níṣ ṭaugryám ūhathur adbhyás pári víśvet tá vām sávanesu pra-vā́cyā ||
ஓ அஶ்வினர்களே! ரதத்தை மீண்டும் செதுக்கி அமைப்பதுபோல், முதிர்ந்த ச்யவானனை நீங்கள் மறுபடியும் இளமையாக்கி பயணத்திற்குத் தகுதியாக்கினீர். மேலும் எல்லாத் திசைகளிலும் சூழ்ந்த நீர்களிலிருந்து துக்ர்யனை நீங்கள் வெளியே தூக்கி மீட்டீர்—உங்கள் இச் செயல்கள் எல்லா ஸவனங்களிலும் (ஸோமப் பிழிவுகளிலும்) புகழ்ந்து அறிவிக்கப்பட வேண்டியவை.
The Aśvins made the old Cyavāna young again as one repairs a chariot, and they rescued Tugrya from the encompassing waters; these deeds are to be proclaimed at all Soma pressings.
Cyavāna is the ‘fallen/declining’ part of the being—aged habit, fatigue, or a consciousness that has slipped from its higher poise. The Aśvins ‘rebuild the chariot’ (the embodied instrument) so the soul-force can journey again. Tugrya in the waters signifies consciousness submerged in the inconscient/subconscient flood; the Twins draw it out from surrounding obscurity. The mantra affirms the possibility of radical renewal and emergence from engulfing inner conditions.
No decline is final: the powers that govern transition can refashion the instrument and lift consciousness out of drowning states; renewal is a law of the spirit.
rejuvenation, rescue-from-waters, praise-at-savana
The mantra uses well-known Aśvin ‘itihāsa’ motifs as symbolic proof: what is told as marvel is also a psychological law—renewal of the instrument and rescue from the waters of obscurity.
Agents of restoration and safe passage; they intervene at liminal crises (aging, drowning, perilous transition).
Rejuvenating force and emergent power: they rebuild the ‘vehicle’ and lift consciousness out of engulfment.
Soma pressing praises (savana) highlighting Aśvin feats
यु॒वं च्यवा॑नं स॒नयं॒ यथा॒ रथं॒ पुन॒र्युवा॑नं च॒रथा॑य तक्षथुः । निष्टौ॒ग्र्यमू॑हथुर॒द्भ्यस्परि॒ विश्वेत्ता वां॒ सव॑नेषु प्र॒वाच्या॑ ॥
यु॒वम् । च्यवा॑नम् । स॒नय॑म् । यथा॑ । रथ॑म् । पुनः॑ । युवा॑नम् । च॒रथा॑य । त॒क्ष॒थुः॒ । निः । तौ॒ग्र्यम् । ऊ॒ह॒थुः॒ । अ॒त्ऽभ्यः । परि॑ । विश्वा॑ । इत् । ता । वा॒म् । सव॑नेषु । प्र॒ऽवाच्या॑ ॥
yuvam | cyavānam | sanayam | yathā | ratham | punaḥ | yuvānam | carathāya | takṣathuḥ | niḥ | taugryam | ūhathuḥ | at-bhyaḥ | pari | viśvā | it | tā | vām | savaneṣu | pra-vācyā
44
4 × 11 (probable)
Heroic, narrative drive; strong forward motion like a journey restored.
Energizes resolve; evokes confidence in transformation and rescue.
Recited as praise of Aśvin saving acts in Soma pressings; supports the theme of restoration and rescue within the sacrifice.
During Soma rites; recited as exemplary deeds to invite similar aid
Proclamation (pravācya) of divine deeds as part of invocation
For renewal after burnout/illness and for emerging from depression/anxiety (‘waters’); used as a ‘rebuild my chariot’ affirmation.
takṣathuḥ: 2du perfect/aorist from √takṣ ‘fashion, build’ (cognate with ‘textile/tectonic’ family; cf. Latin texere ‘weave/build’ by PIE *(s)teks-). adbhyás: abl. pl. of áp ‘water’. ūhathuḥ: from √vah/√ūh ‘carry, convey’ (RV forms vary).
rebirth/renewal of vitality, rescue from the subconscient waters
Refashioning the chariot is re-establishing right order in the instrument so it can carry the soul’s intention.
The ‘deeds to be proclaimed’ serve satya by making the saving law conscious and repeatable in sadhana.
Re-creation (takṣ) as divine craftsmanship; emergence from waters mirrors creation-from-waters imagery.
Yoga of divine workmanship (Aurobindo: transformation of nature)
dawn (implicit via Aśvin context)
Waters = subconscious/inconscient field; chariot = embodied system; journey = evolutionary movement of consciousness.
Invoke inner rejuvenation and emergence from subconscious engulfment; surrender the ‘vehicle’ to divine re-making.
maṇipūra (renewed strength) and ājñā (guiding insight)
Energizing inhalation with brief hold imagining the ‘chariot’ being rebuilt; long exhale imagining being lifted from waters.
From tamas/engulfment to restored dynamism and forward journeying.
Visualize yourself as a chariot: wheels (habits), reins (mind), horses (vital forces). Offer each to the Aśvins; then visualize being drawn from dark waters into dawn air.
Rigvedic udatta/anudatta/svarita per Śākala (needs accented source for exact).
Let narrative verbs (takṣathuḥ, ūhathur) carry clear emphasis; keep pāda endings clean and unhurried.
‘cyavānam’—palatal ‘cy’ cluster, not ‘ch’., ‘niṣ ṭaugryam’—maintain ṣ and ṭ with retroflex clarity., ‘adbhyas’—pronounce ‘dbhy’ cluster smoothly without extra vowel.
Heroic but controlled; resonant chest voice with clear articulation.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.