Atharva Veda Sukta 39
Kanda 6Anuvaka 4Sukta 393 Mantras

Sukta 39

Rishi: Atharvanic tradition (Anukramaṇī attribution varies; commonly treated as a royal/prosperity prayer)

Devata: Indra

Chandas: Triṣṭubh (by cadence and length; common for Indraic royal petitions)

ଅଥର୍ବବେଦ ୬.୩୯ ଏକ ସଂକ୍ଷିପ୍ତ ରାଜ-ସମୃଦ୍ଧି ମନ୍ତ୍ର, ଯେଉଁଥିରେ ଇନ୍ଦ୍ରଙ୍କ ବିଜୟୀ ପ୍ରେରଣା (ଇନ୍ଦ୍ରଜୂତ) କୁ ରାଷ୍ଟ୍ର (ସ୍ଥିର ଶାସନ/ଆଧିପତ୍ୟ), ଯଶସ୍ (ଲୋକପ୍ରସିଦ୍ଧି), ଏବଂ ବର୍ଚସ୍ (ତେଜସ୍ୱୀ ଉପସ୍ଥିତି) ପରି ସାମାଜିକ ମଙ୍ଗଳରେ ସଂକେନ୍ଦ୍ରିତ କରାଯାଇଛି। ତିନିଟି ମନ୍ତ୍ରରେ ଏହା ଯଶକୁ ଯଜ୍ଞାହୁତି ପରି ରିତୁଆଲ ଭାବେ ପୋଷଣ କରିପାରିବା ଜିନିଷ ଭାବେ ଦେଖାଏ, ପରେ ତାହାକୁ ଦୀର୍ଘକାଳୀନ ଏବଂ ସାର୍ବଜନୀନ ଭାବେ ଦୃଶ୍ୟ ଶ୍ରେଷ୍ଠତା (ଜ୍ୟେଷ୍ଠତା) ଭାବେ ଦାବି କରାଯାଏ।

Kind of charm

Paushtika (prosperity)
Recitation with translationAtharva Veda 6.39

Mantras

Mantra 1

वर्चस्यम्। यशो॑ ह॒विर्व॑र्धता॒मिन्द्र॑जूतं स॒हस्र॑वीर्यं॒ सुभृ॑तं॒ सह॑स्कृतम्। प्र॒सर्स्रा॑ण॒मनु॑ दी॒र्घाय॒ चक्ष॑से ह॒विष्म॑न्तं मा वर्धय ज्ये॒ष्ठता॑तये

ବର୍ଚ୍ଚସ (ପ୍ରଭା) ପାଇଁ: ଯଶ—ହବି ରୂପେ—ବୃଦ୍ଧି ପାଉ; ଇନ୍ଦ୍ରଜୂତ (ଇନ୍ଦ୍ର-ପ୍ରେରିତ), ସହସ୍ରବୀର୍ୟ (ହଜାରଗୁଣ ଶକ୍ତି)ଯୁକ୍ତ, ସୁଭୃତ (ସୁସଂବର୍ଧିତ), ସହସ୍କୃତ (ବଳଦ୍ୱାରା ଗଢ଼ା). ଦୀର୍ଘାୟ ଚକ୍ଷସେ (ଦୀର୍ଘକାଳ ଦୃଶ୍ୟତା/ପ୍ରତିଷ୍ଠା) ପାଇଁ ନିରନ୍ତର ଧାରାରେ ପ୍ରସାରିତ ହେଉଥିବା. ହବିଷ୍ମାନ ମୋତେ, ଜ୍ୟେଷ୍ଠତାତୟେ (ପ୍ରାଧାନ୍ୟ) ପାଇଁ, ତୁମେ ବୃଦ୍ଧି କର।

Mantra 2

अच्छा॑ न॒ इन्द्रं॑ य॒शसं॒ यशो॑भिर्यश॒स्विनं॑ नमसा॒ना वि॑धेम । स नो॑ रास्व रा॒ष्ट्रमिन्द्र॑जूतं॒ तस्य॑ ते रा॒तौ य॒शसः॑ स्याम

ଏଠାକୁ ଆମେ ଯଶସ୍ବୀ ଇନ୍ଦ୍ରଙ୍କ ପାଖକୁ, ଆମ ଯଶମାନଙ୍କ ସହ, ଯଶ ଦାତାଙ୍କୁ, ନମସ୍କାର କରି ସେବା କରୁ। ହେ ଇନ୍ଦ୍ର, ଆମକୁ ଇନ୍ଦ୍ରଜୂତ (ଇନ୍ଦ୍ର-ପ୍ରେରିତ) ରାଜ୍ୟ/ରାଷ୍ଟ୍ର ଦିଅ; ତୁମ ଦାନ-ରାତୌରେ ଆମେ ଯଶସ୍ବୀ ହେବୁ।

Mantra 3

य॒शा इन्द्रो॑ य॒शा अ॒ग्निर्य॒शाः सोमो॑ अजायत । य॒शा विश्व॑स्य भू॒तस्या॒हम॑स्मि य॒शस्त॑मः

ଯଶସ୍ବୀ ଇନ୍ଦ୍ର, ଯଶସ୍ବୀ ଅଗ୍ନି; ଯଶସ୍ବୀ ସୋମ ଜନ୍ମିଛି। ସମସ୍ତ ଭୂତ-ଅସ୍ତିତ୍ୱରେ ମୁଁ ଯଶସ୍ବୀ—ସର୍ବାଧିକ ଯଶସ୍ବୀ।

Inside Sukta 39

How it unfolds

  1. How it opens

    It begins by framing fame/splendour as something that can be increased like an oblation—Indra-impelled and force-wrought—meant for long-enduring visibility.

  2. What it asks

    Indra is asked to bestow an indrajūta rāṣṭra (Indra-driven realm) so that the recipients become ‘men of glory’ through his gift.

  3. Where its power lies

    The hymn asserts that glory is intrinsic to the great divine powers (Indra, Agni, Soma) and can be claimed by the speaker as a highest, surpassing yaśas.

  4. How it closes

    It seals by self-identification with glory—‘I am glorious… most glorious’—a performative closure that fixes fame as an accomplished state.

Famous verses

हविर्वर्धताम् इन्द्रजूतम् (havir vardhatām indrajūtam)
Verse 6.39.1Defines the hymn’s ritual logic: yaśas/varcas is treated as havis that can be ‘made to grow,’ culminating in jyeṣṭhatā (pre-eminence).Read verse 6.39.1 →
राष्ट्रम् इन्द्रजूतम् (rāṣṭram indrajūtam)
Verse 6.39.2Core royal petition to Indra for rāṣṭra and for glory within Indra’s granting; explicitly names indrajūta dominion.Read verse 6.39.2 →
यशस्तमः (yaśastamaḥ)
Verse 6.39.3A concise fame-affirmation: glory is traced to major deities and then appropriated by the speaker as the superlative yaśas.Read verse 6.39.3 →

Kind of hymn

Paustika (Prosperity) / Rāṣṭrābhivardhana (Increase of the realm)

What it is for

Expansion and stabilization of a realm together with lasting public fame, visible eminence, and recognized pre-eminence for the patron/community.

Who it is for

Kings, chiefs, householders seeking status; court-priests/atharvans performing prosperity rites for a patron or community.

Also used as

  • Rāṣṭrābhivardhana (increase of the realm)
  • Yaśas-kāma (desire for fame)
  • Varchasya (splendour/charisma)

The deity

Indra is invoked as the divine victor and king-maker whose impetus legitimizes and stabilizes dominion; Yaśas/Varcas functions as the personified aura of fame, splendour, and social visibility that adheres to the patron and community.

Powers of the deity

  • Imparts victory and political momentum (indrajūta)
  • Grants rāṣṭra: stable rule, territory, and collective cohesion
  • Increases yaśas: reputation, acclaim, and honor
  • Augments varcas: radiance, confidence, commanding presence
  • Confers jyeṣṭhatā: pre-eminence/seniority over rivals

Why the deity is called

To obtain Indra-sanctioned dominion and to internalize divine fame as a durable, publicly recognized superiority for the patron and their people.

The seer

  • Atharvanic seer (Anukramaṇī attribution varies)Atharvan. Paustika and rāṣṭrābhivardhana charms: building prestige (yaśas/varcas), securing leadership, and stabilizing communal victory through mantra-backed “charisma” and success.

Other hymns of this seer

  • AV 6.38
  • AV 6.40
  • AV 3.12 (yaśas/varcas-type themes, broadly Atharvanic)

Preparing for the rite

  • Choose a clean, orderly space (court, hall, or household shrine) oriented to east if possible.
  • Prepare a simple offering setup (fire or offering-place) and seat the patron facing the reciter.
  • Set a clear intention: rāṣṭra (realm), yaśas (fame), and jyeṣṭhatā (pre-eminence) without harm to allies.

The rite

  • Recite 6.39.1 as an ‘enlivening’ of fame as havis—mentally offering one’s merit/offerings into the growth of varcas/yaśas.
  • Recite 6.39.2 as the formal petition to Indra for an indra-driven realm and for glory within Indra’s gift.
  • Recite 6.39.3 as the appropriation/affirmation: aligning oneself with the glory of Indra, Agni, and Soma and sealing the identity as yaśastama.
  • Optionally conclude with a brief oblation (ghee/grain) or respectful namas to Indra, matching the hymn’s “namasānāḥ” posture.

What it needs

  • Havis/oblation in a minimal form (e.g., ghee, grain, or food-offering)
  • Clean water for sipping/sprinkling (optional, for śauca)

When

Auspicious occasions tied to leadership and public standing: before assemblies, inaugurations, campaigns, or at sunrise on a bright fortnight day.

The main substance

Havis (symbolic/actual oblation such as ghee or grain)

How it is prepared

Keep the offering simple and pure; if using fire, offer a small portion of ghee/grain while reciting 6.39.1–2, then conclude with 6.39.3 as the sealing affirmation.

Frequently Asked Questions

It asks for an Indra-impelled realm (rāṣṭra) and for enduring public fame (yaśas) and splendour (varcas), so the patron/community gains recognized pre-eminence.

The hymn treats yaśas as something that can be ritually nourished and increased—like oblation-fed fire—so reputation becomes steady, visible, and socially effective over time.

Both layers are present: the closing affirmation claims glory personally, but its primary Atharvanic use is public—strengthening leadership, legitimacy, and communal standing under Indra’s sanction.

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