Rudra’s Hymn: Vision of Nārāyaṇa, the Emergence of the Ādityas, and the Mutual Boon of Hari and Hara
एवमुक्ता मया ते तु नोचुः किञ्चन सत्तमाः । एवमेव गतास्तूष्णीं ते नरा द्विजपुङ्गव ॥ ७३.६ ॥
evamuktā mayā te tu nocuḥ kiñcana sattamāḥ | evameva gatāstūṣṇīṃ te narā dvijapuṅgava || 73.6 ||
ແມ່ນຂ້ອຍເວົ້າຢ່າງນັ້ນແລ້ວ ແຕ່ບຸລຸດຜູ້ດີເລີດເຫຼົ່ານັ້ນບໍ່ເວົ້າຫຍັງເລີຍ; ແລະພວກເຂົາ—ໂອ ຜູ້ປະເສີດໃນດວິຊະ—ກໍໄປຕໍ່ຢ່າງງຽບງັນ।
Varāha (default dialogue framework; speaker not explicit in this fragment)
It reflects a common Purāṇic narrative technique: reporting speech (or the absence of speech) to mark social etiquette, narrative tension, or the gravity of an exchange within classical Sanskrit storytelling.
No geographic location is named in this verse fragment; it is primarily a narrative report about a silent departure.
Implicitly, it foregrounds restraint in speech and the meaningfulness of silence in dialogue, especially in interactions involving socially respected figures (e.g., addressed as dvijapuṅgava).
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