
Dadhidhenudāna-māhātmya
Ritual-Manual (Dāna-vidhi and Phalaśruti)
Framed within the Varāha–Pṛthivī pedagogical setting typical of the Varāha Purāṇa, this adhyāya presents a concise ritual manual (vidhāna) for dadhidhenudāna, the donation of a cow fashioned/represented through curd and associated offerings. The speaker (introduced as Hotṛ) instructs a royal recipient on preparing a purified ritual space with cow-dung plastering, arranging a decorated ground-measure, spreading kuśa and a black antelope skin, and installing a curd-pot atop a heap of seven grains. A golden calf with ornamented face is specified, along with cloth coverings, flowers, and fragrances. The gift is directed to a qualified brāhmaṇa characterized by lineage, conduct, and virtues such as forbearance. Ancillary gifts (footwear, umbrella) and mantra-recitation accompany the act, followed by dietary restraint and a three-night observance, concluding with a phalaśruti promising exalted post-mortem destinations for donors, witnesses, and reciters.
Within the Varāha-Pṛthivī instructional frame, the chapter turns from general dharma to a focused dāna-vidhi: how a ruler/householder should perform dadhidhenudāna (the ‘curd-cow’ gift) with śauca, correct layout, and a worthy brāhmaṇa recipient.
A stepwise ritual manual is delivered: purify and prepare the ground with gomaya, arrange kuśa and kṛṣṇājina, establish a measured/decorated ritual space, install a curd-pot upon a heap of seven grains, fashion/represent the ‘cow’ with specified adornments (golden calf, cloth, flowers, fragrance), recite the appropriate mantra (notably the dadhikrāvṇ formula), and formally transfer the gift with ancillary dakṣiṇā (e.g., footwear, umbrella) to a kulīna, virtuous brāhmaṇa.
The rite culminates in the sanctioned handover (saṅkalpa + mantra + dakṣiṇā) to a qualified recipient, followed by the donor’s restraint (niyama), regulated intake (ekāhāra) and curd-based dietary discipline, and a three-night observance associated with the officiant/leading brāhmaṇa, sealing the act as both material support and self-governed piety.
Verse 1
अथ दधिधेनुदान माहात्म्यम् ॥ होतोवाच ॥ दधिधेनोर्महाराज विधानं शृणु सांप्रतम् ॥ अनुलिप्ते महीभागे गोमयेन नराधिप
अब मैं दही वाली गाय देने का बताता हूँ। राजा, सुनो कैसे करना है। पहले ज़मीन को गोबर से साफ करो।
Verse 2
गोचर्ममात्रं तु पुनः पुष्पप्रकरशोभिते ॥ कुशैरास्तीर्य वसुधां कृष्णाजिनकुशोत्तरीम्
फिर एक गाय की खाल के बराबर जगह बनाओ। फूल से सजाओ। कुश डाल दो, और उसके ऊपर काला हिरन की खाल बिछा दो।
Verse 3
दधिकुम्भं तु संस्थाप्य सप्तधान्यचयोपरि ॥ चतुर्थांशेन वत्सं तु सौवर्णं मुखमण्डितम्
दही का हाँड़ा रखना है सात अनाज के ऊपर। उसके पास सोना का बछड़ा बनाना है, गहने से सजाया हुआ।
Verse 4
आच्छाद्य वस्त्रयुग्मेन पुष्पगन्धैस्तु पूजिताम् ॥ ब्राह्मणाय कुलीनाय साधुवृत्ताय धीमते
गिफ्ट को दो कपड़ों से ढक दो। फूल और इत्र से उसकी पूजा करो। फिर उसे किसी ऐसे ब्राह्मण को दो जो अच्छा खानदान का हो, अच्छा काम करता हो, और समझदार हो।
Verse 5
क्षमादिगुणयुक्ताय दद्यत्तां दधिधेनुकाम् ॥ पुच्छदेशोपविष्टस्तु मुद्रिकाकर्णभूषणैः
यह दही वाली गाय किसी ऐसे इंसान को दो जो गुस्सा न करे, धैर्य रखे, और अच्छा चाल चलन वाला हो। गाय की पूँछ के पास उसे सजाओ, अँगूठी और कान के गहने पहनाओ।
Verse 6
पादुकोपानहौ छत्रं दत्त्वा मन्त्रिममं पठेत् ॥ दधिक्राव्णेति मन्त्रेण दद्याद्धेनुं सुपूजिताम्
चप्पल, जूते और छाता देकर उस मंत्र को पढ़ो। 'दधिक्रव्ण' वाला मंत्र बोल के, उस गाय को पूजा के साथ दो।
Verse 7
एवं दधिमयीं धेनुं दत्त्वा राजर्षिसत्तम ॥ एकाहारी दिनं तिष्ठेद्दध्ना च नृपनन्दन
इस तरह दही से बनाई हुई गाय दान करके, राजा, तुम एक दिन एक वक्त ही खाना खाओ। और उस खाने में भी दही रखना, राजा।
Verse 8
यजमानो वसेद्राजंस्त्रिरात्रं च द्विजोत्तमः ॥ दीयमानां प्रपश्यन्ति ते यान्ति परमं पदम्
जो यज्ञ करवाता है वो राजा, तीन रात वहाँ रहता है। ब्राह्मण भी वहाँ रहता है। जो लोग इस दान को देखते हैं वो सबसे बड़े स्थान को जाते हैं।
Verse 9
य इदं शृणुयाद्भक्त्या श्रावयेद्वापि मानवः ॥ सोऽश्वमेधफलं प्राप्य विष्णुलोकं च गच्छति
जो यह बात भक्ति से सुनता है, या दूसरों को सुनाता है, वो अश्वमेध यज्ञ का फल पा लेता है। और आखिर में विष्णु के पास जाता है।
No explicit toponyms or regional ecologies are named in these verses. The setting is a generalized ritual ground (bhūmi/vasudhā) prepared with gomaya and kuśa, implying a domestic or sacrificial space rather than a specific pilgrimage landscape.
A phalaśruti asserts extraordinary merit: the donor attains exalted post-mortem destinations (explicitly Viṣṇuloka in the chapter’s claims), with merit extending also to witnesses and reciters/hearers; the act is rhetorically equated with great-sacrifice-level fruit (aśvamedha-phala) when performed correctly and given to a worthy brāhmaṇa.
The text emphasizes regulated generosity (dāna) performed with ritual cleanliness, correct procedure, and careful selection of a worthy recipient. Ethical value is located in disciplined giving—material support directed to a learned and virtuous brāhmaṇa—combined with self-restraint (niyama) after the donation. The chapter frames merit as arising from both the act and its orderly, socially accountable execution.
No lunar tithi, nakṣatra, month, or seasonal timing is specified. The only temporal markers are observance-lengths: the donor maintains a one-day regulated intake (ekāhāra) and remains with curd-based restraint for that day, while the officiant/leading brāhmaṇa is described as observing a three-night period (trirātra).
Environmental balance is implied through the ritual’s Earth-facing materials and purification logic: gomaya (cow-dung plaster) and kuśa (sacred grass) prepare the ground (vasudhā), highlighting a model where the terrestrial surface is treated as a managed, purified substrate for human action. The ‘cow’ symbolism (dhenū) and the use of grains (saptadhānya) also link prosperity and moral order to agrarian/ecological cycles, aligning with the Varāha Purāṇa’s broader Pṛthivī-centered worldview even when Pṛthivī is not explicitly named in the verses.
No specific dynasties or named sages are cited. The chapter addresses a generalized royal figure (e.g., mahārāja, narādhipa, nṛpa-nandana, rājarṣi-sattama) and prescribes gifting to a ‘kulīna’ brāhmaṇa of good conduct and virtues. The only explicit role-title is Hotṛ, indicating a Vedic ritual function rather than an individualized historical person.
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