
Sukta 10.183
This brief late-Rigvedic hymn invokes a tapas-born generative Power to “be born” and to bestow progeny, especially a desired son, along with prosperity. The seer claims inner vision of this force as conscious, seasonally laboring, and embodied, culminating in a first-person revelation of an indwelling creatrix who places the embryo in plants and sustains birth across worlds.
Mantra 1
अपश्यं त्वा मनसा चेकितानं तपसो जातं तपसो विभूतम् । इह प्रजामिह रयिं रराणः प्र जायस्व प्रजया पुत्रकाम ॥
मैंने तुम्हे अपने मन से देखा, तुम जो जानते हो और समझते हो। तुम तपस्या से पैदा हुए हो, तपस्या से बड़े हुए हो। यहाँ बच्चों के खुशी में, यहाँ धन में खुश रहते हुए, आगे बढ़ो। बेटा के लिए इच्छा रखने वाले, अपनी शक्ति से पैदा करो।
Mantra 2
अपश्यं त्वा मनसा दीध्यानां स्वायां तनू ऋत्व्ये नाधमानाम् । उप मामुच्चा युवतिर्बभूयाः प्र जायस्व प्रजया पुत्रकामे ॥
मैंने तुम्हे अपने मन में देखा जब वो जग रहा था। तुम अपने शरीर में काम कर रहे थे सही वक्त पर। मेरे ऊपर उठ के आओ, एक शक्तिशाली युवा स्त्री की तरह बनो। बेटा के इच्छा वाले, अपनी शक्ति से पैदा करो।
Mantra 3
अहं गर्भमदधामोषधीष्वहं विश्वेषु भुवनेष्वन्तः । अहं प्रजा अजनयं पृथिव्यामहं जनिभ्यो अपरीषु पुत्रान् ॥
मैंने गर्भ को दवा और पौधों में रखा है। मैं सारी दुनिया में हूँ। मैं धरती पर लोगों को पैदा करता हूँ। मैं हर पैदाइश को दूर-दूर तक बेटे देता हूँ ताकि क्रिएशन चलता रहे।
Inner vision: the seer ‘beholds with the mind’ a conscious power born of tapas and asks it to be born here with progeny and wealth.
The power is further visualized as embodied and laboring in the right season, urged to rise and become a youthful, potent presence over the petitioner.
A decisive first-person revelation: the deity speaks as the universal indwelling creatrix who places the embryo in plants and pervades all worlds.
The hymn settles into assurance of continuity—births receive sons, creation proceeds, and the sought progeny-blessing is grounded in cosmic immanence.
tapasó jātáṃ tapasó vibhūtam
ṛtvye nādhamānām
ahaṃ garbham adadhām oṣadhīṣu
It primarily prays for successful progeny (prajā), especially the blessing of a son in a putrakāma context, along with prosperity (rayi) and life-continuity.
Rather than a single named god like Indra or Agni, the hymn addresses a tapas-born generative Power—an immanent creative presence that brings conception and birth and is described as present within all worlds.
It portrays fertility as a cosmic, life-pervading process: the creative Power ‘places the embryo in the plants,’ linking healing, vitality, and reproduction as one continuous force in nature.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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