Rig Veda Sukta 159
Mandala 10Sukta 1596 Mantras

Sukta 159

Sukta 10.159

This short hymn speaks in a feminine first-person voice—often read as a bride or wife—who invokes the rising Sūrya and Bhaga (the giver of one’s rightful share) to secure marital union, prosperity, and social sovereignty. It functions as a victory-charm over “rivals” (sapatnī) and corrosive forces that disrupt harmony, aligning domestic fortune with the triumphant power exemplified by Indra.

Recitation with translationRig Veda 10.159

In this hymn

Addressed to

  • SuryaMantra 1Sūrya (and the speaking feminine power (often read as a bride/wife-voice hymn))

    Sūrya rises as the visible sign of order and awakening; Bhaga is the dispenser of portion, luck, and marital/household prosperity; Indra’s victorious brilliance (dyumna) is cited as the model-force by which obstacles are overcome.

  • BhagaMantra 1

Mantras

Mantra 1

उदसौ सूर्यो अगादुदयं मामको भगः । अहं तद्विद्वला पतिमभ्यसाक्षि विषासहिः ॥

सूर्य ऊपर आ गया है। मेरा भाग भी उठा है। मैं जानती हूँ यह बात। मैंने अपने पति को पा लिया है। मैं जीत गई हूँ, बुराई को हरा दिया है।

Mantra 2

अहं केतुरहं मूर्धाहमुग्रा विवाचनी । ममेदनु क्रतुं पतिः सेहानाया उपाचरेत् ॥

मैं निशानी हूँ, मैं ऊपर हूँ। मैं ताकतवाली हूँ, मैं साफ बोलती हूँ। मेरा पति मेरी बात माने। मेरी इच्छा के हिसाब से चले। ऐसा होना चाहिए।

Mantra 3

मम पुत्राः शत्रुहणोऽथो मे दुहिता विराट् । उताहमस्मि संजया पत्यौ मे श्लोक उत्तमः ॥

मेरे बेटे दुश्मनों को हराते हैं। मेरी बेटी बड़ी है, उसका राज है। मैं पूरी तरह जीत गई हूँ। मेरे पति के घर में मेरी बात चलती है।

Mantra 4

येनेन्द्रो हविषा कृत्व्यभवद्द्युम्न्युत्तमः । इदं तदक्रि देवा असपत्ना किलाभुवम् ॥

जिस शक्ति से इंद्र ने हवन करके सबसे बड़ी चमक पाई थी, उसी शक्ति से मैं यह काम कर रहा हूँ। हे देवता, मैं सच में बिना किसी दुश्मन के हो जाऊंगा, कोई मुझसे टक्कर नहीं ले सकता।

Mantra 5

असपत्ना सपत्नघ्नी जयन्त्यभिभूवरी । आवृक्षमन्यासां वर्चो राधो अस्थेयसामिव ॥

मैं बिना किसी दुश्मन के हूँ, जो भी मुकाबला करे उसे मैं हरा देता हूँ। मैं जीत कर ऊपर आ जाता हूँ। मैं दूसरों से चमक और शक्ति अपनी तरफ खींच लेता हूँ, जैसे कोई चीज़ उठा ले। जो इंसान सही है, उसके दुश्मन का कोई दावा नहीं चलता।

Mantra 6

समजैषमिमा अहं सपत्नीरभिभूवरी । यथाहमस्य वीरस्य विराजानि जनस्य च ॥

मैं इन सब दुश्मनों को पूरा हरा चुका हूँ, मैं उनपर भारी हो गया हूँ। अब मैं इस योद्धा की चमक बन कर चमकूंगा, और लोगों में भी मैं चमकूंगा।

Inside Sukta 159

How it unfolds

  1. Where it opens

    The hymn opens with the sunrise: Sūrya rises and with him rises Bhaga—‘my share’—as the speaker claims auspicious union and victory over corrosive forces.

  2. Development

    The speaker moves from cosmic sign (dawn) to personal destiny (marriage/portion), then to divine precedent—Indra’s victorious might—making that power operative in her own life.

  3. Climax

    The decisive declaration of becoming asapatnī (‘without rival/opposition’) by the same force that made Indra supremely radiant.

  4. Where it settles

    It ends with a complete victory over rivals (sapatnī) and a settled aspiration to shine as virāj—sovereign radiance—for the hero-husband and the people.

The deity: Sūrya, Bhaga, and victorious divine power

  • Cosmic functionTo renew order at dawn (Sūrya), allot rightful shares and auspicious fortune (Bhaga), and confer conquering strength that removes opposition (Indraic victory-power).
  • Inner significanceAwakening of clarity and will (Sūrya), rightful enjoyment and secure belonging (Bhaga), and the inner capacity to defeat jealousy, rivalry, and divisive impulses that poison relationships.

The seer

  • Anukramaṇī attribution varies; traditionally a feminine speaker-voice (often associated in later reception with Indrāṇī/Śacī-type voice)A rare Rigvedic domestic/royal charm in a woman’s voice, asserting auspicious possession of the husband, overcoming rivalry (sapatnī), and claiming social radiance (virāj).

Famous verses

ud asau sūryo agād … māmako bhagaḥ
Verse 10.159.1Sets the hymn’s core frame: dawn’s rising (Sūrya) and the awakening of fortune (Bhaga), while the feminine speaker claims rightful union and power to overcome relationship-corroding forces.Read verse 10.159.1 →
asapatnā kilābhuvam
Verse 10.159.4Provides the operative ‘mechanism’: the offering-power that made Indra most luminous becomes the same force by which the speaker becomes asapatnī (without rival).Read verse 10.159.4 →
sam ajaiṣam … sapatnīḥ
Verse 10.159.6Concluding victory formula: total conquest of rivals (sapatnī) and the wish to stand forth as virāj—radiant sovereignty for husband and community.Read verse 10.159.6 →

Attributes of the deity

  • Dawn-rising illumination
  • Bestowal of fortune/portion (bhaga)
  • Protection of marital bond
  • Overcoming rivals (asapatnā, sapatnī)
  • Victorious radiance (dyumna, virāj)

Also by this seer

  • This sukta is part of the late (10th maṇḍala) ritual-and-domestic corpus; specific additional hymn attributions to this exact speaker are not consistently fixed across Anukramaṇī recensions.

The rite, step by step

  • Prepare a clean domestic space; seat the couple (or the woman as principal reciter) facing east.
  • At dawn, recite the opening mantra with attention on Sūrya’s rising and Bhaga as ‘my share’.
  • Affirm union and protection: recite verses that declare overcoming ‘poisons’ and disruptive forces.
  • Invoke Indraic exemplar-power: recite the verse citing Indra’s dyumna as the operative force for becoming ‘without rival’.
  • Seal the intention with the concluding victory-assertion over sapatnī and the wish to ‘shine as virāj’ for husband and community.
  • Conclude with silent resolve and distribution of blessed food (if used in a household rite).

Offerings

  • Ghee into the household fire (if maintained)
  • Water libation or sipping (ācamana)
  • Simple food offering (milk, curd, grains) as bhaga/portion symbolism
  • Optional fragrant smoke/incense in later practice

Frequently Asked Questions

It is a short hymn in a feminine voice that links sunrise (Sūrya) and fortune (Bhaga) with securing marriage, prosperity, and victory over rivalry or opposition.

Sūrya (the rising Sun) and Bhaga (giver of one’s share and good fortune) are explicit, and Indra’s victorious radiance is invoked as the model power that removes obstacles.

Sapatnī means a rival (often in a domestic sense), and asapatnā means ‘without rival.’ The hymn uses these terms as a spiritual-ritual declaration of overcoming jealousy, hostility, and any force that disrupts harmony.

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