
Rishi: RV-tradition attribution (AV 20 is RV-reuse)
Devata: Agni
Chandas: Prose-like yajus-style formula (not a regular metrical pāda in this excerpted form)
AV 20.2 سلسلةُ استدعاءٍ شراوتيّة لسوما تُجيز لآلهةٍ مخصوصة ووظائفَ إلهيّة أن تُقبل إلى «مقاماتها» الكهنوتيّة وتشرب السوما المعصور وفق ṛtu (الموسم/النظام القويم). وبذكر الموضع (مثل Potṛ وĀgnīdhra) وبالتشديد على suṣṭuti («حُسن الثناء»/التلاوة الصحيحة)، تُحوِّل هذه الترتيباتُ التوزيعَ الليتورجيَّ السليم إلى نجاحٍ طقسيّ: انتظامَ العصر، ورضا الآلهة، وقوّةَ المُضحّي وازدهارَه.
Mantra 1
म॒रुतः॑ पो॒त्रात् सु॒ष्टुभः॑ स्व॒र्कादृ॒तुना॒ सोमं॑ पिबन्तु
فلتشربِ الماروتُ، المحمودةُ حسنًا، من مقامِ البوتْرِ (Potṛ)، ومن السماءِ المضيئة، على وفقِ النظامِ والوقتِ، شرابَ السُّوما (Soma).
Mantra 2
अ॒ग्निराग्नी॑ध्रात् सु॒ष्टुभः॑ स्व॒र्कादृ॒तुना॒ सोमं॑ पिबतु
فَلْيَشْرَبْ أَغْنِي، المُمَجَّدُ بِتَسْبِيحٍ قَوِيمٍ، مِنْ مَقَامِ الآغْنِيدْهْرَا (Āgnīdhra)، وَمِنَ السَّمَاءِ الْمُشْرِقَةِ، فِي أَوَانِهِ وَعَلَى نِظَامِهِ الْحَقِّ، سُومَا (Soma).
Mantra 3
इन्द्रो॑ ब्र॒ह्मा ब्राह्म॑णात् सु॒ष्टुभः॑ स्व॒र्कादृ॒तुना॒ सोमं॑ पिबतु
فَلْيَشْرَبْ إِنْدْرَا—بِصِفَتِهِ البَرَاهْمَنَ (Brahman)—المُمَجَّدُ بِتَسْبِيحٍ قَوِيمٍ، مِنْ مَقَامِ البَرَاهْمَنِ، وَمِنَ السَّمَاءِ الْمُشْرِقَةِ، فِي أَوَانِهِ وَعَلَى نِظَامِهِ الْحَقِّ، سُومَا (Soma).
Mantra 4
दे॒वो द्र॑विणो॒दाः पो॒त्रात् सु॒ष्टुभः॑ स्व॒र्कादृ॒तुना॒ सोमं॑ पिबतु
فَلْيَشْرَبْ الإِلَهُ دْرَافِينُودَا (Draviṇodā)، واهِبُ الثَّرْوَةِ، المُمَجَّدُ بِتَسْبِيحٍ قَوِيمٍ، مِنْ مَقَامِ البُوتْرِ (Potṛ)، وَمِنَ السَّمَاءِ الْمُشْرِقَةِ، فِي أَوَانِهِ وَعَلَى نِظَامِهِ الْحَقِّ، سُومَا (Soma).
The hymn opens by calling the intended recipients (e.g., Maruts; Agni) and locating them at a specific priestly office (Potṛ/Āgnīdhra), framed as ‘suṣṭubhaḥ’—properly praised.
That the deity(ies) drink the Soma ‘svarkāt’ (from the bright/heavenly realm) ‘ṛtunā’ (in right season/order), i.e., that the offering be accepted under correct ritual law.
Efficacy is asserted through precision: naming the correct station, insisting on right order (ṛtu), and using the authoritative invitatory imperative—so acceptance is compelled by liturgical correctness.
Each formula seals the act with ‘somaṃ pibatu/pibantu’—a final authorization that completes invitation and effects divine participation.
ṛtunā somaṃ pibatu
draviṇodāḥ
Śrauta-Soma (liturgical invitatory; AV 20 is largely RV-derived for Soma ritual use)
Successful, orderly Soma distribution to the gods (ṛtunā), divine satisfaction, and the sacrificer’s increase in strength and prosperity (draviṇa).
Śrauta practitioners—adhvaryu-led Soma ritual teams (Hotṛ, Potṛ, Āgnīdhra, etc.) and patrons (yajamāna) seeking a faultless pressing and its rewards.
Agni is the ritual fire and divine priest who conveys offerings and regulates the sacrifice; in Soma liturgy he is invited to partake in due order from the Āgnīdhra’s locus. Alongside him, the Maruts (storm-host) and Draviṇodā (wealth-giver) are positioned as recipients whose satisfied participation stabilizes the rite and yields prosperity.
To formally invite and authorize Soma-drinking by the designated deity/power at the correct priestly station, ensuring the pressing proceeds in proper order and yields strength, protection, and material gain.
During the Soma pressing/offerings at the appropriate invitatory moments when the recipient and station are to be ritually activated.
Pressed Soma (soma-draught)
Soma is pressed and filtered per Śrauta procedure; the mantra functions as an invitatory authorization synchronized with offering and station-assignment rather than as a medicinal preparation.
It is used in the Śrauta Soma ritual as an invitatory/authorization formula, inviting specific deities to drink the pressed Soma at the correct moment and priestly station.
Because the Soma rite is distributed through defined priestly roles; naming the station ritually “routes” the offering correctly and prevents procedural faults.
Draviṇodā is the wealth-bestowing divine function invoked to convert correct Soma offering into tangible gain—prosperity, resources, and increase for the sacrificer.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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