Sukta 8.46
आ यस्य ते महिमानं शतमूते शतक्रतो । गीर्भिर्गृणन्ति कारवः ॥
ā́ yásya te mahimā́naṃ śatám-ūte śatákrato | gī́rbhir gṛṇánti kā́ravaḥ ||
اے سو راستوں کے مددگار، اے سو ارادوں والے، تیری عظمت کی طرف گلوکار اپنے الفاظ کے ساتھ اٹھتے ہیں؛ الہامی کلمات سے رشی تجھ کی تعریف کرتے ہیں۔
The poets and singers rise up with hymns to Indra’s greatness, praising him as the one with “a hundred helps” and “a hundred powers of action/will.”
The soul’s inspired faculties (kāravaḥ) ascend toward the Divine Mind (Indra) by mantric speech (gīḥ). “Hundred helps” and “hundred wills” indicate the many-sided assistances and effective intentions of the illumined consciousness that can act in every part of the being—mind, life-force, and body—when Indra is affirmed within.
When aspiration becomes articulate and sincere, a higher Intelligence answers with manifold supports and decisive powers of will; inner progress is accelerated by repeated, luminous affirmation.
Praise and ascent, Indra’s greatness, Power of the Word (gīr), Many-sided divine will
The anonymity itself suits a universal voice of aspiration: the mantra reads as a generic but potent call of inspired speech toward Indra’s vastness, emphasizing that illumination responds to sincere praise (inner affirmation) rather than personal pedigree.
Lord of luminous mind who breaks the coverings and releases the waters/cows (streams and rays of truth).
The decisive, conquering intelligence that turns aspiration into effective inner action; the will-to-light that organizes the being around Truth.
Indra-Soma praise in Soma-yajña milieu (general)
आ यस्य॑ ते महि॒मानं॒ शत॑मूते॒ शत॑क्रतो । गी॒र्भिर्गृ॒णन्ति॑ का॒रव॑: ॥
आ । यस्य॑ । ते॒ । म॒हि॒मान॑म् । शत॑म्ऽऊते । शत॑क्रतो॒ इति॒ शत॑ऽक्रतो । गीः॒ऽभिः । गृ॒णन्ति॑ । का॒रवः॑ ॥
ā | yasya | te | mahimānam | śatam-ūte | śatakrato itiśata-krato | gīḥ-bhiḥ | gṛṇanti | kāravaḥ
Triṣṭubh (probable for RV 8.46 style; exact pada scan not fully confirmable from provided text alone)
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4 pādas of ~11 syllables
Forward-driving, declarative, suited to proclamation and invocation.
Builds uplift and confidence; supports a mental ‘ascent’ feeling—praise rising toward a vast power.
Stotra-style verse: elevation of Indra through gīr (hymns), typical in Soma liturgy where praise intensifies the god’s presence and action.
During Indra invocations in Soma pressing/offerings; also as laudatory recitation in Indra-focused sequences
Stotra/śastra-style praise; calling Indra’s presence through inspired speech
Use as a short ‘invocation of inner Indra’ before study/meditation: recite to awaken clarity, courage, and effective will.
mahimānam: from mah ‘great’ (PIE *megʰ-) → mahimā ‘greatness’. śatakratu: kratu ‘will, resolve, inspired intelligence’ (not merely ‘rite’); śata- intensifies multiplicity of effective powers. gīr: ‘song, word’ linked to √gṛ ‘to sing/utter’. The preverb ā signals an upward movement: speech as ascent to the deity’s vastness.
kratu as effective will/intelligence, manifold help as divine intervention in the ascent
Indra’s ‘hundred kratus’ symbolize the many right formations by which Truth becomes executable in life.
Gīḥ as truth-bearing speech—speech that aligns mind with what is seen inwardly.
Expansion (mahimā) as the growth of consciousness toward the Vast.
Proto-Vedāntic/Integral (Aurobindo-Kashyap line): ascent to higher mind and descent of force into action.
Sound becomes a vehicle of ascent; vastness denotes the wideness of higher consciousness responding to aspiration.
Invoke the ‘Indra-force’ in the head and heart: clarity, courage, and effective resolve.
ājñā (clarity/command)
Moderate inhalation on “ā yasya te”, steady exhalation through the praise phrase; brief pause after each pāda to feel ascent.
Energized stillness—alert, luminous mind.
Before action, recite once or thrice, then hold a quiet intention: ‘Let the higher mind govern my will in many ways.’
Notated svaras not provided; chant in a steady RV recitation style with udatta emphasis on marked syllables and svarita contours where applicable.
Follow the text accents: raise pitch on udātta-marked syllables; allow gentle fall after; keep pāda-end cadence stable.
śata-: clear ‘ś’ (palatal) not ‘sa’, krato: roll light ‘r’; keep ‘o’ long/rounded, gīrbhir: articulate cluster ‘rbh’ smoothly; avoid inserting extra vowel, gṛṇanti: vocalic ‘ṛ’ as brief syllabic r (gṛ-)
Bright, confident, upward-aiming; avoid heaviness.
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