Padma Purana: illustrated cover of the Vedapath edition
PuranaNarrated by BrahmaVaishnava Tradition

Padma Purana in Urdu

पद्मपुराण

Creation, Sacred Geography & Vaishnava Devotion

One of the great Mahapuranas, the Padma Purana unfolds across seven khandas covering cosmic creation, the sacred geography of Bharatavarsha, celestial realms, Vaishnava theology, vratas, Tulasi-mahatmya, and the disciplines of kriya yoga.

Start Reading

About This Book

The Padma Purana is one of the eighteen Mahapuranas, classified as a Vaishnava Purana and named after the lotus (padma) from which Brahma arose at the beginning of creation. With 49,191 shlokas across its seven khandas, it is among the largest of the Puranas. The text weaves together cosmogony, geography, mythology, theology, vrata prescriptions, tirtha-mahatmyas, and devotional teachings centred on Lord Vishnu, making it a comprehensive guide to dharma and spiritual practice.

How This Book Is Organised

The Padma Purana is structured across seven Khandas, each addressing a distinct domain of sacred knowledge.

Khandas

Seven major sections

→

Adhyayas

Chapters within each Khanda

→

Shlokas

Verses read one by one

Available Reading Features

This edition of the Padma Purana on Vedapath includes:

Sanskrit

Original Sanskrit verses (Devanagari)

Transliteration

Transliteration for guided reading

Meanings

Word-by-word meanings

Translations

Clear, faithful translations

Enrichment

Vrata prescriptions, tirtha-mahatmya, and Tulasi devotion

Khandas of the Padma Purana

The Padma Purana is traditionally divided into seven Khandas.
Each Khanda covers a distinct domain of creation, devotion, and sacred knowledge.

Padma Purana - Srishti Khanda

Book of Creation (with Puṣkara-māhātmya framing)

The Section on Creation

سِرِشٹی کھنڈ پدما پران کا آغاز ہے، جو کائناتیات اور شاستری سند (پرمانیتا) کو تیرتھ-مرکوز مقدس جغرافیے کے ساتھ جوڑتا ہے۔ اس کی فضا خصوصاً پُشکر کے گرد قائم ہے؛ منگلاچرن کی حمد کے ذریعے پُشکر کے جل کو متبرک ٹھہرایا جاتا ہے اور متن کی پاکیزگی، ثواب اور روحانی وقار نمایاں ہوتا ہے۔

CreationCosmogonyBrahma
Padma Purana - Bhumi Khanda

Book of the Earth (Sacred Geography & Moral Narratives)

The Section on the Earth

پدما پران کا بھومی کھنڈ دھرم کو “زمینی اسٹیج” پر رکھ کر سمجھاتا ہے: مقدس مقامات، سماجی فرائض، اور نمونۂ کردار پر مبنی حکایات کے ذریعے، تاکہ الٰہی تعلیمات عملی زندگی کے آداب بن جائیں۔

GeographyPilgrimageTirthas
Padma Purana - Svarga Khanda

Book of the Celestial Regions (Svarga Khanda)

The Section on Heaven

پدم پوران کا سوَرگ کھنڈ یاترا (تیرتھ) اور کائناتیات کے درمیان ایک بامعنی رابطہ قائم کرتا ہے۔ یہ مقدّس جغرافیہ—تیرتھ، کْشَیتر، ندیاں اور پہاڑ—کو اس عقیدتی الٰہیات کے ساتھ جوڑتا ہے جس میں ہری/وشنو ایک طرف باطن میں بسنے والے ربّ ہیں اور دوسری طرف تیرتھ کی زندہ حضوری بھی۔

HeavenCelestial RealmsMerit
Padma Purana - Brahma Khanda

Brahma Khanda (Book of Brahmā / Vaiṣṇava Theology and Observance)

The Section on Brahma

پدما پران کا برہما کھنڈ ایک مضبوط ویشنوَی الہیات اور اخلاقی ہدایت کا صحیفہ ہے۔ یہ کَلی یُگ کی حالت—عمر کی کمی اور رسوماتی طاقت کی گھٹتی ہوئی صلاحیت—کو سامنے رکھ کر بھکتی کو نجات کا فیصلہ کن راستہ قرار دیتا ہے۔

DharmaVratasVishnu Worship
Padma Purana - Patala Khanda

Netherworld Book (Rāma-Aśvamedha / Rāmāyaṇa Recension and Related Narratives)

The Section on the Netherworld

شری پدم پران کا پاتال کھنڈ ایک نہایت اہم بیانیہ و الٰہیاتی حصہ ہے، جس میں پرانک رامائن کی ایک منفرد روایت محفوظ ہے۔

PatalaRamaDevotion
Padma Purana - Uttara Khanda

Later Section (Uttara Khanda)

The Concluding Section

اُتّر کھنڈ پدما پُران کا نہایت وسیع بھکتی-رسوم اور تیرتھ-تھیالوجی پر مبنی حصہ ہے، جس میں ویشنو بھکتی کو ویدی موافقت کے دعوائے سند اور عملی دھرم کے ساتھ ہم آہنگ کیا گیا ہے۔

Gita MahatmyaBhaktiConclusion
Padma Purana - Kriyayoga Sara

Kriyā-yoga-sāra Section (Essence of Yoga-through-Action)

The Essence of Kriyayoga

پدم پران کا کریا-یوگ-سار کھنڈ (کتاب ۷) ایک عملی الہیات کو نمایاں کرتا ہے: نجات رُخ بھکتی جو منضبط عمل (کریا)، شروَن (سماعت) اور کَلی یُگ کے مطابق رسم و اخلاقی زندگی کے ذریعے ظاہر ہوتی ہے۔

KriyayogaMeditationSadhana

Key episodes

  1. Brahma's Sacrifice at Pushkara and Savitri's Curse

    Srishti Khanda, adhyayas 16-17

    With Brahma, Indra, Gayatri, Savitri, Vishnu and Rudra

  2. Naimiṣa Assembly and the Dharma-cakra of Time

    Srishti Khanda

    With Shaunaka and the Naimisha sages, Suta and Vyasa

    At Naimiṣāraṇya, sages seek a teaching capable of stabilizing dharma in a deteriorating age. The Dharma-cakra motif frames time as a wheel whose yuga-wear makes certain places uniquely potent for recitation and merit, turning the forest-assembly into a cosmic repair-site.

  3. The Transmission Lineage (Sages-Sūta-Vyāsa-Brahmā-Hari) and Purāṇic Prāmāṇya

    Srishti Khanda

    With Suta, Vyasa, Brahma, Vishnu and Naimisha sages

    The khanda layers narrators to show the Purāṇa as revelation preserved through authorized memory. By tracing the teaching back to Hari through Brahmā and Vyāsa, it defines the Padma Purāṇa as a living scripture whose purity is marked by explicit Vaiṣṇava stuti.

  4. Lotus-Creation and Brahmā’s Secondary Ordering of the Worlds

    Srishti Khanda

    With Vishnu, Brahma and Cosmic beings

    Creation is narrated through the classic lotus/Brahmā idiom: the supreme Viṣṇu initiates manifestation, and Brahmā receives the mandate to order beings, worlds, and functions. The account links cosmology to ethics by presenting created orders as dharma-bearing structures.

  5. Puṣkara-māhātmya as the Epistemology of Purity

    Srishti Khanda

    With Brahma and Vishnu

    Puṣkara is praised as a tīrtha where water, praise, and rite converge to cleanse and illuminate. The khanda treats pilgrimage not as travel alone but as a disciplined approach to truth, where cosmology is ‘entered’ through sanctified space and devotion.

  6. Khanda-Outline as a Narrative Promise (Internal Table-of-Contents)

    Srishti Khanda

    With Suta and Naimisha sages

    The Sṛṣṭi-khaṇḍa previews the Padma Purāṇa’s later concerns, tīrthas, royal dharma, vratas, and mokṣa, so the reader hears the whole work as a single arc. This meta-narrative turns the Purāṇa into a guided pilgrimage through themes rather than a loose anthology.

  7. Prahlāda: Innate Bhakti amid Asuric Hostility

    Bhumi Khanda

    With Prahlada, Hiranyakashipu, Vishnu and Devas / Asuras

    Prahlāda’s identity as a natural devotee is presented as a living proof that bhakti is not contingent on favorable circumstance, lineage pride, or coercive power. The narrative uses conflict and threat to reveal devotion’s steadiness and to show that divine protection ultimately overrides worldly dominance.

  8. Śivaśarmā’s Moral Crucible: Filial Obedience, Māyā, and Self-Offering

    Bhumi Khanda

    With Shivasharma, Parents / Elders, Divine agency and Witnessing sages / teachers

    Śivaśarmā is placed in a dilemma where obedience and righteousness appear to diverge, and māyā intensifies the ambiguity to expose hidden motives and attachments. The episode culminates in a self-sacrifice motif that reframes ‘offering’ as the surrender of ego and the willingness to bear loss for dharma.

  9. Dvārakā-Māhātmya: Merit Mapped onto Place

    Bhumi Khanda

    With Krishna / Vishnu, Pilgrims and householders and Sages

    Dvārakā is portrayed as a terrestrial gateway to liberation where pilgrimage, charity, and remembrance of Hari converge. The narrative emphasizes that the kṣetra’s power is activated through humility, restraint, and service rather than tourism-like ritualism.

  10. Pitṛ-Dharma and Śrāddha: The Ancestor Economy of Merit

    Bhumi Khanda

    With Householders, Pitris, Brahmanas / guests and Yama’s moral order

    Accounts of śrāddha and pitṛ-tarpaṇa present ancestors as active stakeholders in the moral life of descendants, with offerings and remembrance stabilizing both family and cosmos. The text links neglect of pitṛ-dharma to social and spiritual decline, while proper performance yields protection and auspiciousness.

  11. Parables against Hollow Ritual: When Merit Requires Compassion

    Bhumi Khanda

    With Ritualists and hypocrites, The poor / guests and Sages

    A set of parable-like episodes contrasts meticulous ritual performance with failures of compassion, truth, and hospitality. The stories often end with surprising reversals, teaching that dharma is measured by inner disposition expressed in action.

  12. The Purāṇic Transmission Lineage (Hari → Brahmā → Nārada → Vyāsa → Sūta)

    Svarga Khanda

    With Vishnu, Brahma, Narada, Vyasa, Suta and Sages of Naimisharanya

    The khanda foregrounds a sacred chain of transmission to certify that tīrtha-glories and ritual prescriptions are not human invention but divinely grounded. The sage-assembly setting frames the text as a living act of dharma where listening itself generates merit.

  13. Tīrtha-rūpa Hari: Viṣṇu as the Living Presence of Sacred Geography

    Svarga Khanda

    With Vishnu, Pilgrims / householders and Sages / narrators

    Sacred sites are interpreted as embodiments or ‘forms’ of Hari, so bathing, worship, and gifting at tīrthas become direct encounters with the Lord’s immanence. The narrative logic repeatedly ties place, rite, and devotion into a single salvific mechanism.

  14. Phalaśruti as Soteriological Technology (Hearing, Remembering, Visiting)

    Svarga Khanda

    With Suta, Sage-assembly and Pilgrims

    The khanda repeatedly enumerates fruits of specific tīrthas, sin-removal, ancestral uplift, prosperity, and svarga, while also asserting that hearing and remembering these glories can yield comparable merit. This creates a portable, recitation-based pilgrimage accessible to all.

  15. The Laya/Pralaya Query: Impermanence of Worlds and the Turn to Bhakti

    Svarga Khanda

    With Questioning sages, Suta, Cosmic agents and Vishnu

    Cosmic dissolution is invoked to show that even celestial rewards are time-bound, and that worlds rise and fall under Kāla. The teaching redirects the listener from merit as an end to Viṣṇu-bhakti as the stable shelter across cycles.

  16. Purāṇa-Recitation as ‘Complete Pilgrimage’

    Svarga Khanda

    With Suta, Sages of Naimisharanya and Devotees unable to travel

    The text elevates its own recitation: to hear tīrtha-māhātmya with faith is portrayed as equivalent to traversing many holy places. This culminates in a theology of textual presence, Hari is encountered through nāma, kathā, and śravaṇa.

  17. The Triumph of Hari-kathā in Kali-yuga (Śravaṇa-Kīrtana as Salvation)

    Brahma Khanda

    With Suta, Vyasa, Jaimini, Brahma, Vishnu / Narayana and Assemblies of sages

    Through layered dialogue frames, the khanda argues that in Kali-yuga the most effective dharma is devotion expressed as hearing and praising the Lord. Hari-kathā is portrayed as intrinsically purifying, capable of dissolving sins that would otherwise demand long penances.

  18. Yama’s Messengers Turn Back (Protection Granted to the Devotee)

    Brahma Khanda

    With Yama, Yamadutas, A devoted listener / chanter of Hari’s names and Vishnu’s attendants

    A devotee devoted to Hari-kathā and remembrance is confronted by agents of death, yet the devotee’s devotional merit and the Lord’s protection prevent seizure. The episode dramatizes the claim that sincere devotion overrides fear of post-mortem punishment.

  19. The Ethics of Discourse: The Fall of the Obstructor and the Merit of the Supporter

    Brahma Khanda

    With A speaker of Hari-katha, A sincere audience of devotees, A mocker / obstructor and Sages as arbiters

    The khanda contrasts two social types: one who facilitates sacred discourse (hosting, listening, honoring speakers) and one who ridicules or disrupts it. The former accrues swift merit and clarity of mind; the latter is warned of rapid spiritual decline and social ruin.

  20. Vaiṣṇava-lakṣaṇa: The Devotee as a Moral Ideal

    Brahma Khanda

    With Brahma, Sages / disciples and Ideal Vaishnava householder

    A didactic section defines the marks of a Vaiṣṇava: non-violence, truth, compassion, purity, restraint, and devotion expressed through worship and service. The devotee’s identity is shown to be ethical before it is sectarian.

  21. Tulasī and Śālagrāma as Living Icons (Domestic Vaikuṇṭha)

    Brahma Khanda

    With Vishnu, Tulasi, Shalagrama and Householders and priests

    The khanda elevates tulasī and śālagrāma as accessible, potent forms of Viṣṇu’s presence, suitable for household worship and daily offering. Their veneration is linked to purification, stability of mind, and a Vaikuṇṭha-oriented destiny.

  22. Śeṣa-Vātsyāyana Dialogue: The Netherworld Lens on Rāma-Dharma

    Patala Khanda

    With Shesha, Vatsyayana, Suta and Assembled sages

    A layered dialogue structure establishes Śeṣa as a cosmic witness who interprets Rāma’s career from a pātāla vantage, repeatedly asserting the salvific power of hearing and reciting sacred narrative. The frame turns epic events into doctrinal exempla, aligning devotion with ethical governance.

  23. The Fall of Rāvaṇa as the Collapse of Adharma

    Patala Khanda

    With Rama, Ravana, Lakshmana, Vibhishana, Hanuman and Rakshasa hosts

    The climactic defeat of Rāvaṇa is narrated not only as martial victory but as moral necessity: adharma, sustained by arrogance and violation of boundaries, cannot endure. The episode is repeatedly tied to phalaśruti claims that recitation destroys fear and sin.

  24. Vibhīṣaṇa’s Coronation and the Ethics of Legitimate Rule

    Patala Khanda

    With Vibhishana, Rama, Lakshmana, Hanuman and Lanka’s ministers

    After Laṅkā’s upheaval, Vibhīṣaṇa is installed as king, presenting a Purāṇic template for political restoration through virtue and loyalty to dharma. The narrative emphasizes stability, protection of subjects, and the king’s accountability to cosmic order.

  25. Puṣpaka Return and Nandigrāma: Bharata’s Trusteeship

    Patala Khanda

    With Rama, Sita, Lakshmana, Bharata, Shatrughna and Hanuman

    The return journey in Puṣpaka culminates at Nandigrāma, where Bharata, having ruled as caretaker, restores the kingdom to Rāma. The reunion is framed as the emotional and ethical climax of fidelity, sacrifice, and rightful succession.

  26. Rāma-Aśvamedha Cycle: Royal Rite as Public Dharma-Vow

    Patala Khanda

    With Rama, Royal priests, Ayodhya’s citizens, Attendant kings and Divine witnesses

    Rāma’s Aśvamedha is presented as a culminating act of consolidation that is simultaneously ritual, governance, and theology. The rite is narrated with emphasis on charity, protection, and the merit of participation or even devoted hearing.

  27. The Uttara-khaṇḍa’s Transmission Frame: Sūta, Śaṅkara, and Nārada

    Uttara Khanda

    With Suta, Shankara and Narada

    The khanda opens by grounding itself in a revered chain of instruction, with Sūta reporting teachings that Śaṅkara imparts to Nārada. This framing simultaneously sanctifies the content and signals a devotional synthesis where even Śaṅkara extols Vaiṣṇava means such as nāma, tīrtha, and vrata.

  28. Tīrtha-Māhātmya as a Map of Liberation (Prayāga-Haridvāra-Mathurā-Kurukṣetra)

    Uttara Khanda

    With Pilgrims, Rishis as instructors and Deities presiding over tirthas

    A sequence of place-glorifications presents major North Indian tīrthas as concentrated fields of merit where bathing, vows, and gifts rapidly destroy sin. Each site is paired with specific ritual acts, snāna, dāna, japa, and disciplined conduct, turning geography into a practical soteriology.

  29. Jagannātha Darśana and the Theology of Sacred Sight

    Uttara Khanda

    With Jagannatha and Devotees and pilgrims

    Jagannātha’s darśana is praised as a direct, accessible encounter with the divine that can surpass arduous austerities. The narrative logic treats seeing, praising, and serving the deity as a complete path when performed with sincerity and purity.

  30. Umā-Maheśa Dialogue and the Sahasranāma Current

    Uttara Khanda

    With Uma, Mahesha and Vishnu

    Within a dialogic setting, a thousand-name hymn (sahasranāma) is linked to the Umā-Maheśa exchange, presenting praise as both theology and practice. The hymn’s recitation is framed as protective, sin-destroying, and conducive to Viṣṇu’s grace.

  31. Gayā and the Pitṛ-Rite Paradigm (Śrāddha, Tarpaṇa, and Release)

    Uttara Khanda

    With Pitris, Householders performing shraddha and Priests / rishis as ritual guides

    Gayā is presented as a uniquely potent site for ancestral rites, where śrāddha and tarpaṇa yield exceptional benefit to pitṛs and stabilize familial dharma. The narrative emphasizes correct procedure, purity, and gifting as integral to the rite’s efficacy.

  32. The Kali-yuga Diagnosis and the Remedy of Hari-kathā

    Kriyayoga Sara

    With Suta, Sages of Naimisharanya and Narayana

    The narrators describe Kali-yuga’s constraints, short life, diminished resources, and moral confusion, making classical austerities impractical for most. The remedy is declared: attentive hearing and propagation of Hari-kathā, which functions as kriyā-yoga and rapidly purifies even ordinary householders.

  33. Lineage as Proof: Jaimini Questions Vyāsa

    Kriyayoga Sara

    With Jaimini, Vyasa and Suta

    A nested dialogue presents Jaimini approaching Vyāsa to clarify how action, devotion, and hearing interlock as a single liberating discipline. The frame asserts that correct knowledge is safeguarded by lineage and that hearing from a qualified source is itself a dharmic act.

  34. The Merit of the Listener and the Sin of Obstruction

    Kriyayoga Sara

    With Sacred narrator, Ideal listener and Community / assembly

    The khanda contrasts the blessed listener, attentive, respectful, supportive, with those who interrupt, mock, or envy sacred discourse. It portrays Hari-kathā as a living rite: to facilitate it is merit; to obstruct it is a grave ethical failure with spiritual consequences.

  35. Kriyā-yoga Defined: Worship Through Simple Acts

    Kriyayoga Sara

    With Householder devotees, Vaishnava teachers and Narayana / Vishnu

    Yoga is defined not as rarefied contemplation alone but as a disciplined pattern of simple, repeatable actions, recitation, offering water/lamps/food, honoring Vaiṣṇavas, and keeping vows, performed with bhakti. The text emphasizes that small offerings become vast when aligned with devotion and right conduct.

Tirthas of the Padma Purana

  • NaimisharanyaNaimiṣāraṇya
  • PushkaraPuṣkara

    Puṣkara-sarovar and its tīrtha-field

  • DvarakaDvārakā
  • PrabhasaPrabhāsa

    Somnātha region, as a broader western tīrtha horizon

  • KurukshetraKurukṣetra
  • PrayagaPrayāga (Triveṇī)
  • VaranasiVārāṇasī (Kāśī)
  • GayaGayā

    Pitṛ-focused tīrtha

  • Setubandha / Rameshvara regionSetubandha / Rāmeśvara region
  • AyodhyaAyodhyā
  • BadarikashramaBadarikāśrama
  • Mathura-Vrindavana regionMathurā-Vṛndāvana region
  • VaikunthaVaikuṇṭha

    Supreme abode as devotional destination

  • Shalagrama-kshetraŚālagrāma-kṣetra

    Gandaki-associated sacred zone, as the archetypal śālagrāma source

  • NandigramaNandigrāma
  • LankaLaṅkā

    As a dharma-restored capital through Vibhīṣaṇa

  • KishkindhaKiṣkindhā

    Rāma-Vānara alliance landscape

  • Patala-loka naga regions associated with Shesha / Ananta’s discoursePātāla-loka nāga regions associated with Śeṣa / Ananta’s discourse
  • HaridvaraHaridvāra
  • MathuraMathurā
  • Jagannatha-kshetraJagannātha-kṣetra (Puruṣottama-kṣetra)
  • GangasagaraGaṅgāsāgara

Ask anything about Padma Purana

Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.

Not sure where to start?

A free sign-in with Google or Apple keeps your chat saved across web and the app.

Read Padma Purana in the Vedapath app

Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.

Download on the App StoreGet it on Google Play

Continue reading in the Vedapath app

Open in App
Download on the App StoreGet it on Google Play

Vedapath Gold

Reading stays free, with or without Gold. It is for when you would rather listen: Sanskrit recitation and a spoken translation in 10 languages across the library, on this site and in the app, plus weekly Mudras for your questions and every comic and video episode open.

See what Gold opens