Sukta 5.61
जघने चोद एषां वि सक्थानि नरो यमुः । पुत्रकृथे न जनयः ॥
jaghane coda eṣāṃ vi sakthāni naro yamuḥ | putrakṛthe na janayaḥ ||
ان کے پیچھے دھکیل ہے؛ شریف مرد اپنی رانیں پھیلا دیتے ہیں - بیٹا پیدا کرنے والوں کی طرح۔
Their impulse is at the rear; the heroes spread their thighs apart—like begetters for producing a son.
The verse uses vigorous bodily imagery to indicate the Maruts’ generative dynamism. ‘Impulse at the rear’ (jaghane codaḥ) suggests the driving push from the subconscient/physical base that, when seized by higher forces, becomes propulsion for transformation. ‘Spreading the thighs’ signals release of blocked energies and readiness for creative manifestation. ‘Son’ (putra) is the new birth in consciousness—the luminous formation (new power, new realization) generated by the union of force and truth in the inner sacrifice.
Transformation requires converting raw drive into conscious creative power; when higher energies take hold of the physical-vital base, a new birth of consciousness becomes possible.
virility and generation imagery, impulsion and stance, creative potency
Atri line often employs bold, concrete imagery to point to subtle inner processes—turning physical symbols into yogic indications.
The seer emphasizes that spiritual creation is not abstract: it involves the conversion of bodily-vital energies into instruments of a higher birth.
They stir the atmosphere, release rains, and generate fertility; they are forces of production and expansion.
Awakening and redirecting the base energies; breaking constriction; generating new formations of strength and clarity.
Vigour-imagery praise: energizing the rite with generative force; supports prayers for progeny/creative power
ज॒घने॒ चोद॑ एषां॒ वि स॒क्थानि॒ नरो॑ यमुः । पु॒त्र॒कृ॒थे न जन॑यः ॥
ज॒घने॑ । चोदः॑ । ए॒षा॒म् । वि । स॒क्थानि॑ । नरः॑ । य॒मुः॒ । पु॒त्र॒ऽकृ॒थे । न । जन॑यः ॥
jaghane | codaḥ | eṣām | vi | sakthāni | naraḥ | yamuḥ | putra-kṛthe | na | janayaḥ
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4 × ~8
Strong, muscular cadence; consonant clusters emphasize force.
Stimulates prāṇic activation; helps break lethargy while keeping the mind aligned to a creative aim.
Vigour-imagery praise: energizing the rite with generative force; supports prayers for progeny/creative power
Marut praises connected to fertility/strength motifs; invoked for forceful progress of the rite and increase of ‘offspring’ (symbolic and literal).
Recitation to intensify the sacrifice’s driving energy (codaḥ) and generative outcome.
Use when stuck in inertia: as a mantra to awaken drive and channel it toward a ‘new birth’ (new habit, insight, or capacity).
codaḥ from √cud ‘impel, urge’. √jan ‘beget, generate’ (PIE *ǵenh₁- ‘beget’) in janayaḥ. The embodied imagery (thighs/haunch) is a typical RV concretization of force: physical terms encode energetic postures. yamuḥ is best linked to √yam ‘to hold, restrain, direct’ though exact parsing should be checked against a verbal index; semantically it indicates controlled extension/stance.
generation (jan) as manifestation of new power, controlled impulsion (codaḥ) rather than chaotic force
Generativity becomes fruitful only when the impulse follows right order (R̥ta).
Creation as ‘begetting’: higher force acting upon the base to produce a new formation.
Integral-yogic psychology: transformation includes subconscient/physical; new birth is a real re-formation of nature.
Fertility = creative manifestation; bodily posture = release of blocked channels; impulse from ‘rear’ = awakening of the physical base.
Convert raw drive into conscious tapas aimed at a new inner birth.
Svādhiṣṭhāna–Maṇipūra (generative force and will)
Bhastrikā (mild, 20–30 strokes) followed by long exhale and stillness; then mantra mentally to ‘seal’ the energy upward.
Dynamic concentration—energy gathered and offered.
When desire or restlessness rises from the base, do not suppress; offer it upward to Agni (inner will) with the intention of birthing a higher capacity (putra) such as courage, clarity, or steadiness.
Keep the force without harshness; allow svarita rises on key force-words like ‘codaḥ’.
Pause slightly after ‘eṣām’ to mark ‘their’; keep ‘putrakṛthe’ as a single unit with clear retroflex ṛ.
‘jaghane’: gh is voiced aspirate; do not harden to kh, ‘sakthāni’: k + th aspiration; keep long ā, ‘putrakṛthe’: ṛ is vocalic; avoid ‘ri’
Firm, grounded, resonant (from chest), but controlled.
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