Atharva Veda Sukta 28
Kanda 6Anuvaka 3Sukta 283 Mantras

Sukta 28

Rishi: Atharvanic tradition (arishta-kṣayaṇa complex)

Devata: Primarily the operative mantra-force (ṛc) and the household’s Śānti/Ūrj; adversary is the omen and attached durita

Chandas: Triṣṭubh-like (AV irregular)

Sanskrit recitationAtharva Veda 6.28

Mantras

Mantra 1

अरिष्टक्षयणम्। ऋ॒चा क॒पोतं॑ नुदत प्र॒णोद॒मिषं॒ मद॑न्तः॒ परि॒ गां न॑यामः । सं॒लो॒भय॑न्तो दुरि॒ता प॒दानि॑ हि॒त्वा न॒ ऊर्जं॒ प्र प॑दा॒त् पथि॑ष्ठः

With a verse thrust ye the Pigeon forth—drive him away: with bait, exulting, we will lead him round unto the open ground; enticing him, let him leave behind the evil tracks, and step forth from our nourishment by the best of paths.

Mantra 2

परी॒मे॒३ग्निम॑र्षत॒ परी॒मे गाम॑नेषत । दे॒वेष्व॑क्रत॒ श्रवः॒ क इ॒माँ आ द॑धर्षति

Round about have these streamed about Agni; round about have these led the Cow. Among the Gods have they established glory: who is he that shall dare to assail these here?

Mantra 3

यः प्र॑थ॒मः प्र॒वत॑मास॒साद॑ ब॒हुभ्यः॒ पन्था॑मनुपस्पशा॒नः । यो॒३स्येशे॑ द्वि॒पदो॒ यश्चतु॑ष्पद॒स्तस्मै॑ य॒माय॒ नमो॑ अस्तु मृ॒त्यवे॑

He who, the first, hath reached the steep descent, who, for the many, hath espied and traced the pathway; who hath dominion over this—over the two-footed and the four-footed: to him, to Yama, be reverence; reverence to Death.

Frequently Asked Questions

In Atharvavedic omen-logic, certain birds entering or lingering in the house-space can be read as nimitta (a sign) that durita (misfortune) has ‘caught’ the household. The hymn’s goal is not to harm the bird but to detach and export the attached ill-luck.

It means the misfortune is imagined as having a “trail” (padāni) that can cling to a place. By luring the omen outward and commanding it to depart by the best path, the rite aims to keep the household’s vitality (ūrj) intact while the durita goes away with the omen.

In this ritual grammar, respectful propitiation is a seal that prevents escalation. By acknowledging Yama/Mṛtyu as the ultimate authority over bipeds and quadrupeds, the performer seeks to pacify the fatal edge of the omen and secure postponement or averting of death-loss.

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