The Padmanābha Dvādaśī Observance, with the Eulogy of Lamp-Offering Merit
Pūrva Bhāga · Pr̥thivī-uddhāra and cosmological radiance motifs
तस्यास्तेजः समभवद् द्वादशादित्यसंनिभम् । शतानि पञ्च तस्यासन् सपत्नीनां यतव्रत ॥ ४९.८ ॥
tasyās tejaḥ samabhavad dvādaśāditya-sannibham | śatāni pañca tasyāsan sapatnīnāṃ yatavrata || 49.8 ||
tasyAstejaH samabhavad dvAdashAdityasaMnibham | shatAni pa~ncha tasyAsan sapatnInAM yatavrata || 49.8 ||
ครั้นแล้วรัศมีของนางบังเกิดขึ้น ประหนึ่งรัศมีแห่งอาทิตยะทั้งสิบสอง และมีมเหสีร่วมอีกห้าร้อยนาง ผู้มั่นคงในพรต อยู่พร้อมหน้า ณ ที่นั้น
Varāha
Tejas (inner radiance) signifies alignment with cosmic order and commands social gravity.
Cultivate sattvic conduct and vow-steadiness (vrata-niyama) so that authority arises from character rather than coercion.
The queen’s radiance likened to the twelve Ādityas evokes a cosmic-order register (solar guardianship, time, dharma) rather than Varāha’s boar-body; it frames royal/household hierarchy as mirroring cosmic hierarchy.
Āditya-splendor = solar/time principle (kāla-cakra) sustaining ṛta; the ‘five hundred co-wives’ suggests a court-as-cosmos motif (many powers orbiting a central brilliance).
Radiance (tejas) as a marker of sattva and divine favor; the many attendants around a single tejas hints at the One appearing as many (ekaṃ sat—bahudhā).
Varāha Purāṇa 49.49.9-12 (continuation: fear-driven service; Agastya’s praise and wonder)
It reflects a common Purāṇic literary strategy: expressing extraordinary status through cosmological comparison (here, radiance likened to the twelve Ādityas), while also preserving social and genealogical motifs (household plurality) typical of epic–Purāṇic narrative worlds.
No specific geographic location is named in this verse fragment; the content is primarily cosmological (Āditya comparison) and narrative (presence of co-wives).
The explicit ethical emphasis is on disciplined observance (yata-vrata), presented as a valued quality attributed to the figures described, without framing it as a compulsory doctrinal command.
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