HomeVaraha PuranaAdhyaya 24Shloka 19
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Varaha Purana 24.19: Adhyaya 24, Shloka 19

The Birth of the Nāgas, Brahmā’s Curse, and the Pañcamī Observance

एवमुक्तास्तु वेपन्तो ब्रह्माणं भुजगोत्तमाः । निपत्य पादयोस्तस्य इदमूचुर्वचस्तदा ॥ २४.१९ ॥

Sanskrit recitationVaraha Purana 24.19

evamuktāstu vepanto brahmāṇaṃ bhujagottamāḥ | nipatya pādayostasya idamūcur vacas tadā || 24.19 ||

ครั้นถูกตรัสดังนี้ เหล่าพญานาคผู้ประเสริฐก็สั่นสะท้าน ล้มกราบแทบพระบาทของพรหม แล้วจึงกล่าวถ้อยคำดังนี้

एवम्thus
एवम्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootएवम् (अव्यय)
Formप्रकार-अव्यय (adverb)
उक्ताःhaving been addressed/told
उक्ताः:
Visheshana (विशेषण)
TypeVerb
Rootवच् (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुंलिङ्ग, प्रथमा, बहुवचन; (भुजगोत्तमाः)
तुindeed/but
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/अन्वय-अव्यय (but/indeed)
वेपन्तःtrembling
वेपन्तः:
Karta (कर्ता)
TypeVerb
Rootवेप् (धातु)
Formशतृ-प्रत्ययान्त वर्तमानकृदन्त (present active participle), पुंलिङ्ग, प्रथमा, बहुवचन
ब्रह्माणम्Brahmā
ब्रह्माणम्:
Karma (कर्म)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/कर्म), एकवचन
भुजगोत्तमाःthe best of serpents
भुजगोत्तमाः:
Karta (कर्ता)
TypeNoun
Rootभुजग + उत्तम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
निपत्यhaving fallen down
निपत्य:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootपत् (धातु) उपसर्ग: नि-
Formल्यप्/क्त्वान्त-समकक्ष अव्ययकृदन्त (absolutive), पूर्वक्रिया
पादयोःat the feet (of)
पादयोः:
Adhikarana (अधिकरण)
TypeNoun
Rootपाद (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी/सप्तमी (6th/7th), द्विवचन; अत्र अधिकरणार्थे (at the feet)
तस्यof him
तस्य:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/सम्बन्ध), एकवचन
इदम्this
इदम्:
Karma (कर्म)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन
ऊचुःsaid
ऊचुः:
Kriya (क्रिया)
TypeVerb
Rootवच् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, बहुवचन
वचःwords/speech
वचः:
Karma (कर्म)
TypeNoun
Rootवचस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; कर्मरूपेण (what was said)
तदाthen
तदा:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootतदा (अव्यय)
Formकाल-अव्यय (temporal adverb)

Bhujagottamāḥ (foremost serpents/nāgas)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"When reprimanded by higher authority, one should approach with humility—trembling, prostrating, and speaking respectfully—to seek mitigation.","karmic_consequence":"Humility and śaraṇāgati (taking refuge) open the possibility of pacification; arrogance would harden the curse’s effects."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti/śaraṇāgati ethics","core_concept":"Fear becomes spiritually productive when it turns into surrender and truthful speech before the source of order.","practical_application":"In conflict or fault, first adopt humility and accountability; seek correction rather than justification."}

Subject Matter: ["Dialogue","Courtly/Deferential Speech","Cosmology"]

Primary Rasa: bhayanaka

Secondary Rasa: karuna

Type: sabhā/threshold of authority

Related Themes: Nāgas’ petition (24.24.20)

Visual Art Cues: {"scene_description":"Great serpents with jeweled hoods tremble and fall prostrate at Brahmā’s feet, hands (or heads) lowered, preparing to speak.","item_prompts":["Brahmā’s feet as focal point","nāgas bowed with hoods lowered","trembling posture (curved bodies, lowered gaze)","gesture of supplication","quiet, tense space"],"kerala_mural_prompt":"Kerala mural: stylized nāgas with ornate hood patterns; strong emphasis on the act of falling at the feet; warm palette with controlled tension.","tanjore_prompt":"Tanjore: gold-highlighted feet/halo; nāgas arranged in devotional symmetry; rich ornamentation on hoods and jewelry.","mysore_prompt":"Mysore: fine detailing of nāga scales and Brahmā’s ornaments; subdued drama, devotional clarity.","pahari_prompt":"Pahari: intimate scene with expressive faces/eyes; serpents’ coils rendered softly; emphasis on humility and narrative moment before speech."}

Audio Atmosphere: {"recitation_mood":"supplicatory, tense","suggested_raga":"Kapi","pace":"medium-slow","voice_tone":"soft but trembling color, slight pause after ‘nिपत्य पादयोस्तस्य’"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology
V
Vaiṣṇavism

FAQs

It illustrates a common Purāṇic narrative convention: subordinate beings approach a creator-figure (Brahmā) with formal prostration, signaling hierarchical cosmology and courtly speech etiquette in Sanskrit literature.

No geographic location is named in this verse; it functions as a narrative transition into the nāgas’ forthcoming speech.

The verse foregrounds an ethics of humility and respectful address within dialogue—approaching authority with restraint and decorum before presenting one’s request or statement.

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