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Varaha Purana 214.73: Adhyaya 214, Shloka 73

The Glory of Gokarṇa: Description of Nandikeśvara’s Boon and the Assembly of Deities on Mount Muñjavat

इत्युक्तस्त्रिदशैर्नन्दी पुनस्तान्प्रत्युवाच ह ॥ नन्दीकेश्वर उवाच ॥ यद्भवद्भिः प्रियं सर्वैः प्रीतिमद्भिः सुरोत्तमैः ॥

Sanskrit recitationVaraha Purana 214.73

ity uktaḥ tridaśair nandī punas tān pratyuvāca ha || nandīkeśvara uvāca || yad bhavadbhiḥ priyaṃ sarvaiḥ prītimadbhiḥ surottamaiḥ ||

เมื่อเหล่าเทพกล่าวดังนั้นแล้ว นันทีก็กล่าวตอบพวกเขาอีกครั้ง นันทิเกศวรกล่าวว่า “โอ้เหล่าเทพผู้ประเสริฐ สิ่งใดที่เป็นที่รักของท่านทั้งหลาย ผู้เปี่ยมด้วยไมตรี จงกล่าวออกมาเถิด”

itithus
iti:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootiti (अव्यय)
Formअव्यय (quotative particle/इति-प्रयोग)
uktaḥhaving been spoken to/said
uktaḥ:
Karta (कर्ता)
TypeVerb
Rootvac (वच् धातु) + kta (क्त)
Formकृदन्त (past passive participle/क्त), पुंलिङ्ग, प्रथमा, एकवचन
tridaśaiḥby the gods (thirty)
tridaśaiḥ:
Karaṇa (करण)
TypeNoun
Roottridaśa (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), बहुवचन
nandīNandī
nandī:
Karta (कर्ता)
TypeNoun
Rootnandī (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
punaḥagain
punaḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpunaḥ (अव्यय)
Formअव्यय (adverb)
tānthem
tān:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/accusative), बहुवचन; सर्वनाम
pratitowards/to
prati:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootprati (अव्यय/उपसर्ग)
Formअव्यय (preverb/adverbial; direction)
uvācasaid
uvāca:
Kriyā (क्रिया)
TypeVerb
Rootvac (वच् धातु)
Formलिट् (perfect/परोक्षभूत), प्रथमपुरुष, एकवचन; परस्मैपद
haindeed
ha:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootha (अव्यय)
Formअव्यय (emphatic particle/स्मरणार्थ)
nandīkeśvaraḥNandīkeśvara (Lord of Nandī)
nandīkeśvaraḥ:
Karta (कर्ता)
TypeNoun
Rootnandī-īśvara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; षष्ठी-तत्पुरुषः (nandinaḥ īśvaraḥ)
uvācasaid
uvāca:
Kriyā (क्रिया)
TypeVerb
Rootvac (वच् धातु)
Formलिट् (perfect), प्रथमपुरुष, एकवचन; परस्मैपद
yatwhat/that which
yat:
Karma (कर्म)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; सम्बन्ध-प्रत्यय (relative pronoun)
bhavadbhiḥby you (honorific, pl.)
bhavadbhiḥ:
Karaṇa (करण)
TypeNoun
Rootbhavat (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; आदरार्थ-सर्वनाम
priyamdear/pleasing
priyam:
Karma (कर्म)
TypeAdjective
Rootpriya (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण
sarvaiḥby all
sarvaiḥ:
Karaṇa (करण)
TypeAdjective
Rootsarva (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; विशेषण
prītimadbhiḥaffectionate/with love
prītimadbhiḥ:
Karaṇa (करण)
TypeAdjective
Rootprīti-mat (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; मतुप्-प्रत्ययान्त विशेषण
surottamaiḥby the best of the gods
surottamaiḥ:
Karaṇa (करण)
TypeNoun
Rootsura-uttama (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; षष्ठी-तत्पुरुषः (surāṇām uttamāḥ)

Nandīkeśvara (Nandī)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"nīti / sadācāra (polite discourse)","core_concept":"Humility and openness in receiving requests from respected parties","practical_application":"When approached for help, invite the request clearly and respond without ego or suspicion"}

Subject Matter: ["Dialogue","Courtly Address and Politeness","Divine Counsel"]

Primary Rasa: śānta

Secondary Rasa: sambhoga

Type: divine court/सभा

Related Themes: 214.82.0-214.85.0 (continuation of the same audience-request sequence)

Visual Art Cues: {"scene_description":"Nandī, addressed by the assembled gods, responds with composed courtesy, inviting them to state their desire.","item_prompts":["Nandī with matted hair/Śaiva insignia","assembly of devas with crowns and ornaments","gesture of invitation (open palm)","celestial hall with pillars and lamps"],"kerala_mural_prompt":"Kerala mural style: frontal, calm Nandī with Śaiva marks, devas in layered rows, warm earthy palette, ornate arch motifs.","tanjore_prompt":"Tanjore style: Nandī central with embossed ornaments, devas flanking, gold-leaf halo effects, rich reds/greens, temple-court backdrop.","mysore_prompt":"Mysore style: delicate linework, soft shading, refined jewelry, restrained expressions, palace-like sabhā interior.","pahari_prompt":"Pahari style: lyrical court scene, pastel background, stylized clouds, slender figures, emphasis on gesture and dialogue."}

Audio Atmosphere: {"recitation_mood":"formal and inviting","suggested_raga":"Śrī (or Yaman for dignified address)","pace":"medium-slow","voice_tone":"clear, courteous, slightly resonant"}

Ś
Śaiva Traditions
P
Purāṇic Discourse
S
Sanskrit Epithets

FAQs

The verse preserves a formal dialogic style typical of Purāṇas, including explicit speaker tags (uvāca), valuable for manuscript segmentation and oral-performance cues.

No location is specified here; the exchange sets up the later mention of Mauñjavata mountain.

It models respectful, non-confrontational inquiry—inviting the interlocutors to state their needs clearly and amicably.

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