Cosmogony and the Ninefold Creation: Rudra’s Origin and the Prelude to the Sāvitrī–Veda Narrative
तस्यापि पांसो हृदये त्वपरस्तस्य चोरसि । अन्यो रक्तेक्षणः श्रीमान् द्वादशादित्यसन्निभः ॥ २.६५ ॥
tasyāpi pāṁso hṛdaye tv aparas tasya corasi | anyo rakteṣaṇaḥ śrīmān dvādaśādityasannibhaḥ || 2.65 ||
แม้ในดวงหทัยของเขา และอีกครั้งบนอุระของเขา ก็ปรากฏอีกองค์หนึ่ง ผู้มีเนตรแดง ทรงสิริรุ่งเรือง สว่างไสวประหนึ่งอาทิตยะทั้งสิบสอง
Varāha (default dialogue framework; speaker not explicit in excerpt)
It reflects a common Purāṇic narrative technique: describing divine manifestation through radiant similes (here, the twelve Ādityas), which helps situate the text within broader early medieval Sanskrit cosmological and iconographic traditions.
No specific geographic location is named in this verse; the focus is on a visionary/theophanic description rather than sacred geography.
The verse primarily conveys a philosophical-aesthetic emphasis on divine radiance and presence; it does not directly articulate an ethical injunction in this isolated fragment.
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