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Varaha Purana 198.82: Adhyaya 198, Shloka 82

Description of the Torments within the Cycle of Rebirth: Hymn to Yama and the Introduction to Citragupta’s Administration

माल्यानि धूपं गन्धाश्च नानारससमायुताः ॥ मनोहराश्च कान्ताश्च भूयिष्ठाश्च सहस्रशः

Sanskrit recitationVaraha Purana 198.82

mālyāni dhūpaṁ gandhāś ca nānā-rasa-samāyutāḥ || manoharāś ca kāntāś ca bhūyiṣṭhāś ca sahasraśaḥ

พวงมาลัย ธูป และกลิ่นหอม—ประกอบด้วยรสและสารหอมอันรื่นรมย์นานาประการ—ชวนใจหลงใหล งดงามยิ่ง และมีอยู่อย่างอุดมเป็นพันๆ

माल्यानिgarlands
माल्यानि:
Karta (कर्ता)
TypeNoun
Rootमाल्य (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
धूपम्incense
धूपम्:
Karta (कर्ता)
TypeNoun
Rootधूप (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा) or Accusative (2nd/द्वितीया), Singular (एकवचन); here as item in list, taken as Nominative
गन्धाःfragrances
गन्धाः:
Karta (कर्ता)
TypeNoun
Rootगन्ध (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
FormConjunction particle (समुच्चय-निपात)
नानाvarious
नाना:
Viśeṣaṇa (विशेषण)
TypeIndeclinable
Rootनाना (अव्यय/विशेषणप्राय)
FormIndeclinable used adjectivally (अव्यय-विशेषण), meaning ‘various’
रसflavor / essence
रस:
Sambandha (सम्बन्ध)
TypeNoun
Rootरस (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया) Singular in compound relation (as member)
समायुताःendowed/combined (with)
समायुताः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसम् + यु (धातु)
FormPast passive participle (क्त, कर्मणि कृदन्त) ‘samāyuta’, Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); agrees with implied items (माल्यानि/गन्धाः etc.)
मनोहराःcharming
मनोहराः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootमनस् + हर (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); Tatpuruṣa: ‘mind-stealing/pleasing’
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
FormConjunction particle (समुच्चय-निपात)
कान्ताःbeautiful / lovely
कान्ताः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootकान्त (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
FormConjunction particle (समुच्चय-निपात)
भूयिष्ठाःmost numerous / very many
भूयिष्ठाः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootभूयिष्ठ (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); superlative sense ‘most/very many’
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
FormConjunction particle (समुच्चय-निपात)
सहस्रशःby the thousand
सहस्रशः:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootसहस्रशस् (अव्यय)
FormAdverb (क्रियाविशेषण-अव्यय) meaning ‘by thousands / in thousands’

Unspecified narrator (defaults to Varāha framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-ācāra / saṃskāra","core_concept":"External beauty (gandha-dhūpa-mālya) functions as a disciplined offering that refines mind and intention.","practical_application":"In worship/vrata, offer clean, pleasing substances with attentiveness; let sensory refinement support inner recollection rather than mere display."}

Subject Matter: ["Heritage Sites","Ethics"]

Primary Rasa: śṛṅgāra

Secondary Rasa: adbhuta

Type: ritual venue

Related Themes: Varāha Purāṇa: recurring pūjā-upacāra lists in Māhātmya/vrata passages (general motif)

Visual Art Cues: {"scene_description":"A richly adorned worship-space overflowing with garlands, incense smoke, and vessels of perfumes—an atmosphere of layered fragrance and visual abundance.","item_prompts":["heaps of flower garlands (mālya)","incense burners with curling smoke (dhūpa)","perfume flasks/unguent bowls (gandha)","attendants arranging offerings","soft lamp-glow highlighting abundance"],"kerala_mural_prompt":"Kerala mural style: flat luminous colors, ornate floral borders, temple interior with stylized smoke curls and layered garlands; emphasis on decorative abundance.","tanjore_prompt":"Tanjore style: gold-leaf heavy ornamentation on garlands and vessels; central altar with embossed gold details; rich reds/greens; sparkling perfume containers.","mysore_prompt":"Mysore style: delicate linework, subdued elegance; refined incense smoke gradients; detailed textiles and offering trays.","pahari_prompt":"Pahari style: intimate shrine scene with cool palette; fine floral detailing; gentle incense haze; attendants in hill-style costumes arranging mālyas."}

Audio Atmosphere: {"recitation_mood":"maṅgala, pūjā-sugandhi (auspicious, sensuous)","suggested_raga":"Mālavī or Vasant (for fragrance/flower imagery)","pace":"vilambita-madhyama","voice_tone":"soft, rounded, savoring compounds and cadence"}

C
Classical Literature
R
Ritual Culture
A
Aesthetic Vocabulary

FAQs

It preserves a conventional register of ritual and aesthetic items (garlands, incense, perfumes), useful for reconstructing the sensory vocabulary of Sanskrit religious-material culture.

No location is specified; the verse lists objects and qualities rather than places.

The verse is primarily descriptive; ethically, it can function as contrastive imagery within larger narratives of merit and consequence, though no explicit injunction appears here.

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