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Varaha Purana 141.22: Adhyaya 141, Shloka 22

The Sacred Greatness of Badarikāśrama

Badrinath Region

तत्र पर्वतशृङ्गे तु स्थूलमूले शिलातले । द्वादश पतन्ति धारा मम कर्मसुखावहाः ॥

Sanskrit recitationVaraha Purana 141.22

tatra parvataśṛṅge tu sthūlamūle śilātale | dvādaśa patanti dhārā mama karmasukhāvahāḥ ||

ที่นั่น บนยอดภูเขา บนผิวศิลา ณ ฐานอันกว้าง มีธารน้ำสิบสองสายตกลงมา นำสุขอันเกิดจากกรรมพิธีที่เนื่องด้วยเรา

tatrathere
tatra:
Adhikarana (अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
FormAvyaya; adverb of place (देशवाचक)
parvata-śṛṅgeon the mountain-peak
parvata-śṛṅge:
Adhikarana (अधिकरण)
TypeNoun
Rootparvata (पर्वत प्रातिपदिक) + śṛṅga (शृङ्ग प्रातिपदिक)
FormTatpuruṣa (षष्ठी-तत्पुरुष: पर्वतस्य शृङ्गम्); Neuter, Saptamī-vibhakti, Eka-vacana
tuindeed/and/but
tu:
Sambandha (सम्बन्ध/वाक्यसम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormAvyaya; particle (विरोध/अन्वय/अवधारण)
sthūla-mūleat the thick-root/base
sthūla-mūle:
Adhikarana (अधिकरण)
TypeNoun
Rootsthūla (स्थूल प्रातिपदिक) + mūla (मूल प्रातिपदिक)
FormKarmadhāraya (विशेषणपूर्वपद: स्थूलं मूलं यस्मिन्); Neuter, Saptamī, Eka-vacana; locus descriptor
śilā-taleon the rock-surface
śilā-tale:
Adhikarana (अधिकरण)
TypeNoun
Rootśilā (शिला प्रातिपदिक) + tala (तल प्रातिपदिक)
FormTatpuruṣa (षष्ठी-तत्पुरुष: शिलायाः तलम्); Neuter, Saptamī, Eka-vacana
dvādaśatwelve
dvādaśa:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdvādaśa (द्वादश संख्याशब्द)
FormNumeral used adjectivally; (agrees with dhārāḥ) Feminine, Prathamā, Bahu-vacana (sense)
patantifall/flow down
patanti:
Kriyā (क्रिया)
TypeVerb
Rootpat (पत् धातु)
FormLaṭ-lakāra (वर्तमान), Parasmaipada; Prathama-puruṣa, Bahu-vacana
dhārāḥstreams
dhārāḥ:
Karta (कर्ता)
TypeNoun
Rootdhārā (धारा प्रातिपदिक)
FormFeminine, Prathamā-vibhakti, Bahu-vacana
mamaof me/my
mama:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootasmad (अस्मद् सर्वनाम)
FormPronoun; Ṣaṣṭhī, Eka-vacana
karma-sukha-āvahāḥbringing the happiness/fruit of (my) rites
karma-sukha-āvahāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkarma (कर्म) + sukha (सुख) + āvaha (आवह प्रातिपदिक from ā-√vah)
FormTatpuruṣa (उपपद/निर्देश: कर्मणः सुखम् आवहन्ति इति); Masculine, Prathamā, Bahu-vacana; agrees with dhārāḥ (semantic agreement)

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha continues mapping Bhū-devī’s sacred topography, describing hydrological features as ‘my action/rite-bestowing happiness’ (karma-sukhāvahāḥ), implying waters as channels of his grace upon Earth."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, receiving detailed site-description that sacralizes her mountains and waters","key_question":"Implicit: ‘What is the tangible sign at this tīrtha—what features mark it and how do they confer merit?’"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Dvādaśāditya-kuṇḍa vicinity (mountain peak with twelve falling streams)","parikrama_context":"Describes a recognizable landmark for pilgrims (peak/rock-base/waterfalls), aiding route-identification during kṣetra-parikramā.","krishna_connection":"Indirect only: the Mathurā landscape is being sacralized in a way later Vaiṣṇava traditions read as the broader holy field that includes Kṛṣṇa-līlā terrain."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Twelve streams mirror the twelvefold solar/time principle; sacred hydrology becomes a visible ‘flow’ of dharma-karman—merit is imagined as descending like waters from a peak into the world.","yajna_varaha_imagery":"Waters as yajñic ‘āpaḥ’ carrying purification; twelvefold flow parallels twelve Ādityas/months—kāla’s descent into embodied practice (snāna, tīrtha-sevā).","vedantic_connection":"Karma and grace converge: the verse frames ritual action (karma) as producing sukha when aligned with īśvara (mama karmaṇi), hinting at īśvara-arpita-karma as purifying."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ritual ecology / sacralized nature","core_concept":"Natural features (rock, peak, streams) can be read as dharma-bearing when integrated into sacred narrative and practice.","practical_application":"Treat tīrtha waters as instruments of purification; perform acts (snāna, japa, dāna) with the understanding that place and practice mutually reinforce merit."}

Subject Matter: ["Sacred Geography","Hydrology (Sacralized Waters)","Ritual Practice"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: Parvata-śṛṅga / śilātala with dhārā (waterfalls/streams)

Related Themes: Immediate continuation to 141.26 on snāna at Dvādaśī; Varāha Purāṇa: repeated pattern—site description → ritual act → promised fruit

Visual Art Cues: {"scene_description":"A mountain peak with a broad-rooted base and a rock platform where twelve distinct streams cascade downward, sanctified by Varāha’s presence and narration to Bhū-devī.","item_prompts":["mountain peak","rock-surface terrace","twelve separate water streams","pilgrim path markers","Varāha gesturing toward the falls","Bhū-devī listening"],"kerala_mural_prompt":"Stylized mountain and rhythmic white-blue streams; Varāha and Bhū-devī in profile with ornate costume; emphasis on patterned flow lines for the twelve dhārās.","tanjore_prompt":"Gold accents on the stream origins (as divine outlets); embossed detailing on rocks; central cascade motif with symmetrical twelve streams.","mysore_prompt":"Naturalistic yet idealized waterfall rendering; fine brushwork for spray; subdued devotional palette; calm instructive figures.","pahari_prompt":"Layered hills with thin silver-blue stream lines; narrative composition with small figures; emphasis on countable ‘twelve’ cascades."}

Audio Atmosphere: {"recitation_mood":"descriptive, contemplative","suggested_raga":"Megh (for water imagery) or Malhar family","pace":"medium","voice_tone":"flowing, gently rhythmic"}

C
Classical Literature
P
Purāṇic Studies
C
Cultural Heritage Hydrology
A
Ancient Geography

FAQs

It documents a landscape description typical of tīrtha-māhātmya: mountain hydrology is mapped onto sacred numerology (twelve), which can inform comparative studies of pilgrimage topography.

A mountain setting associated with the Dvādaśāditya context is implied, but no specific mountain name appears in this verse; identification requires the surrounding chapter context and parallel sources.

By associating well-being with ritually valued waters, the verse indirectly supports respectful engagement with natural water features—an archival cue for environmental stewardship within sacred geography.

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