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Varaha Purana 140.62: Adhyaya 140, Shloka 62

The Greatness of Kokāmukha (Badarī): Varāha’s Hidden Abode and the Sacred Waters

अस्ति चान्यन्महद्भद्रे क्षेत्रे गुह्ये विशेषितम् ॥ मनुजा येन गच्छन्ति मुक्त्वा संसारसागरम् ॥

Sanskrit recitationVaraha Purana 140.62

asti cānyan mahadbhadre kṣetre guhye viśeṣitam || manujā yena gacchanti muktvā saṃsārasāgaram ||

โอ้ผู้เป็นมงคลยิ่ง ในเขตศักดิ์สิทธิ์อันลี้ลับนั้น ยังมีคุณลักษณะอันยิ่งใหญ่อีกประการหนึ่งอันจำแนกไว้ โดยอาศัยสิ่งนั้น มนุษย์ย่อมข้ามพ้นมหาสมุทรแห่งสังสารวัฏแล้วก้าวไปสู่โมกษะ

अस्तिthere is / exists
अस्ति:
Kriyā (क्रिया)
TypeVerb
Rootअस् (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन (singular)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
अन्यत्another (thing)
अन्यत्:
Karta (कर्ता)
TypeAdjective
Rootअन्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), प्रथमा/द्वितीया (Nom/Acc), एकवचन (singular)
महत्great
महत्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), प्रथमा/द्वितीया (Nom/Acc), एकवचन (singular)
भद्रेO auspicious lady
भद्रे:
Sambodhana (सम्बोधन)
TypeNoun
Rootभद्र (प्रातिपदिक)
Formस्त्रीलिङ्ग (feminine), सम्बोधन (Vocative), एकवचन (singular)
क्षेत्रेin the sacred place/field
क्षेत्रे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootक्षेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), सप्तमी (Locative), एकवचन (singular)
गुह्येsecret
गुह्ये:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootगुह्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), सप्तमी (Locative), एकवचन (singular)
विशेषितम्described/declared distinctly
विशेषितम्:
Kriyāviśeṣaṇa / Bhāva (भाव)
TypeVerb
Rootवि-शिष् (धातु)
Formकृदन्त—क्त (past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; कर्मणि प्रयोग (PPP)
मनुजाःmen/humans
मनुजाः:
Karta (कर्ता)
TypeNoun
Rootमनुज (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा (Nominative), बहुवचन (plural)
येनby which
येन:
Karaṇa (करण)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), तृतीया (Instrumental), एकवचन (singular)
गच्छन्तिgo/attain
गच्छन्ति:
Kriyā (क्रिया)
TypeVerb
Rootगम् (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd person), बहुवचन (plural)
मुक्त्वाhaving abandoned/left
मुक्त्वा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootमुच् (धातु)
Formकृदन्त—क्त्वा (absolutive/gerund), पूर्वकालिक क्रिया (prior action)
संसारसागरम्the ocean of worldly existence
संसारसागरम्:
Karma (कर्म)
TypeNoun
Rootसंसार-सागर (प्रातिपदिक)
Formपुंलिङ्ग (masculine), द्वितीया (Accusative), एकवचन (singular); षष्ठी-तत्पुरुष (genitive determinative): संसारस्य सागरः

Varāha

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"praised as auspicious (bhadre), attentive/curious"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"mokṣa-upāya via kṣetra-viśeṣa","core_concept":"Certain sanctified loci are taught as catalysts for saṃsāra-taraṇa (crossing the ocean of becoming), implying grace plus right orientation.","practical_application":"Approach sacred places with renunciant intent—seeking freedom from saṃsāra rather than only worldly boons—and combine pilgrimage with contemplation and ethical living."}

Subject Matter: ["Ethics","Cosmology","Heritage Sites"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: sacred region with a special liberating ‘feature’ (viśeṣa)

Related Themes: Varāha Purāṇa 140.66-67 (guhya-kṣetra and its tīrtha practice)

Visual Art Cues: {"scene_description":"Varāha indicates (or reveals) an unseen ‘special feature’ within the secret kṣetra—depicted as a luminous gateway/ford by which pilgrims cross the ocean of saṃsāra.","item_prompts":["Varāha as teacher-figure (iconic presence)","Bhu Devi listening (if depicted)","glowing hidden shrine/gateway","symbolic ocean of saṃsāra below","pilgrims moving toward light"],"kerala_mural_prompt":"Kerala mural: Varāha instructing, Bhu Devi attentive; a radiant hidden kṣetra-gate; stylized waves below representing saṃsāra.","tanjore_prompt":"Tanjore: central golden gateway with embossed radiance; Varāha and Earth in ornate attire; pilgrims in procession toward liberation-light.","mysore_prompt":"Mysore: balanced composition with subtle symbolism—ocean as dark band, gate as soft glow; calm instructive posture of Varāha.","pahari_prompt":"Pahari: narrative scene with gentle hills around the secret kṣetra; luminous portal; small figures crossing a stylized river-ocean."}

Audio Atmosphere: {"recitation_mood":"mysterious-reverent","suggested_raga":"Charukesi","pace":"slow","voice_tone":"hushed, evocative"}

C
Classical Literature
V
Vaishnavism
A
Ancient Geography
E
Ecological Ethics

FAQs

It shows the blending of sacred geography with liberation-language, a hallmark of Purāṇic pilgrimage sections where place is narrated as an instrument of transformation.

The verse points to an unnamed ‘secret kṣetra’ and an additional distinguished element within it; precise location requires the adjacent verses’ toponyms.

Human life is framed as capable of ‘crossing’ repetitive existence through disciplined engagement with designated cultural-ritual spaces.

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