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Valmiki Ramayana 1.39.7: Bala Kanda, Sarga 39, Shloka 7

सगरयज्ञाश्वहरणम् · The Stolen Sacrificial Horse of Sagara

Setting: Sagara’s Aśvamedha sacrificial ground (yajña-śālā/vedi area)Places named: (implied) yajña-vedi, parvan-day (ritual time marker)

तस्य पर्वणि तं यज्ञं यजमानस्य वासवः ।

राक्षसीं तनुमास्थाय यज्ञीयाश्वमपाहरत् ॥७॥

Recitation with translationValmiki Ramayana 1.39.7

tasya parvaṇi taṃ yajñaṃ yajamānasya vāsavaḥ |

rākṣasīṃ tanum āsthāya yajñīyāśvam apāharat ||7||

ในวันปัรวันอันศักดิ์สิทธิ์ซึ่งเป็นวาระปิดพิธี ขณะสคระเป็นยชามานประกอบยัญญ์ วาสวะ (อินทรา) แปลงกายเป็นดุจรากษส แล้วลักเอาม้ายัญญ์ไป

तस्यof him (Sagara)
तस्य:
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति (Genitive/षष्ठी), एकवचन (Singular), पुल्लिङ्ग/नपुंसकलिङ्ग-सम्भव (pronoun)
Roleसम्बन्ध (षष्ठी/Genitive relation)
पर्वणिon the parvan day (concluding day)
पर्वणि:
TypeNoun
Rootपर्वन् (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), सप्तमी-विभक्ति (Locative/सप्तमी), एकवचन (Singular)
Roleअधिकरण (अधिकरण/Locative)
तम्that
तम्:
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formद्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन (Singular), पुल्लिङ्ग (Masculine; referring to yajña as masculine here by usage)
Roleकर्म (कर्म/Direct object)
यज्ञम्sacrifice
यज्ञम्:
TypeNoun
Rootयज्ञ (प्रातिपदिक)
Formपुल्लिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन (Singular)
Roleकर्म (कर्म/Direct object; contextual)
यजमानस्यof the sacrificer
यजमानस्य:
TypeNoun
Rootयजमान (प्रातिपदिक)
Formपुल्लिङ्ग (Masculine), षष्ठी-विभक्ति (Genitive/षष्ठी), एकवचन (Singular)
Roleसम्बन्ध (षष्ठी/Genitive relation)
वासवःVasava (Indra)
वासवः:
TypeNoun
Rootवासव (प्रातिपदिक)
Formपुल्लिङ्ग (Masculine), प्रथमा-विभक्ति (Nominative/प्रथमा), एकवचन (Singular)
Roleकर्ता (कर्ता/Subject)
राक्षसीम्demonic (rakshasa-like)
राक्षसीम्:
TypeAdjective
Rootराक्षसी (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), द्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन (Singular); विशेषण (adjective) to तनुम्
Roleकर्म (कर्म/Object-complement with tanum)
तनुम्a body/form
तनुम्:
TypeNoun
Rootतनु (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), द्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन (Singular)
Roleकर्म (कर्म/Object of āsthāya)
आस्थायhaving assumed
आस्थाय:
TypeVerb
Rootआ-स्था (धातु)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभाव (indeclinable verbal), meaning 'having assumed/taken'
Roleपूर्वकाल (क्रियाविशेषण/Adverbial prior action)
यज्ञीय-अश्वम्the sacrificial horse
यज्ञीय-अश्वम्:
TypeNoun
Rootयज्ञीय (प्रातिपदिक) + अश्व (प्रातिपदिक)
Formतत्पुरुष-समास (determinative): 'यज्ञीयः अश्वः'; पुल्लिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/द्वितीया), एकवचन (Singular)
Roleकर्म (कर्म/Direct object)
CompoundTatpurusha
अपाहरत्stole/abducted
अपाहरत्:
TypeVerb
Rootअप-हृ (धातु)
Formलङ्-लकार (Imperfect/Past), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन (Singular)
Roleक्रिया (मुख्यक्रिया/Main verb)
  • यज्ञीयाश्वमपाहरत् = यज्ञीय-अश्वम् + अपाहरत्
  • तनुमास्थाय = तनुम् + आस्थाय
  • वासवः।राक्षसीम् = वासवः + राक्षसीम् (sentence break)

On the concluding day of the fortnight (full moon day) while the sacrifice was being performed, Vasava (Indra) assuming the form of rakshasa, had stolen away Sagara's sacrificial horse.

Even sacred enterprises face tests; discernment and restraint are required when the adversary uses disguise and provocation.

Duties in tension

  • Maintenance of śrauta yajña and royal dharma
  • Deva politics/jealousy disrupting human rites
  • Response to theft without harming innocents
Ethical theme
Ṛta/yajña-protection vs deva-induced adversity
How it resolves
Escalatory (the theft triggers pursuit and later tragedy)

Reflection on impermanence of external rites without inner steadiness; cultivate steadiness amid disruption.

Rasa
Adbhuta (wonder), with Bhayanaka (fear)
Mood
Uncanny, stealthy, ominous

Themes

  • Dharma
  • Itihasa
  • Ethics
  • Yajña
  • Deception
  • Royal duty

V
Vāsava (Indra)
S
Sagara
Y
yajña (sacrifice)

FAQs

The verse highlights the sanctity of yajña and the moral disorder created when sacred duties are obstructed through deceit. Dharma here is the protection of rightful ritual action and social order against adharma (wrongful interference).

During King Sagara’s Aśvamedha at a crucial concluding parvan moment, Indra disguises himself in a rākṣasa-like form and steals the sacrificial horse, threatening the completion of the rite.

Implicitly, the virtue expected is steadfast responsibility in protecting dharmic acts—especially a king’s duty to safeguard sacred rites and public order when they are endangered.

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