दशरथस्य अन्त्येष्टि
विधानम् · Dasaratha’s Funeral Rites and Ayodhya’s Mourning
Setting: अयोध्या (city) → departure toward the cremation/river-side ritesPlaces named: नगर (Ayodhya)Funeral procession leaving the city
शिबिकाभिश्च यानैश्च यथार्हं तस्य योषितः ।
नगरा न्निर्ययुस्तत्र वृद्धैः परिवृता स्तदा ॥१९॥
śibikābhiś ca yānaiś ca yathārhaṃ tasya yoṣitaḥ |
nagarān niryayus tatra vṛddhaiḥ parivṛtās tadā ||19||
แล้วเหล่าสตรีฝ่ายในของพระราชา ตามฐานันดรศักดิ์ของตน บ้างขึ้นเสลี่ยง บ้างขึ้นยานพาหนะ อันมีนางพี่เลี้ยงชราห้อมล้อม ก็ออกจากนครไปยังสถานที่นั้นในกาลนั้น
Then in accordance with their rank and surrounded by aged guards, the wives of king Dasaratha departed for that place from the city in palanquins and other carriages.
Even in grief, royal households uphold maryādā (protocol) and proceed to obligatory rites in ordered fashion.
Contemplation on anitya and disciplined conduct during loss; supports vairāgya and steadiness.
The outward pomp of rank (यथार्हम्) juxtaposed with death underscores māyā and the leveling force of anitya.
Kaṭha/Īśa-like reminder: worldly stations persist in form, yet all move toward the same end (mṛtyu).
Vālmīki Rāmāyaṇa 2.76 (funeral procession context); Vālmīki Rāmāyaṇa 2.77 (post-rites mourning)
Gṛhya-sūtra style royal antyeṣṭi processions (general)
Ayodhyākāṇḍa: Daśaratha’s death and ensuing rites sequence
अनुष्टुप् (Anuṣṭubh)
Narrative
Mandra-gati with soft niṣāda emphasis for procession-like cadence
Dharma is expressed as ordered conduct in crisis: even mourning follows appropriate roles and protections, reflecting social responsibility and decorum.
As funeral rites proceed, the royal women leave Ayodhyā for the riverside/cremation area in a guarded, rank-ordered procession.
Collective discipline and propriety—maintaining dignified conduct while honoring the deceased king.
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