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Valmiki Ramayana 2.57.19: Ayodhya Kanda, Sarga 57, Shloka 19

सप्तपञ्चाशः सर्गः

Sumantra’s Return to Ayodhya and the Palace’s Lament

आयतैर्विमलैर्नेत्रैरश्रुवेगपरिप्लुतैः।अन्योन्यमभिवीक्षन्तेऽव्यक्तमार्ततराः स्त्रियः।।।।

Sanskrit recitationValmiki Ramayana 2.57.19

āyataiḥ vimalair netrair aśruvega-pariplutaiḥ |

anyonyam abhivīkṣante 'vyaktam ārtatarāḥ striyaḥ ||

ด้วยดวงตาอันยาวใหญ่และผ่องใส ที่ท่วมท้นด้วยกระแสน้ำตา สตรีทั้งหลายซึ่งทุกข์ยิ่งนัก มองหน้ากันและกันอย่างเงียบงัน ราวกับความโศกนั้นเกินจะเอื้อนเอ่ย

आयतैःwith long/large
आयतैः:
Karaṇa (करण)
TypeAdjective
Rootआयत (प्रातिपदिक)
Formनपुंसकलिङ्ग (नेत्रैः इति सह), तृतीया-विभक्ति, बहुवचन; Instrumental plural
विमलैःwith clean/clear
विमलैः:
Karaṇa (करण)
TypeAdjective
Rootविमल (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; Instrumental plural
नेत्रैःwith eyes
नेत्रैः:
Karaṇa (करण)
TypeNoun
Rootनेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (करण), बहुवचन; Instrumental plural
अश्रुवेगपरिप्लुतैःflooded by the rush of tears
अश्रुवेगपरिप्लुतैः:
Karaṇa (करण)
TypeAdjective
Rootअश्रु + वेग + परिप्लुत (प्लु धातु) (प्रातिपदिक/कृदन्ताधारित)
Formसमास: अश्रूणां वेगः (षष्ठी-तत्पुरुष) + तेन परिप्लुतैः (तृतीया-तत्पुरुष); नपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; qualifying ‘नेत्रैः’
अन्योन्यम्one another
अन्योन्यम्:
Karma (कर्म)
TypeIndeclinable
Rootअन्योन्य (प्रातिपदिक)
Formअव्ययीभाववत् क्रियाविशेषणरूपेण द्वितीया-एकवचनप्रयोगः; adverbial accusative ‘mutually/each other’
अभिवीक्षन्तेthey look (at)
अभिवीक्षन्ते:
Kriyā (क्रिया)
TypeVerb
Rootअभि + वीक्ष् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, बहुवचन; आत्मनेपद; they look at
अव्यक्तम्indistinctly, silently
अव्यक्तम्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootअव्यक्त (प्रातिपदिक)
Formक्रियाविशेषणरूपेण नपुंसक-द्वितीया/प्रथमा-एकवचनप्रयोगः; adverb ‘indistinctly/silently’
आर्ततराःmore anguished
आर्ततराः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootआर्त + तर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; तर्तम-प्रत्यय (comparative): ‘more afflicted’
स्त्रियःwomen
स्त्रियः:
Karta (कर्ता)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; Nominative plural

The women in great anguish stood silently looking at one another, their large eyesflooded with overflowing tears.

W
women of the palace
R
Rāma (implied by context)

FAQs

It highlights empathetic restraint: grief is shared without disorderly speech, reflecting decorum (maryādā) even amid suffering caused by a dharmic decision.

The palace women silently register the reality of Rāma’s absence, communicating sorrow through looks and tears.

Self-control and solidarity: their quiet mutual gaze shows shared endurance rather than agitation.

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