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Shri Guru Charan Saroj Raj: Hanuman Chalisa Doha 1 Meaning

Opening DohasVerse 1 of 43

श्रीगुरु चरन सरोज रजनिज मनु मुकुरु सुधारि।बरनउँ रघुबर बिमल जसुजो दायकु फल चारि॥

Other editions read बरनऊँ for बरनउँ (popular printings).

śrīguru carana saroja rajanija manu mukuru sudhāri |baranaũ raghubara bimala jasujo dāyaku phala cāri ||

ด้วยละอองธุลีเกสรจากพระบาทดุจดอกบัวของพระคุรุผู้เป็นที่เคารพยิ่ง ข้าพเจ้าขัดเงากระจกแห่งจิตใจของตน จากนั้นข้าพเจ้าจึงเริ่มพรรณนาพระเกียรติอันบริสุทธิ์ไร้มลทินของพระราม ผู้ประเสริฐสุดแห่งวงศ์รฆุ ผู้ประทานจุดหมายสี่ประการแห่งชีวิต ได้แก่ ธรรมะ อรรถะ กามะ และโมกษะ

श्रीगुरुśrīguruthe revered Guru, the spiritual teacher
श्रीगुरु:
Typenoun
Formnoun, masc., sing., first member of the compound śrīguru carana saroja raja, genitive sense
चरनcaranafeet
चरन:
Typenoun
Formnoun, masc., member of compound, genitive sense
सरोजsarojalotus; the Guru's feet likened to lotuses
सरोज:
Typenoun
Formnoun, masc., member of compound, metaphor for the feet
रजrajadust, pollen
रज:
Typenoun
Formnoun, sing., final member of compound, instrumental sense (with the dust)
निजnijamy own
निज:
Typeadjective
Formreflexive adjective, qualifying manu
मनुmanumind
मनु:
Typenoun
Formnoun, masc., sing., in compound sense with mukuru (the mind as mirror)
मुकुरुmukurumirror
मुकुरु:
Typenoun
Formnoun, masc., sing., direct object of sudhāri
सुधारिsudhārihaving cleaned, having polished
सुधारि:
Typeverb
Formverb, absolutive (conjunctive participle)
बरनउँbaranaũI describe, I sing of
बरनउँ:
Typeverb
Formverb, 1st person, sing., present with future sense
रघुबरraghubarathe best of the Raghu dynasty, Rama
रघुबर:
Typename
Formproper noun, masc., sing., genitive sense (of Raghubara)
बिमलbimalaspotless, pure
बिमल:
Typeadjective
Formadjective, qualifying jasu
जसुjasuglory, fame
जसु:
Typenoun
Formnoun, masc., sing., direct object of baranaũ
जोjowho
जो:
Typepronoun
Formrelative pronoun, masc., sing., referring to Raghubara
दायकुdāyakugiver, bestower
दायकु:
Typenoun
Formagent noun, masc., sing., predicate of jo
फलphalafruits, the aims or rewards of life
फल:
Typenoun
Formnoun, masc., plural, object of dāyaku
चारिcārifour: dharma, artha, kāma and mokṣa
चारि:
Typeadjective
Formnumeral adjective, qualifying phala

Tulsidas opens the hymn by first honouring his Guru. He pictures his mind as a mirror that has gathered dust. A dusty mirror cannot show a clear image. So he cleans it with the fine pollen dust of the Guru's lotus feet. In the devotional tradition, touching the Guru's feet and taking their dust stands for humility and grace. Only a mind cleared in this way can reflect the glory of God truly.

With his mind made clear, Tulsidas says he will describe the spotless glory of Rama, called Raghubara, the finest of King Raghu's line. Rama is praised as the giver of the four aims of human life. These are dharma (right living), artha (wealth and well-being), kama (fulfilment of rightful wishes) and moksha (liberation).

This same couplet opens the Ayodhya Kanda of Tulsidas's Ramcharitmanas. Here it begins the Hanuman Chalisa, because the praise of Hanuman is part of the glory of Rama, whom Hanuman serves with complete devotion.

Devotees recite this doha at the very start of every reading of the Hanuman Chalisa, often with folded hands or after bowing to their Guru or to an image of Rama and Hanuman. It is treated as a short prayer for inner cleansing, asking that the mind be cleared of pride and distraction before the recitation begins. Many also remember their own teachers while reciting it, holding to the belief that the Guru's grace makes the hymn fruitful.

FAQs

In the devotional tradition, any sacred undertaking begins by bowing to the Guru, whose grace makes understanding possible. Tulsidas cleans the mirror of his mind with the dust of the Guru's lotus feet, so that it can truly reflect divine glory. Only after this act of humility does he begin his praise.

They are the four aims of human life: dharma (right living), artha (wealth and well-being), kāma (fulfilment of rightful wishes) and mokṣa (liberation). The verse praises Rama as the one who grants all four. Devotees understand this as the belief that singing Rama's glory brings every kind of good.

Hanuman's whole life is service to Rama, so his greatness is part of Rama's glory. By promising to describe Raghubara's spotless fame, Tulsidas places the praise of Hanuman inside the larger praise of Rama. The same couplet also opens the Ayodhya Kand of his Ramcharitmanas.

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