Sukta 8.2
आ तू षिञ्च कण्वमन्तं न घा विद्म शवसानात् । यशस्तरं शतमूतेः ॥
ā́ tū́ ṣiñca kaṇvá-mantaṃ ná ghā́ vidma śavasānā́t | yaśás-taraṃ śatám-ūteḥ ||
ఇప్పుడు కణ్వ-ప్రేరిత పరిపూర్ణతను పోయుము; ఎందుకంటే ఆ మహాబలవంతుడు (ఇంద్రుడు) కంటే గొప్పవాడెవడో మాకు తెలియదు. అతడు మరింత యశస్సుతో ప్రకాశించువాడు—శతసహాయుడు (శతమూతి).
Pour in now the Kaṇva-inspired fullness; we do not know any greater than the mighty one; more glorious is he, the hundred-helping.
“ā tū ṣiñca” is a call to an inflow—of force, inspiration, and Soma-like delight—into the seeker’s vessel. “kaṇva-mantam” suggests the mantra-born substance of the Kaṇva seers: a consciousness-content shaped by inspired speech. Indra is affirmed as unsurpassed in might and help (“śatamūtiḥ”): the power that aids in countless ways in the inner sacrifice.
True spiritual transmission is an inflow: inspired word becomes living substance when poured into the receptive being. The highest help is manifold—arriving as strength, clarity, protection, and joy according to need.
infusion of strength, Kaṇva inspiration, Indra’s many aids, glory/yaśas
Self-referential Kāṇva voice: the seer invokes the potency of his own inspired tradition as a channel for Indra’s descent.
Highlights mantra as transmission: the seer’s inspired speech is a vessel for the god’s force; the lineage becomes a living conduit.
Bestower of victorious might and radiant fame; sustainer of the sacrificer’s advance.
A versatile aid: breaks obstacles, pours energy, increases luminous capacity and confidence.
Libation/pressing context implied by ‘pour’; used in Indra-Soma praise cycles.
आ तू षि॑ञ्च॒ कण्व॑मन्तं॒ न घा॑ विद्म शवसा॒नात् । य॒शस्त॑रं श॒तमू॑तेः ॥
आ । तु । सि॒ञ्च॒ । कण्व॑ऽमन्तम् । न । घ॒ । वि॒द्म॒ । श॒व॒सा॒नात् । य॒शःऽत॑रम् । श॒तम्ऽऊ॑तेः ॥
ā | tu | siñca | kaṇva-mantam | na | gha | vidma | śavasānāt | yaśaḥ-taram | śatam-ūteḥ
32
4 × ~8
Imperative then laudatory; a two-step rhythm (command → proclamation).
Energizes receptivity; good for ‘opening’ practice before deeper meditation.
Soma/force-infusion petition: ‘pour’ the inspired plenitude; typical of Soma-pressing and offering moments
During offering sequences—especially when inviting the deity’s share and power to ‘fill’ the rite.
Pouring Soma/oblations; inwardly, pouring concentration and aspiration into the inner fire and receiving descent.
A mantra for receptivity: before study, mantra-japa, or creative work—ask for the ‘Kaṇva-inspired’ fullness to be poured into speech and mind.
√sic ‘pour’ indicates infusion of Soma/force; psychologically, descent of power. kaṇva-mant- ‘having Kaṇva (seer) as mantra/inspiration’ (mant from √man ‘think’ → mantra field). śavas- ‘strength’ from √śū/śvi ‘swell, be strong’ (semantic field of force). yaśas ‘glory’ tied to √yaś ‘to be famed’. śatam ‘hundred’ as idiom for multiplicity of aids.
descent/infusion of power, mantra-inspiration (mant), multiplicity of divine help (śatamūti)
The ‘pouring’ is the ordered descent of force responding to right call (ṛta).
Acknowledging no greater power indicates alignment with the true hierarchy of consciousness.
Mantra as formative power—speech (vāc) shaping substance in manifestation.
Mantra-śakti perspective consistent with Vedic yoga and Aurobindo’s ‘inspired Word’.
Libation symbolizes the flow of conscious force; the vessel is the receptive mind-heart; fullness is plenitude of śakti.
Receptive descent: imagine a luminous nectar pouring into the crown and filling the whole being with strength and gladness.
sahasrāra (descent) into ājñā and anāhata (filled heart)
Inhale gently while visualizing ‘ā tu’; exhale as ‘siñca’—letting the descent spread through the body.
From effortful seeking to receptive fullness; from scarcity to plenitude.
Chant 3 times, then sit silently and ‘receive’; note where the being resists filling (tightness), and soften there on each repetition.
Follow marked accents; keep imperatives ‘ā tu siñca’ crisp; avoid flattening the cadence in the praise half.
Slight pause after ‘kaṇvamantam’; emphasize ‘śatamūteḥ’ as the culmination.
(siñca): palatal ñ clearly, (kaṇva): retroflex ṇ, (śavasānāt): śa-va-sā-nāt, long ā, (śatamūteḥ): long ū; final ḥ light
Inviting then exultant; resonant chest tone.
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