Atharva Veda Sukta 13
Kanda 7Anuvaka 2Sukta 132 Mantras

Sukta 13

Rishi: Atharvanic tradition (unspecified in excerpt).

Devata: Sūrya (as paradigmatic victor); the operative target is the dvīṣant (enemy).

Chandas: Triṣṭubh-like cadence (simile + application), though Atharvanic metrics may be loose.

இந்தச் சுருக்கமான ஆத்தர்வணிகப் பகைவர்-அழிப்பு ஸூக்தம் சூரிய உவமையின் மூலம் செயல்படுகிறது: விடியற்காலத்தில் சூரியன் நட்சத்திரங்களின் ஒளியை மங்கச் செய்து அவற்றின் ஒளியை ‘எடுத்துக்’ கொள்வதுபோல், சாதகன் பகைமை கொண்ட போட்டியாளர்களின் வர்சஸ் (ஒளிவீச்சு, செயல்திறன், கீர்த்தி/மரியாதை) தன் பக்கம் சடங்குமுறையில் கைப்பற்றிக் கொள்கிறான். இது இரண்டு மந்திரங்களைக் கொண்ட அபிசாரச் சாந்திரம்; அணுகி வரும் சபத்னர்களை (போட்டியாளர்/பகைவர்) வெளிப்படுத்தி அவர்களை வலுவிழக்கச் செய்வதே நோக்கம்—அவர்கள் ‘தூங்கிய’ நிலையில் சக்தியற்றவர்களாக இருக்க, ஜபிப்பவன் வெற்றித் தீப்தியில் நிலைத்திருப்பான்.

Kind of charm

Abhicharika (against foes)
Recitation with translationAtharva Veda 7.13

Mantras

Mantra 1

शत्रुनाशनम्। यथा॒ सूर्यो॒ नक्ष॑त्राणामु॒द्यंस्तेजां॑स्याद॒दे। ए॒वा स्त्री॒णां च॑ पुं॒सां च॑ द्विष॒तां वर्च॒ आ द॑दे

சத்திருநாசனம். உதயமாகும் சூரியன் நட்சத்திரங்களின் ஒளித் தேஜஸைத் தன்னுள் எடுத்துக் கொள்வதுபோல், என்மேல் பகை கொண்ட பெண்களும் ஆண்களும்—என் எதிரிகள்—அவர்களின் வர்ச்சஸ் (ஒளிமை) மற்றும் கீர்த்தி-வலிமையை நான் அகற்றுகிறேன்.

Mantra 2

याव॑न्तो मा स॒पत्ना॑नामा॒यन्तं॑ प्रति॒पश्य॑थ । उ॒द्यन्त्सूर्य॑ इव सु॒प्तानां॑ द्विष॒तां वर्च॒ आ द॑दे

என் சபத்னர்கள் (பகைவர்/போட்டியாளர்) எத்தனை பேர் உள்ளார்களோ—அவர்கள் வருவதை நீங்கள் காணுங்கள். உறங்குபவர்கள்மேல் உதயமான சூரியன் ஒளி பரப்புவது போல, பகைவர்களின் வर्चஸ் (ஒளி/மாட்சிமை) நான் எனக்குள் எடுத்துக்கொள்கிறேன்.

Inside Sukta 13

How it unfolds

  1. How it opens

    The hymn opens by naming its function—‘śatrunāśanam’—and immediately establishes the dawn-sun as the victorious template over the stars.

  2. What it asks

    That the practitioner may ‘take’ (ā dade) the varcas/tejas of all hostile women and men—sapátna-s and dvīṣant-s—thereby depriving them of efficacy.

  3. Where its power lies

    The daily certainty of Sūrya’s dominance is presented as the guarantee of the mantra’s effect: as stars lose splendour at sunrise, enemies lose varcas before the reciter.

  4. How it closes

    The second mantra seals the operation by calling attention to approaching rivals and completing the appropriation ‘like the rising sun over sleepers,’ leaving adversaries inert.

Famous verses

yathā sūryo nakṣatrāṇām udyan tejāṃsy ā dade … dviṣatāṃ varca ā dade
Verse 7.13.1Core operative simile-and-application: Sūrya’s taking of stellar splendour is mapped onto the practitioner’s seizure of enemies’ varcas, explicitly including both women and men among the hostile.Read verse 7.13.1 →
udyant sūrya iva suptānāṃ dviṣatāṃ varca ā dade
Verse 7.13.2Adds tactical clarity—recognition of rivals ‘as they come on’—and intensifies the image of enemies rendered ‘sleeping’ under the sun’s rise, completing the varcas-transfer.Read verse 7.13.2 →

Kind of hymn

Abhicarika (Sorcery/Hostile magic) / Shatrunashana (Enemy-destruction)

What it is for

To identify rivals as they arise/approach and to ritually withdraw their splendour, prestige, and operative power, redirecting that potency to the practitioner.

Who it is for

A householder, leader, litigant, or competitor facing open hostility or rivalry (sapátna), seeking dominance, reputation, and the weakening of opponents.

Also used as

  • Shatrunashana (enemy-destruction)
  • Sapátna-nibarhaṇa (rival-suppression)
  • Paustika (varchas-acquisition)

The deity

Sūrya here is not merely a celestial deity but the model of irresistible revelation and supremacy: dawn’s emergence that nullifies lesser lights. Várchas functions as a transferable potency—radiant prestige, authority, and effectiveness—that can be seized from adversaries through mantra.

Powers of the deity

  • Outshining and eclipsing rivals (star-lights as a paradigm)
  • Revelation and exposure of hidden/approaching enemies
  • Transfer and consolidation of varcas (radiance/efficacy) to the practitioner
  • Enervation of adversaries—making them inert ‘like sleepers’ at sunrise

Why the deity is called

To legitimize and empower the act of ‘taking’ the enemy’s varcas by aligning the rite with Sūrya’s daily, unquestioned victory and appropriation of lesser brilliance.

The seer

  • Atharvanic seerAtharvan. Abhicārika and sapátna-subduing charms focused on varcas-transfer: diminishing an enemy’s lustre/standing while augmenting the practitioner’s efficacy and social dominance.

Other hymns of this seer

  • AV 7.12
  • AV 7.14
  • AV 6.75

Preparing for the rite

  • Choose an open place with sight of the eastern horizon; steady the mind with the intent: ‘I take their varcas; they become ineffective.’
  • If possible, maintain silence or restraint before dawn; keep attention fixed on the moment of sunrise (udaya).

The rite

  • At first light, face east and recite 7.13.1 with the solar simile, mentally ‘drawing’ the enemy’s varcas into oneself.
  • Recite 7.13.2 as a directive: ‘behold the rivals as they come,’ then seal the taking of varcas ‘like the rising sun over sleepers.’
  • Optionally repeat the pair three times, synchronizing with the sun’s visible emergence to reinforce the ‘eclipsing’ imagery.

What it needs

  • No substance is required by the text; the operative ‘substance’ is solar emergence (Sūrya) as the ritual model and varcas as the targeted potency.

When

At sunrise (udaya), ideally at the first appearance of the sun above the horizon.

Frequently Asked Questions

It aims to weaken rivals by withdrawing their varcas—splendour, prestige, and practical efficacy—and to consolidate that potency in the practitioner, using sunrise as the model of inevitable victory.

Because sunrise visibly overpowers the stars every day; the hymn treats that certainty as a ritual guarantee that the enemy’s ‘light’ (status and strength) can be eclipsed and taken.

Not in the verses provided. The rite is primarily timed recitation at sunrise, with the ‘transfer’ of varcas enacted through mantra and focused intention rather than physical substances.

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