Sukta 8.85
इमं मे स्तोममश्विनेमं मे शृणुतं हवम् । मध्वः सोमस्य पीतये ॥
imáṃ me stómam aśvinemáṃ me śṛṇutaṃ hávam | mádhvaḥ sómasya pītáye ||
Этот мой гимн, о Ашвины, — этот мой зов услышьте; придите, чтобы пить мёдовый Сому.
The speaker offers a hymn and call to the Aśvins, asking them to hear and come to drink the honeyed Soma.
The soul’s aspiring speech (stoma, hava) summons the twin powers of swift luminous aid (Aśvins) to awaken and harmonize the human nature, so that the sweetness of Soma—inner Ananda—may be received and made operative in the being.
When sincere aspiration and praise rise from the heart, higher helping powers respond; delight (Ananda) is not merely felt but can become an active force that heals, integrates, and guides life.
invocation, hearing of prayer, Soma-drinking, twin divine aid
Maṇḍala 8 is largely Kaṇva-associated in many hymns, but this specific attribution is not established from the excerpt alone.
The seer-voice here represents the human intermediary (vipra/jaritar in the sequence) whose inspired utterance calls the assisting divine twins; the emphasis is on receptivity to Soma-delight as a transformative power.
Bringers of dawn-like succour, restoration, and right functioning; mediators who swiftly carry the seeker from limitation to a more luminous order.
The twin action of illumination and healing: they adjust the mixed human nature, restore right rhythms, and prepare the being to receive Soma (Ananda).
Aśvina-śastra / Aśvin invocation in Soma-related settings (general)
इ॒मं मे॒ स्तोम॑मश्विने॒मं मे॑ शृणुतं॒ हव॑म् । मध्व॒: सोम॑स्य पी॒तये॑ ॥
इ॒मम् । मे॒ । स्तोम॑म् । अ॒श्वि॒ना॒ । इ॒मम् । मे॒ । शृ॒णु॒त॒म् । हव॑म् । मध्वः॑ । सोम॑स्य । पी॒तये॑ ॥
imam | me | stomam | aśvinā | imam | me | śṛṇutam | havam | madhvaḥ | somasya | pītaye
32
4 pādas of ~8 syllables (refrain-like cadence ending with ‘madhvaḥ somasya pītaye’)
Compact, refrain-driven, invitational
Creates a steady summons; the repeated closing phrase builds a mantra-like pull toward sweetness and receptivity.
Standard Aśvin invitation in soma ritual: hearing of the hymn/call precedes their arrival to the Soma. Suitable for Aśvin-related grahas and dawn-linked offerings.
At Soma offerings or invitatory portions calling the Aśvins to partake
Recitation to invite the Aśvins; offering and welcoming of Soma
Use as a short daily invocation before meditation to invite ‘swift help’ and to open to inner delight (Ananda) as a healing force.
stóma from √stu ‘praise’. śṛṇu- (√śru) ‘hear’ (PIE *ḱlew-). The repetition ‘imám me … imám me’ is a Vedic emphasis device: intensifies immediacy and sincerity of the call, and in psychological reading indicates concentrated intention (ekāgratā) in invocation.
śruti (hearing) as divine reception, mantra as channel, delight as transformative essence
The Aśvins restore r̥ta in the human system—right measure, right movement—so Soma can be held without disturbance.
Truthful invocation: the sincere call aligns speech and will with the soul’s need.
Descent of delight into embodied life; transformation by assimilation of Soma.
Proto-Vedāntic/Integral (Aurobindo-Kashyap style): Soma as Ananda, deities as powers of consciousness.
dawn/twilight (Aśvins’ characteristic hour)
Honey/Soma signifies a refined sweetness of consciousness; dawn-association signifies the first opening of illumination in the mind.
Invoke swift inner help to harmonize the nature; receive Ananda as an active, healing energy.
Anāhata (heart) and Viśuddha (throat) for devotion and mantra-speech
Gentle nāḍī-śodhana or slow equal breathing (sama-vṛtti) while repeating the refrain
Receptive, luminous calm with a sweetness spreading through the being
Begin with 9 or 27 repetitions of the closing phrase ‘madhvaḥ somasya pītaye’ as japa; feel the ‘drink’ as a descent of sweetness into mind and life; end with a quiet offering of all movements to the inner sacrifice.
Not provided; chant with standard Rigvedic accent awareness: maintain udātta lift on accented syllables, avoid flattening svarita transitions (requires śākhā-specific notation for precision).
Keep a slight pitch rise on principal udātta syllables; let the refrain end (‘pītaye’) resolve gently, not abruptly.
aśvinā: keep ś as palatal (like ‘sh’), short i, madhvaḥ: pronounce dhv conjunct clearly (mad-dhvaḥ), final ḥ as soft visarga, somasya: clear o, avoid diphthongizing, pītaye: long ī; dental t (not retroflex)
Clear, inviting, slightly bright (dawn-like), with a soft finish on the refrain
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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