Sukta 9.40
स नः पुनान आ भर रयिं स्तोत्रे सुवीर्यम् । जरितुर्वर्धया गिरः ॥
sa naḥ punāná ā́ bhara rayíṃ stotré su-vī́ryam | jaritúr vardhayā gíraḥ ||
O Somo, gdy się oczyszczasz, przynieś nam rayi, pełnię bytu, dla naszego hymnu, bogactwo, które niesie heroiczną moc; i pomnóż natchnione słowa śpiewaka.
Soma, purifying, bring us rayi (wealth) for our hymn—wealth with heroic power—and increase the singer’s inspired utterances.
As Soma clarifies, he brings ‘rayi’ not merely material plenty but fullness of being and resources of consciousness offered to the stotra (inner hymn). ‘Su-vīryam’ is a noble hero-force: courage, capacity, and victorious energy in the life-mind. The mantra asks Soma to enlarge ‘giraḥ’—the inspired word—so the seeker’s expression becomes truer, more potent, and more mantric.
True prosperity is the increase of being and power that supports truth-speaking and inspired expression; purification of delight amplifies both inner wealth and the right word.
Soma-ritual, Purification, Invocation of inner wealth (rayi), Mantric increase
Pavamāna poets cultivate the craft of inspired speech (giraḥ) as an instrument of purification and ascent.
The seer-voice here is explicitly concerned with the growth of mantra-shakti: the inspired word increases when delight is purified.
Bestower of rayi and supporter of the hymn; purifier who makes the offering effective.
Ananda that becomes courage (suvīrya) and mantric inspiration (giraḥ).
Soma purification chant within Soma-yajña
स न॑: पुना॒न आ भ॑र र॒यिं स्तो॒त्रे सु॒वीर्य॑म् । ज॒रि॒तुर्व॑र्धया॒ गिर॑: ॥
सः । नः॒ । पु॒ना॒नः । आ । भ॒र॒ । र॒यिम् । स्तो॒त्रे । सु॒ऽवीर्य॑म् । ज॒रि॒तुः । व॒र्ध॒य॒ । गिरः॑ ॥
saḥ | naḥ | punānaḥ | ā | bhara | rayim | stotre | su-vīryam | jarituḥ | vardhaya | giraḥ
48
4×12 (approx.)
A broad, steady rhythm supporting ‘bringing’ (ā bhara) and ‘increasing’ (vardhaya).
Builds confident fullness; the cadence naturally ‘swells,’ mirroring vardhaya (increase).
Soma-pavamāna context: verses used in the Soma pressing/purification cycle (pavamāna stotras) to invoke clarified Soma and its boons (inner and outer prosperity).
During Pavamāna recitations while Soma is filtered and offered.
Accompanies the flow/pressing; intention is to secure rayi and strengthen the stotra.
Before study, teaching, or creative writing: chant to invoke purified delight that increases clarity, courage, and inspired speech.
punāná (pres. mid. participle of √pū ‘cleanse, purify’) signals an ongoing self-clarification of Soma-consciousness as it moves through the filters (inner and ritual). bhara (imperative of √bhṛ) frames Soma as the carrier of rayi (ray/wealth), not mere material goods but plenitude. su-vīrya: vīrya (‘heroic potency’) is ‘effective force’ in the being; su- marks harmonized, auspicious power. jaritṛ (agent noun from √jar/√gṛ? in Vedic ‘to praise/sing’) is the aspirant-poet; gír is speech as a power of manifestation—when ‘increased’ it becomes more capable of holding ṛta/truth.
ṛta (right order) implicit in purification and right speech, vāc (mantric speech as power of manifestation), inner increase (vṛddhi) of consciousness-force
The right word (giraḥ) grows when consciousness is aligned to Ṛta through purification.
Inspired speech becomes a vehicle of Satya, not mere opinion.
Vāc as a formative power: increased utterance participates in creation of inner order and capability.
Vedic psychology of Vāc and Ananda (Aurobindo/Kashyap emphasis).
Refined delight nourishes the ‘sap’ of speech and the heroic energy of action, as clear juice becomes sustaining essence.
Receive purified delight into the heart and throat; let it become courageous energy and truthful speech.
Viśuddha (speech) with support from Anāhata (purified feeling)
Bhrāmarī (gentle) or slow ujjāyī; feel resonance in throat; pause after exhale to ‘listen’ for inner word.
Clear, resonant, courageous steadiness.
Chant 11 or 27 times; then silently repeat one line while sensing a luminous current rising to the throat and forming calm, true speech.
Maintain rising emphasis on ā BHARA and vardhaYĀ; keep a gentle lift on suvīryam; svara specifics depend on recension.
sa naḥ puNĀna ā BHARA | raYÍM stotRÉ suVĪryam | jaRiTÚR varDHaYĀ gÍraḥ.
rayiṃ: nasalization on ‘ṃ’, suvīryam: long ī; avoid ‘veer-yam’ split—keep smooth, jarituḥ: soft j, clear retroflex ṭ? (here dental t sound is light; follow your tradition), vardhaya: aspirate dh clearly
Resonant, articulate, mantra-clear; slightly stronger on ‘suvīryam’.
11
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