Sukta 5.73
तदू षु वामेना कृतं विश्वा यद्वामनु ष्टवे । नाना जातावरेपसा समस्मे बन्धुमेयथुः ॥
tád ū́ ṣú vām enā́ kṛtáṃ viśvā́ yád vām ánu ṣṭáve | nā́nā jātā́v arepasā́ sám asmé bandhum éyathuḥ ||
Wszystko to jest waszym dziełem, gdy ktoś podąża za wami z uwielbieniem. Choć zrodzeni na różne sposoby, o nienaganni, zbieracie się ku nam jako krewni, tworząc intymną więź z ludzkim poszukiwaczem.
All this is your doing when one praises you; though born in different ways, O flawless ones, you come together to us as kin.
The Aśvins represent complementary powers—often felt as paired movements (healing/illumining, swift action/right discernment). Though they arise through different inner ‘births’ (nānā jātau)—different experiences, faculties, or yogic openings—they unite in the seeker as a single helpful Presence. Praise (stuti) is not flattery but conscious alignment: when aspiration and recognition follow the divine working, the whole field of life begins to show their ‘doing’—coincidences become guidance, breakdowns become repair, darkness becomes passage.
When we consciously align with the higher Help, diverse powers within existence converge into supportive kinship; the divine becomes intimate to the human when invoked with sincerity.
Praise efficacy, Divine-human kinship, Purity, Unity of twins
The seer’s emphasis is relational yoga: the divine is not distant; it becomes ‘bandhu’—a living inner alliance—through conscious invocation.
Mediators between heaven and earth who unite divided functions and bring timely succor.
Integrative twin-force that reconciles opposites and establishes a supportive inner bond (bandhu) with the aspirant.
Aśvin praise in Soma and dawn-related recitations
तदू॒ षु वा॑मे॒ना कृ॒तं विश्वा॒ यद्वा॒मनु॒ ष्टवे॑ । नाना॑ जा॒ताव॑रे॒पसा॒ सम॒स्मे बन्धु॒मेय॑थुः ॥
तत् । ऊँ॒ इति॑ । सु । वा॒म् । ए॒ना । कृ॒तम् । विश्वा॑ । यत् । वा॒म् । अनु॑ । स्तवे॑ । नाना॑ । जा॒तौ । अ॒रे॒पसा॑ । सम् । अ॒स्मे इति॑ । बन्धु॑म् । आ । ई॒य॒थुः॒ ॥
tat | oṃ iti | su | vām | enā | kṛtam | viśvā | yat | vām | anu | stave | nānā | jātau | arepasā | sam | asme iti | bandhum | ā | īyathuḥ
44
4×~11 (approx.)
Balanced and conciliatory cadence—mirrors the theme of convergence (‘sam’).
Creates trust and closeness; good for invoking protection and companionship in sādhanā.
Stotra/invocation logic: praise as the means of drawing the gods near; used in Aśvin hymnic sequences in Soma liturgy.
At openings/thresholds of rite; when inviting harmony and faultless help.
Stotra/śastra style recitation to draw the Aśvins near as allies of the sacrificer.
Use when feeling divided or inconsistent: chant to invite integration of mind-life-body and a ‘friendly’ nearness of the divine.
√stu ‘praise’ (PIE *stew- ‘praise’) in ṣṭave. bandhu ‘bond/kin’ from √bandh ‘bind’ (PIE *bʰendʰ-). arepas ‘unstained’ (a- privative + repas ‘stain/harm’). The verse marks a theology of response: praise aligns the human with divine action.
Reciprocity of praise and divine action, Bandhu (correspondence/kinship) as inner linkage, Purity (arepas) as condition of effective help
‘Sam … eyathuḥ’ (you come together) images Ṛta as integration—right relation among powers.
Their ‘doing’ becomes evident when consciousness cooperates; truth manifests as practical support.
From multiplicity (nānā) to unity (sam): a recurrent Vedic movement of integration.
Integral/psychological reading aligned with Aurobindonian symbolism (unity of powers in the seeker)
dawn (implied Aśvin hour)
At the ‘dawn’ of receptivity, disparate inner movements become a single supportive companionship.
Shift from complaint to recognition: review ‘all this’ as potential divine working; invite the twin-force to integrate conflicting impulses.
Heart center (Anāhata) for ‘bandhu’—inner relationship with the Divine
Coherent breathing (5–6 breaths/min) while mentally repeating ‘sam … bandhum’.
Receptive calm with relational warmth.
After chanting, sit and name three life-events as possible ‘your doing’; offer them inwardly and ask for the flawless convergence of forces.
Not fully derivable here; maintain clear udātta emphasis on ‘viśvā’, ‘stave’, ‘arepasā’, ‘bandhum’.
Slight lift on ‘tad ū ṣu’ opening; keep ‘sam asme bandhum’ as a single flowing unit.
(tad ū ṣu): lengthen ū; keep ṣ retroflex, (viśvā): ‘śv’ cluster clean, (anu ṣṭave): retroflex ṣṭ; avoid inserting vowel, (arepasā): single r tap; long ā, (eyathuḥ): initial e clear; final ḥ soft
Gentle, inclusive, steady.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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