Sukta 2.35
अस्मिन्पदे परमे तस्थिवांसमध्वस्मभिर्विश्वहा दीदिवांसम् । आपो नप्त्रे घृतमन्नं वहन्तीः स्वयमत्कैः परि दीयन्ति यह्वीः ॥
asmín pade paráme tasthivā́ṁsam adhvasmábhir viśváhā dīdivā́ṁsam | ā́po náp tre ghṛtám ánnaṁ váhantīḥ svayám atká iḥ pári dīyanti yahvī́ḥ ||
W tej najwyższej stacji on stoi, wiecznie świecący przez ścieżki naszego bytu. Synowi Wód silne Wody same przynoszą klarowną obfitość jako pokarm, i z własnego popędu krążą wokół niego i oddają się, rozległe w swojej płynącej mocy.
In the highest station he stands, ever shining through our paths. The Waters bring ghee as food to the Son of the Waters; of their own impulse they move around him and give themselves, vast and flowing.
The awakened Apāṃ Napāt stands in the ‘highest station’ (parame pade): the summit-plane of consciousness (truth-plane) from which he illumines all the paths (adhvā) of our being—mind, life, body. The waters (life-currents) now become willing servants: they carry ghṛta (clarified mind-substance/bright offering) as nourishment to the inner fire. ‘Of their own impulse’ indicates spontaneous harmony—when the central truth is established, the movements of nature self-organize and circulate around it, offering themselves as force for the divine work.
When consciousness is founded in its highest truth-stance, life ceases to resist and begins to collaborate; energies spontaneously orbit the inner light and offer their richness for growth and action.
ascent to the supreme station, nourishment of the inner fire, self-giving of the life-forces, luminous order
Vision of ascent to the ‘highest station’ and of the spontaneous ṛta when the central flame is established; a culminating note within the hymn’s progression.
A description of accomplished alignment: the light stands above and yet pervades the paths; life becomes an offering by its own nature.
Establishes a luminous center in the highest plane and radiates through the worlds; receives the waters’ offerings and converts them into sustaining clarity.
Stabilizing realization (standing in the highest station) and harmonizing life-forces into spontaneous offering.
Recitation in Apāṃ Napāt praise; thematically suitable for concluding/establishing verses in fire rites
अ॒स्मिन्प॒दे प॑र॒मे त॑स्थि॒वांस॑मध्व॒स्मभि॑र्वि॒श्वहा॑ दीदि॒वांस॑म् । आपो॒ नप्त्रे॑ घृ॒तमन्नं॒ वह॑न्तीः स्व॒यमत्कै॒: परि॑ दीयन्ति य॒ह्वीः ॥
अ॒स्मिन् । प॒दे । प॒र॒मे । त॒स्थि॒ऽवांस॑म् । अ॒ध्व॒स्मऽभिः॑ । वि॒श्वहा॑ । दीदि॒ऽवांस॑म् । आपः॑ । नप्त्रे॑ । घृ॒तम् । अन्न॑म् । वह॑न्तीः । स्व॒यम् । अत्कैः॑ । परि॑ । दी॒य॒न्ति॒ । य॒ह्वीः ॥
asmin | pade | parame | tasthi-vāṃsam | adhvasma-bhiḥ | viśvahā | dīdi-vāṃsam | āpaḥ | naptre | ghṛtam | annam | vahantīḥ | svayam | atkaiḥ | pari | dīyanti | yahvīḥ
44
4 x ~11 syllables
Majestic and stabilizing; a ‘standing’ cadence with broad illumination.
Induces elevation and wideness; supports a sense of being established above turbulence while still pervading life.
Recitational praise supporting the ‘kindling’ and stabilization of the inner Agni; compatible with Soma and Agni offerings where ghṛta and annam imagery is central.
At moments of affirming the deity’s station and offering ghṛta; can serve as a sealing verse
Offering of ghṛta; circumambulation motifs echoed by waters ‘moving around’
Chant to stabilize after meditation: feel the ‘highest station’ above the head and let breath-currents (waters) circle the heart, offering calm clarity.
tasthivāṃsam: perfect participle of √sthā ‘stand’ → fixed establishment; dīdivāṃsam: intensive/perfect participle of √dī ‘shine’ → continuous blazing; ghṛta from √ghṛ ‘to sprinkle/anoint’ → ‘clarified, luminous’ (hence inner ‘bright essence’); vah- ‘to carry’ marks offering-motion; yahvī- ‘mighty, rushing’ (often of rivers) → strong life-currents; atka- is obscure; often ‘swift, impulsion’—taken here as energetic surges by which the waters circulate and offer.
highest padá as supreme poise of consciousness, self-offering (svayam… dīyanti) as surrender of energies, R̥ta as ordered circulation around the divine center
‘Svayam…pari dīyanti’ depicts ṛta as spontaneous self-ordering of forces around the truth-center.
Paramam padam as the seat of Satya; dīdivāṃs as truth-light pervading paths.
Vertical station (highest) and horizontal pervasion (paths); circulation of waters as sustaining economy of creation.
Integral Vedānta resonance (highest station as consciousness-plane; pervasion as immanence).
Highest station = crown/overhead consciousness; paths = nerves and life-movements; waters circling = prāṇa currents harmonized; ghee = clarified mind offered to the inner flame.
Establish awareness ‘above’ (parama pada) and let attention pervade downward through all inner paths; invite prāṇa to offer calm clarity to the heart-flame.
sahasrāra (highest station) to anāhata/maṇipūra (offering center)
Crown-to-heart breathing: inhale sensing light above the head; exhale letting it descend through the spine; then feel prāṇa ‘circling’ the heart on a natural pause.
Stable, wide, luminous; spontaneous integration of mind-life-body around a higher center.
After japa, sit silently and feel the ‘waters’ (sensations, emotions, breath) moving in orbit around a central flame—do not interfere; allow ‘svayam’ (spontaneous right movement) to arise.
Keep a calm, sustained contour; emphasize ‘parame’ and ‘dīdivāṃsam’ per accent; avoid rushing the long compounds.
Let the first pāda feel ‘established’ (slightly more held), then allow a gentle flow in the second half to mirror the waters’ circling.
asmin: clear ‘sm’ cluster, tasthivāṃsam: keep ‘sth’ crisp; nasalization on ‘vāṃ’, viśvahā: ‘śv’ cluster clean, yahvīḥ: long ‘īḥ’ held lightly
Wide, even, luminous; minimal vibrato; long-breath phrasing
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