और्ध्वदैहिकक्रिया-शोकविलापः
Obsequies for Daśaratha and the Brothers’ Lament
Spoken by BharataSetting: Ayodhyā
अवदारणकाले तु पृथिवी नावदीर्यते ॥१६॥
या विहीना त्वया राज्ञा धर्मज्ञेन महात्मना ।
avadāraṇakāle tu pṛthivī nāvadīryate ||16||
yā vihīnā tvayā rājñā dharmajñena mahātmanā |
Gdy powinna rozpaść się na dwoje, ziemia nie pęka, choć jest pozbawiona ciebie, o królu, wielkiego duchem i znającego dharmę.
You are a righteous and mighty king and without you, this earth would have been broken into pieces. But it does not.
A righteous ruler is conceived as the earth’s support; when he is gone, the mind expects the cosmos to mirror inner rupture—yet dharma demands steadiness despite the world’s indifferent continuity.
Contemplation on impermanence and the need for inner steadiness when outer signs do not validate grief.
The world’s stability is read as dependent on dharma; lament implies perceived rupture between outer order and inner truth—an invitation to seek the unshaken (akṣara) beyond change.
Kaṭha Upaniṣad’s contrast of the perishable world and the imperishable; the ‘earth not splitting’ underscores the stubborn continuity of saṃsāra despite personal catastrophe.
Imagined cosmic event: earth expected to split (pṛthivī-vidāraṇa) but does not
Mahābhārata, Strī-parvan laments where nature is asked why it does not break; Rāmacaritamānasa, Ayodhyākāṇḍa (Ayodhyā’s lament and cosmic imagery after Daśaratha’s death)
Purāṇic trope: nature reacts to the fall of dharma
Ayodhyākāṇḍa 2.74–2.76 (Bharata’s grief and condemnation of the situation)
Anuṣṭup (śloka)
Grieving
Kampita on ‘pṛthivī’ and ‘vihīnā’ to convey tremor/unsplitting irony
The verse upholds the ideal of a dharma-knowing king whose presence stabilizes the world; moral order is imagined as tied to righteous rule.
Bharata mourns Daśaratha, expressing that even nature should have shattered at the loss of such a righteous king.
Daśaratha’s dharma-jñāna and greatness of soul, presented as the foundation of social and cosmic stability.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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