अयोध्याकाण्डे द्विषष्टितमः सर्गः · Kausalyā consoles Daśaratha; grief, remorse, and nightfall
Setting: Ayodhyā palace (Daśaratha's chamber)Places named: Ayodhyā (implied)
अमनास्तेन शोकेन रामशोकेन च प्रभुः ।
द्वाभ्यामपि महाराज श्शोकाभ्यामन्वतप्यत ॥५॥
amanās tena śokena rāmaśokena ca prabhuḥ |
dvābhyām api mahārāja śokābhyām anvatapyata ||5||
Złamany na duchu przez ten smutek i przez smutek z powodu Ramy, wspaniały król był dręczony przez dwa żale naraz: wcześniejszy żal i żal zrodzony z rozłąki z Ramą.
The great king, the lord with a broken heart started regretting deeply about both the grievous acts he had committed previously (one is shooting at the son of a sage and the other, banishing Rama).
Grief multiplies when past wrongdoing and present attachment converge; dharma requires foresight and restraint.
Cultivates vairāgya and compassion; prompts reflection on how attachment amplifies suffering.
Duḥkha arises from saṃyoga-viyoga and past karma; the 'I' identified with relations is shaken, revealing the fragility of saṃsāra.
The mind afflicted by sorrow loses steadiness (cf. teachings on ātma-jñāna as the only stable refuge).
Vālmīki Rāmāyaṇa 2.57-2.58 (curse narrative and its emotional aftermath); Rāmacaritamānasa, Ayodhyākāṇḍa: Daśaratha's compounded grief and impending death
Dvandva-duḥkha motif common in dharma literature
Daśaratha's lamentations throughout Ayodhyākāṇḍa after Rāma's departure
Anuṣṭubh
Grieving
Madhyama-heavy with slow vilamba, cadence on 'śokābhyām'
Dharma teaches that actions and their consequences accumulate; unresolved wrongdoing can intensify present suffering and cloud righteous decision-making.
Daśaratha is simultaneously crushed by the memory of his past misdeed and by the present calamity of Rāma’s exile.
The verse emphasizes the seriousness of conscience: a king is not insulated from moral pain when dharma has been compromised.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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