
Rishi: Atharvanic tradition (hymn ascribed in the Anukramaṇī to Atharvan/Angiras-type seers; requires edition-specific confirmation).
Devata: Jvara (Fever) personified; śīta-jvara as a specific form.
Chandas: Likely Anuṣṭubh (requires metrical verification against full pada-count in critical text).
Ten krótki hymn leczniczy zwraca się do Jvary (Gorączki) jako uosobionej siły i dąży do jej ułagodzenia, ze szczególnym uwzględnieniem śīta-jvary (dreszcze/gorączka z zimnem) oraz form przerywanych. Łączy on pełne czci przebłaganie (namo) z klasyczną strategią atharwańską wygnania/przeniesienia, nakazując nawracającej gorączce odejść i osiedlić się na substytucie (żabie). Moc hymnu jest zatem dwojaka: ukojenie gorączki poprzez oddawanie czci jej imionom oraz usunięcie jej poprzez przekierowanie jej biegu z dala od pacjenta.
Mantra 1
ज्वरनाशनम्। नमो॑ रू॒राय॒ च्यव॑नाय॒ नोद॑नाय धृ॒ष्णवे॑ । नमः॑ शी॒ताय॑ पूर्वकाम॒कृत्व॑ने
Hołd dla Rūry, dla Cyavany, dla Popychającego, dla Śmiałego. Hołd dla Zimna (gorączki), dla tego, który spełnia dawne życzenie.
Mantra 2
यो अ॑न्ये॒द्युरु॑भय॒द्युर॒भ्येती॒मं म॒ण्डूकम॒भ्येऽत्वव्र॒तः
Jaka gorączka, czy to następnego dnia czy obu dni, nadchodzi, niech ta bezprawna istota wyjdzie na tę żabę.
The hymn opens with homage (namo) to fever under multiple epithets—Rūra, Cyavana, Nodaṇa, Dhṛṣṇu—then specifically to Śīta (cold-fever), framing the rite as appeasement before coercion.
That the fever—whether next-day or alternating—depart the patient and instead ‘go upon’ the frog, removing the affliction from the human body.
By naming and honoring the fever’s forms, the mantra claims authority over its movement: what ‘comes upon’ can be made to ‘go upon’ another locus; the lawless (avrata) fever is compelled to relocate.
The transfer is sealed by the directive ‘let it go forth upon this frog’—a performative command that completes expulsion through substitution.
namaḥ śītāya
imaṃ maṇḍūkam abhy etu
Bhaisajya (Healing)
Cessation of fever—especially cold-fever and intermittent forms—restoration to prior health, and prevention of recurrence.
Householders, village healers, and Atharvanic practitioners treating acute or recurring fever in a patient.
Jvara is treated as an autonomous, willful power that “comes upon” a person—here including cold/chill-fever and fevers that recur on the next day or on alternating days. The hymn approaches fever both as something to be respectfully addressed by name and as a hostile intruder that can be driven out or transferred.
To pacify fever through propitiatory homage and to remove intermittent/recurring fever by sending it away onto a frog as a substitute recipient.
At the onset of fever or during a recurrence (especially when the periodic pattern becomes evident: ‘next-day’ or ‘both-days’).
Frog (maṇḍūka) as a transference object
Keep the frog alive and intact; during recitation, position it as the ritual recipient of the fever and then release it away from the patient’s environment to signify removal.
It is a healing (bhaiṣajya) hymn meant to pacify and remove fever, especially cold-fever (śīta-jvara) and fevers that recur on set days.
The frog functions as a substitute recipient in a transference rite: the mantra instructs the recurring fever to leave the patient and ‘go upon’ the frog instead, symbolically carrying the illness away.
Both: it begins with respectful homage to fever’s named forms (appeasement) and then turns to a direct directive that the fever depart and relocate, expressing Atharvanic healing authority.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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