Atharva Veda Sukta 17
Kanda 15Anuvaka 2Sukta 1710 Mantras

Sukta 17

Rishi: Vratya (subject of the hymn; traditional r̥ṣi attributions are ancillary and variable)

Devata: Vratya / Vyāna; Earth as correlated manifestation

Chandas: Prose-like Atharvanic identification style

AV 15.17 to hymn Vrātya-bandhu, który utożsamia przenikającą siłę życiową Vrātyi (Vyāna) z domenami kosmicznymi, rozpoczynając od samej Ziemi i rozciągając się na uporządkowaną okresowość (ārtava). Poprzez mapowanie funkcji oddechowych na świat, hymn uświęca przestrzeń i czas oraz ustanawia Vrātyę jako suwerenną, integracyjną zasadę, której jedność kulminuje w "nieśmiertelności" (amṛtatva) jako ochronnej pomocy (ūti).

Kind of charm

Shantika (pacifying)
Recitation with translationAtharva Veda 15.17

Mantras

Mantra 1

तस्य॒ व्रात्य॑स्य । योऽस्य प्रथ॒मो व्या॒नः सेयं भूमिः॑

Tego Vratyi: to, co jest jego pierwszym - Vyāna, oddech przenikający - to jest ta Ziemia.

Mantra 2

तस्य॒ व्रात्य॑स्य । योऽस्य द्वि॒तीयो॑ व्या॒नस्तद॒न्तरि॑क्षम्

Tego Vratyi: to, co jest jego drugim - Vyāna, oddech przenikający - to jest Przestwórz.

Mantra 3

तस्य॒ व्रात्य॑स्य । योऽस्य तृ॒तीयो॑ व्या॒नः सा द्यौः

Tego Vratyi: to, co jest jego trzecim - Vyāna, oddech przenikający - to jest Niebo.

Mantra 4

तस्य॒ व्रात्य॑स्य ।योऽस्य चतु॒र्थो व्या॒नस्तानि॒ नक्ष॑त्राणि

Tego Vratyi: to, co jest jego czwartym, Vyāna, oddech przenikający, to są Gwiazdy.

Mantra 5

तस्य॒ व्रात्य॑स्य । योऽस्य पञ्च॒मो व्या॒नस्त ऋ॒तवः॑

Tego Vrātyi: to, co w nim jest piątym, oddech Vyāna - to są Pory Roku.

Mantra 6

तस्य॒ व्रात्य॑स्य । योऽस्य ष॒ष्ठो व्या॒नस्त आ॑र्त॒वाः

Tego Vrātyi: to, co w nim jest szóstym, oddech Vyāna - to są okresy sezonowe.

Mantra 7

तस्य॒ व्रात्य॑स्य । योऽस्य सप्त॒मो व्या॒नः स सं॑वत्स॒रः

Tego Vrātyi: to, co w nim jest siódmym, oddech Vyāna - to jest Rok.

Mantra 8

तस्य॒ व्रात्य॑स्य । स॒मा॒नमर्थं॒ परि॑ यन्ति दे॒वाः सं॑वत्स॒रं वा ए॒तदृ॒तवो॑ऽनु॒परि॑यन्ति॒ व्रात्यं॑ च

Tego Vrātyi: Bogowie krążą w procesji z jednym i tym samym zamiarem. To bowiem jest Rok: Pory Roku, w uporządkowanym następstwie, okrążają zarówno Vrātyę, jak i Rok.

Mantra 9

तस्य॒ व्रात्य॑स्य । यदा॑दि॒त्यम॑भिसंवि॒शन्त्य॑मावा॒स्यां चै॒व तत् पौ॑र्णमा॒सीं च॑

Tego Vrātyi: gdy wchodzą w Słońce - wtedy to jest, w samej prawdzie, zarówno Nów, jak i Pełnia.

Mantra 10

तस्य॒ व्रात्य॑स्य । एकं॒ तदे॑षाममृत॒त्वमित्याहु॑तिरे॒व

Tego Vratyi - ta jedna ich rzecz jest nieśmiertelnością, tak, mówią ludzie: to jest prawdziwa pomoc.

Inside Sukta 17

How it unfolds

  1. How it opens

    The hymn opens by naming ‘that Vrātya’ and immediately presenting a bandhu: his first Vyāna is identified with ‘this Earth’ (15.17.1).

  2. What it asks

    Not a petitionary prayer but an ontological installation: to have space (Earth) and time (ārtava periodicity) recognized as the Vrātya’s pervading breath-field, thereby integrating the human order into cosmic order.

  3. Where its power lies

    Efficacy is asserted through the cumulative identifications: once the world is recognized as Vyāna-diffusion, sovereignty and stability are intrinsic, not externally granted.

  4. How it closes

    The sequence culminates in a unitive statement: ‘one thing of theirs is immortality’—said to be ‘aid indeed’ (15.17.10), sealing the hymn as protective and salvific knowledge.

Famous verses

yo'sya prathamo vyānaḥ seyaṃ bhūmiḥ
Verse 15.17.1Programmatic opening bandhu: establishes Earth as the first manifestation of the Vrātya’s Vyāna, grounding the entire hymn in spatial sacralization.Read verse 15.17.1 →
ekaṃ tadeṣām amṛtatvam… ūtir eva
Verse 15.17.10Doctrinal climax: compresses the many correspondences into unity and declares amṛtatva as the operative benefit, explicitly linked with protective ‘ūti.’Read verse 15.17.10 →

Kind of hymn

Rajakarmani / Vratya (cosmological bandhu; social-theological integration)

What it is for

To stabilize and authorize a sacral-social order by aligning the community’s world (earth/space and seasonal time) with the Vrātya’s pervading breath, thereby securing protection and a share in ‘immortality’ as enduring well-being.

Who it is for

Ritual specialists and leaders (rājan/elite patrons) working with Atharvanic theology; communities seeking integration/legitimation through Vrātya symbolism and prāṇa-cosmology.

Also used as

  • Rājakarmāṇi (royal/sovereignty integration)
  • Cosmological/Speculative (bandhu theology)
  • Saṃskāra/Consecratory legitimation (identity-installation)

The deity

Vrātya appears as a cosmic person/principle whose ‘Vyāna’—the all-pervading breath—diffuses through and constitutes the world; Earth and other ordered structures are treated as his manifested members/powers.

Powers of the deity

  • Pervasion and integration (vyāpti): binding disparate realms into one order
  • Sacralization of territory and social space through prāṇa-identification
  • Installation of periodic order (ārtava): regulated recurrence in time and ritual life
  • Sovereign legitimation: grounding authority in cosmological correspondences
  • Protective efficacy (ūti) and salvific orientation toward amṛtatva (deathlessness)

Why the deity is called

To proclaim and ritually ‘install’ the Vrātya’s cosmic sovereignty by identifying his first Vyāna with Earth and his further Vyāna-correlations with ordered periodicity, culminating in the claim that his unity yields amṛtatva as effective protection.

The seer

  • Vrātya (as the hymn’s subject; r̥ṣi-attribution varies in the AV tradition)Atharvan. Speculative-cosmological bandhu (correspondence) theology used for social-theological integration, consecratory legitimation, and establishing sovereign sacral order rather than medicinal or aggressive sorcery.

Other hymns of this seer

  • AV 15.1–15.18 (Vrātya corpus; variable internal attributions)

Preparing for the rite

  • Choose a clean, level place on the ground (symbolically foregrounding ‘Earth’ as the first correlation).
  • Establish ritual quiet: controlled breath and focused attention on Vyāna as ‘pervasion’ rather than on a single organ-breath.
  • Optional: orient to a stable direction (east) and mark a simple boundary line on the soil as a sign of ‘installed’ space (not required by the hymn’s wording).

The rite

  • Recite the prose identifications sequentially, pausing slightly at each ‘tasya vrātyasya…’ to emphasize the bandhu-link.
  • Mentally (or verbally) ‘place’ each correlated domain into the Vrātya’s body/breath-field: first Earth (15.17.1), then periodic/seasonal order (15.17.6), and finally the unitary amṛtatva-claim (15.17.10).
  • Conclude with a short internal resolve that the community’s space and time are henceforth regulated and protected by this pervasion (vyāna).

When

Suitable for consecratory contexts (rājakarma/installation), boundary or settlement sacralization, or seasonal transitions when reaffirming ārtava order; can be recited whenever social cohesion and legitimating ‘cosmic mapping’ are sought.

Frequently Asked Questions

Here the Vrātya is presented less as a social outsider and more as a cosmic person/principle whose pervading breath (Vyāna) constitutes and orders the world.

It uses bandhu (correspondence) logic: Earth is the most immediate, all-supporting ‘field’ of pervasion, so it is identified with the Vrātya’s first Vyāna to sacralize space and ground sovereignty.

It frames deathlessness as a practical protective power: knowing/reciting the Vrātya’s unity and pervasion is treated as a stabilizing, safeguarding force for the community and its order.

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