Sukta 7.35
शं नः सत्यस्य पतयो भवन्तु शं नो अर्वन्तः शमु सन्तु गावः । शं न ऋभवः सुकृतः सुहस्ताः शं नो भवन्तु पितरो हवेषु ॥
śáṃ naḥ satyásya pátayo bhavantu śáṃ no árvantaḥ śám u santu gā́vaḥ | śáṃ na ṛ́bhavaḥ su-kṛ́taḥ su-hástāḥ śáṃ no bhavantu pítaro háveṣu ||
Sejahtera bagi kami: moga para penguasa Kebenaran (Satya) menjadi sejahtera; sejahtera bagi kami: moga kuda-kuda penarik menjadi sejahtera; moga sapi-sapi (sinar cahaya) menjadi sejahtera. Sejahtera bagi kami: moga para Ṛbhu, sempurna dalam kerja dan cekap tangan, menjadi sejahtera; sejahtera bagi kami: moga para Leluhur (Pitṛ) menjadi sejahtera dalam seruan pemujaan kami.
Peace for us from the lords of Truth; peace from the steeds; peace from the cows; peace from the Ribhus, skilful workers; peace from the Fathers in our invocations.
The ‘lords of Truth’ are powers that govern satya—truth-consciousness and its right manifestations. ‘Arvantaḥ’ (steeds) symbolize the vital energies and dynamic capacities for action that must become peaceful—disciplined, not restless. ‘Gāvaḥ’ (cows) are rays of light/knowledge; peace means an untroubled illumination, not scattered insights. The Ribhus represent the artisan powers in consciousness—those that perfect the instruments, refine the nature, and make the human fit for divine use. The Pitṛs are the forefathers—inner ancestral attainments and guiding formations from previous realizations; peace in invocations means the past supports, not binds, the present aspiration.
Peace is the harmonious cooperation of truth-powers, energies of action, lights of knowledge, powers of perfection in work, and the supportive wisdom of the past.
Truth-consciousness, Light-recovery (go as rays), Perfection/formation
The Vasiṣṭha vision often joins satya (truth) with right action and perfected instrumentation—here expressed through truth-lords and the Ribhus.
This verse links peace to a complete yogic economy: truth-governance, disciplined energy, stable illumination, perfected inner craft, and right relation to the past.
Satya-powers uphold truth; steeds carry the movement; cows yield light; Ribhus perfect forms; Pitṛs preserve and transmit the gains of consciousness.
Establishes peace as a perfected functioning: illumined knowledge (gāvaḥ) directs energy (arvantaḥ) under truth-governance (satya-patayaḥ), refined by skill (ṛbhavaḥ), supported by ancestral realization (pitaraḥ).
Śānti recitation; also apt in rites invoking Pitṛs and in work/perfection contexts (artisan symbolism of Ribhus).
शं न॑: स॒त्यस्य॒ पत॑यो भवन्तु॒ शं नो॒ अर्व॑न्त॒: शमु॑ सन्तु॒ गाव॑: । शं न॑ ऋ॒भव॑: सु॒कृत॑: सु॒हस्ता॒: शं नो॑ भवन्तु पि॒तरो॒ हवे॑षु ॥
शम् । नः॒ । स॒त्यस्य॑ । पत॑यः । भ॒व॒न्तु॒ । शम् । नः॒ । अर्व॑न्तः । शम् । ऊँ॒ इति॑ । स॒न्तु॒ । गावः॑ । शम् । नः॒ । ऋ॒भवः॑ । सु॒ऽकृतः॑ । सु॒ऽहस्ताः॑ । शम् । नः॒ । भ॒व॒न्तु॒ । पि॒तरः॑ । हवे॑षु ॥
śam | naḥ | satyasya | patayaḥ | bhavantu | śam | naḥ | arvantaḥ | śam | oṃ iti | santu | gāvaḥ | śam | naḥ | ṛbhavaḥ | su-kṛtaḥ | su-hastāḥ | śam | naḥ | bhavantu | pitaraḥ | haveṣu
48
4 pādas of ~12 syllables each
Balanced and practical; enumerative rhythm suits listing instruments of the path (truth, energy, light, craft, lineage).
Grounding and strengthening; it calms the life-force while affirming skill and continuity.
Benediction for truth-governance, right energies (horses), illumination (cows), and ancestral support; suitable in rites involving Pitṛ offerings and in general auspicious openings.
During ancestral remembrance (pitṛ-kārya), before undertaking skilled work, or when seeking steadiness in action and clarity in knowledge.
Recitation with offerings to ancestors in traditional settings; inwardly, a consecration of work and lineage.
Before creative work or disciplined practice: invoke truth-governance, calm energy, steady insight, craftsmanship, and supportive memory/lineage.
satya from sat ‘being’ (√as) + -ya → truth as ‘that which is’. pati as ‘lord/protector’. arvant ‘steed’ connected to movement/going (etymology debated). go ‘cow’ also ‘ray’ in Vedic poetic diction; justified by recurrent RV imagery of cows as light released by dawn/Indra—semantic extension from ‘bright’/‘shining’ association. ṛbhú from √rabh/ṛbh ‘to work skillfully’ (artisan). √kṛ ‘do, make’ in su-kṛta. hasta ‘hand’ (PIE *ǵhesr- ‘hand’ cf. Latin herus?; standard cognate: Greek χείρ is different root; but ‘hand’ is ancient IE lexicon though exact mapping varies).
Satya (truth of being), Perfection of works (Ribhus as archetype of skill), Continuity of attainment (Pitṛs)
Ribhus exemplify ṛta in workmanship—right formation of the instruments of manifestation.
Truth is not abstract; it governs energies (horses) and illuminations (cows) so they become peaceful and effective.
Perfection of forms (Ribhus) and continuity of gains (Pitṛs) as a creative evolution of the human instrument.
Integral-psychological Veda: ‘cows’ as knowledge-rays, ‘horses’ as energies, Ribhus as formative powers.
Vital currents become steady mounts; illuminations gather as a calm herd of rays; perfected skill shapes the instrument; ancestral wisdom supports aspiration.
Stabilize action and knowledge under truth: ‘Let my energies be calm, my insights steady, my workmanship perfect, my past supportive.’
Maṇipūra (energy and will) harmonized by Ājñā (truth-guided discernment).
Breath with gentle emphasis on exhale to pacify ‘horses’ (vital drives); brief inner repetition on inhale to gather ‘cows’ (light-rays).
Quiet power—śānta-vīrya; steady illumination guiding action.
After chanting, review one’s impulses (horses) and insights (cows): offer both to the ‘lords of truth’; then choose one concrete ‘sukṛta’ action as the day’s perfected work.
Observe udātta placement especially on ‘satyasya’ and deity-class names; keep refrain ‘śaṃ naḥ’ consistent and unhurried.
Give clear separation between ‘arvantaḥ’ and ‘gāvaḥ’—two distinct inner instruments (energy vs light).
satyasya: ‘ty’ conjunct crisp, patayo: dental ‘t’, short vowels, arvantaḥ: roll ‘r’; ‘v’ not ‘w’, gāvaḥ: long ‘ā’; ‘v’ soft; visarga light, ṛbhavaḥ: vocalic ‘ṛ’ (as in ‘ri’ with retroflex coloring), sukṛtaḥ: vocalic ‘ṛ’ again; aspirate ‘kh’ absent—keep ‘k’ plain, suhastāḥ: ‘h’ voiced; long ‘āḥ’, pitaraḥ: dental ‘t’; final visarga light/absent per form
Steady, firm, reassuring; slightly more strength on the ‘vira’ undertone without raising volume.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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