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Valmiki Ramayana 2.57.19: Ayodhya Kanda, Sarga 57, Shloka 19

सप्तपञ्चाशः सर्गः · Sumantra’s Return to Ayodhya and the Palace’s Lament

आयतैर्विमलैर्नेत्रैरश्रुवेगपरिप्लुतैः ।

अन्योन्यमभिवीक्षन्तेऽव्यक्तमार्ततराः स्त्रियः ॥१९॥

Recitation with translationValmiki Ramayana 2.57.19

āyatairvimalairnetrairaśruvegapariplutaiḥ |

anyonyamabhivīkṣante'vyaktamārtatarāḥ striyaḥ ||19||

Dengan mata yang besar dan jernih dibanjiri oleh gelora air mata, para wanita itu memandang sesama sendiri dalam keheningan, dengan duka yang tidak terucapkan.

आयतैःwith long/large
आयतैः:
Karaṇa (करण)
TypeAdjective
Rootआयत (प्रातिपदिक)
Formनपुंसकलिङ्ग (नेत्रैः इति सह), तृतीया-विभक्ति, बहुवचन; Instrumental plural
विमलैःwith clean/clear
विमलैः:
Karaṇa (करण)
TypeAdjective
Rootविमल (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; Instrumental plural
नेत्रैःwith eyes
नेत्रैः:
Karaṇa (करण)
TypeNoun
Rootनेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (करण), बहुवचन; Instrumental plural
अश्रुवेगपरिप्लुतैःflooded by the rush of tears
अश्रुवेगपरिप्लुतैः:
Karaṇa (करण)
TypeAdjective
Rootअश्रु + वेग + परिप्लुत (प्लु धातु) (प्रातिपदिक/कृदन्ताधारित)
Formसमास: अश्रूणां वेगः (षष्ठी-तत्पुरुष) + तेन परिप्लुतैः (तृतीया-तत्पुरुष); नपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; qualifying ‘नेत्रैः’
अन्योन्यम्one another
अन्योन्यम्:
Karma (कर्म)
TypeIndeclinable
Rootअन्योन्य (प्रातिपदिक)
Formअव्ययीभाववत् क्रियाविशेषणरूपेण द्वितीया-एकवचनप्रयोगः; adverbial accusative ‘mutually/each other’
अभिवीक्षन्तेthey look (at)
अभिवीक्षन्ते:
Kriyā (क्रिया)
TypeVerb
Rootअभि + वीक्ष् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, बहुवचन; आत्मनेपद; they look at
अव्यक्तम्indistinctly, silently
अव्यक्तम्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootअव्यक्त (प्रातिपदिक)
Formक्रियाविशेषणरूपेण नपुंसक-द्वितीया/प्रथमा-एकवचनप्रयोगः; adverb ‘indistinctly/silently’
आर्ततराःmore anguished
आर्ततराः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootआर्त + तर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; तर्तम-प्रत्यय (comparative): ‘more afflicted’
स्त्रियःwomen
स्त्रियः:
Karta (कर्ता)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; Nominative plural

The women in great anguish stood silently looking at one another, their large eyesflooded with overflowing tears.

FAQs

The verse illustrates the Dharma of shared grief and communal compassion. The women of Ayodhya, though not directly related to Rama, experience profound anguish at his exile, demonstrating that true righteousness inspires universal love. Their silent, mutual gaze reflects the Dharma of empathetic solidarity in times of collective suffering.

Sumantra has returned to Ayodhya palace after leaving Rama in the forest. The women of the royal household and palace quarters, seeing the empty chariot and realizing Rama's departure, are overcome with grief. They stand in the palace courtyards, unable to speak, their tears flowing uncontrollably as they look at each other in shared sorrow.

The verse emphasizes the virtue of karuna (compassion) and emotional authenticity. The women's grief is spontaneous and profound, showing that genuine virtue inspires love beyond formal relationships. Their silent anguish reflects the depth of their devotion to Rama and their capacity for empathetic suffering.

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