Sukta 4.35
व्यकृणोत चमसं चतुर्धा सखे वि शिक्षेत्यब्रवीत । अथैत वाजा अमृतस्य पन्थां गणं देवानामृभवः सुहस्ताः ॥
vyàkṛṇota camásaṃ catúrdhā sákhé ví śíkṣéty abravīt | áthai ta vājā́ amṛ́tasya pánthāṃ gaṇáṃ devā́nām ṛbhavaḥ suhástāḥ ||
त्यांनी चमस (पात्र) चार भागांत घडविला; आणि एक म्हणाला—“सखे, हे कौशल्य शिक.” मग या वाजांनी अमृताचा पंथ शोधला; सुहस्त ऋभू देवांच्या गणात प्रविष्ट झाले.
They made the chalice fourfold; one said, ‘Friend, learn the skill.’ Then these Vājas found the path of immortality; the Ṛbhus with good hands entered the company of the gods.
The fourfold formation is not automatic; it is teachable: ‘learn the skill’—a yogic injunction. The Vājas (powers of plenitude/abundance of being) discover the path to immortality (amṛtasya panthāḥ): the movement from perishable formations to the deathless consciousness. When skill becomes stable mastery, the Ṛbhus enter the divine company—meaning our formative faculties become fully godward, acting as instruments of higher nature rather than servants of ignorance.
Immortality is a path of conscious training. Mastery is transmissible and learnable; when our capacities are educated by luminous practice, they join the higher order of consciousness.
Instruction motif, Ascent to immortality, Divine craftsmanship as yoga, Deva-gaṇa entry
Vāmadeva’s vision often includes the motif of ‘entering the gods’—a transition from human limitation to divine functioning through inner realization and right action.
The verse reads like a concise sādhanā-manual: formation (craft), instruction (learning), discovery (path), and consummation (entry into godhead).
Ṛbhus perfect the instruments; Vājas embody the achieved plenitude that results—together they mark the evolutionary step from skilled formation to immortal status.
Trainable mastery that converts energy (vital force) into divine effectiveness; the capacity to ‘enter’ higher consciousness as a stable station.
Soma context with Ṛbhu praise; mythic exemplum of their attainment of godhead
व्य॑कृणोत चम॒सं च॑तु॒र्धा सखे॒ वि शि॒क्षेत्य॑ब्रवीत । अथै॑त वाजा अ॒मृत॑स्य॒ पन्थां॑ ग॒णं दे॒वाना॑मृभवः सुहस्ताः ॥
वि । अ॒कृ॒णो॒त॒ । च॒म॒सम् । च॒तुः॒ऽधा । सखे॑ । वि । शि॒क्ष॒ । इति॑ । अ॒ब्र॒वी॒त॒ । अथ॑ । ऐ॒त॒ । वा॒जाः॒ । अ॒मृत॑स्य । पन्था॑म् । ग॒णम् । दे॒वाना॑म् । ऋ॒भ॒वः॒ । सु॒ऽह॒स्ताः॒ ॥
vi | akṛṇota | camasam | catuḥ-dhā | sakhe | vi | śikṣa | iti | abravīta | atha | aita | vājāḥ | amṛtasya | panthām | gaṇam | devānām | ṛbhavaḥ | su-hastāḥ
Triṣṭubh (verification: highly likely for RV 4.35.3)
44
4 × ~11
Didactic and progressive; each pāda advances a step (act → instruction → discovery → attainment).
Creates a sense of guided ascent; supports resolve to train and to cross into a higher poise.
Didactic-mythic verse: the craft feat becomes a paradigm for initiation; used to align the sacrificer with the ‘path of amṛta’ through skilled inner work
Recited in sequences praising Ṛbhus’ deeds and their right to Soma and divine status
Narration of Ṛbhus’ craft and consequent deification, reinforcing efficacy of skill in the rite
Use as a teaching-mantra for practice: repeat before disciplined work (japa, study, art, seva) to remember that skill is a path to the deathless.
śikṣa from √शिक्ष ‘to learn/discipline’—innerly the training of consciousness in right formation. panthā from PIE *pent(h)- ‘path’ (cf. English path is not cognate; but Greek πόντος originally ‘sea’ differs; still PIE *pent- yields ‘path’ in several branches). amṛta ‘immortal’ (a- + mṛta from √मृ ‘die’). suhasta ‘good hand’ emphasizes craft as spiritual efficacy.
Initiation/learning (śikṣ), Amṛta (immortality as consciousness-state), Rita as right skill leading to divine company
Entry into the gods’ gaṇa implies harmonization with ṛta—right functioning beyond ego.
The ‘path’ implies a true method; satya as fidelity to the practice that leads to stable realization.
Human faculties can be divinized through perfected formation; deification as evolutionary destiny.
Yoga of works and knowledge in Vedic form (Aurobindo): skill + illumination → transformation.
Path = inner progression of consciousness; vessel = capacity; ‘good hands’ = purified action-force.
‘Learn the skill’: cultivate one precise inner craftsmanship (speech discipline, attention training, emotional refinement).
Steady ascent; apprentice-mind becoming master-mind.
Choose one habit to refine for 21 days. Chant once, then practice 10 minutes of single-point attention; end by feeling ‘entry into the gods’ as a widening above the head and a quiet mastery in the hands.
Rigvedic accenting; emphasize udātta on key action-words (akṛṇota, śikṣa, ait, panthām) per traditional recitation.
Mark the quoted phrase ‘vi śikṣa’ with crisp articulation and a slight rhetorical pause after it.
vy akṛṇota: keep ‘vy’ as a tight consonant cluster (vya), śikṣa: retroflex ṣ; do not soften to ‘shiksa’ without ṣ quality, amṛtasya: ṛ short and clear; avoid ‘amritasya’ with long i, gaṇam: nasal ṇ? here ‘gaṇam’ with retroflex ṇ in Devanagari? (गणम् uses dental n in many recensions; keep a clear n without over-retroflexing unless your śākhā specifies), suhastāḥ: ha-stāḥ with long ā; final ḥ light
Instructional clarity, then uplift at ‘amṛtasya panthām’.
3
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