अयोध्याकाण्डे चतुर्थः सर्गः · Rāma Summoned; Pushya Coronation Decision
Setting: Ayodhya (implied)Places named: राजभवन (royal palace)Movement from outside/approach to the royal palace (rajabhavana)
इति सूतवच श्श्रुत्वा रामोऽथ त्वरयाऽन्वितः ।
प्रययौ राजभवनं पुनर्द्रष्टुं नरेश्वरम् ॥८॥
iti sūtavacaḥ śrutvā rāmo 'tha tvarayānvitaḥ |
prayayau rājabhavanaṃ punar draṣṭuṃ nareśvaram ||8||
सारथ्याचे वचन ऐकून राम त्वरित झाला; नरेश्वराचे पुनः दर्शन घ्यावे म्हणून तो राजभवनाकडे निघाला।
On hearing the words of the charioteer, Rama immediately set out for the royal palace to see the king again.
Prompt responsiveness to rightful summons—especially from elders and the king—upholds maryādā and social dharma.
Practice of तत्क्षण-कर्तव्यता (immediate performance of duty) and attentive śravaṇa; cultivating readiness to serve dharma.
The jīva’s swift turning toward the ‘inner king’ (antaryāmin) upon hearing the guiding word—movement from outer action to inner reckoning.
Antaryāmin-brāhmaṇa motif (Bṛhadāraṇyaka): the ‘lord within’ to be approached; also the primacy of śravaṇa (hearing) as trigger for right action.
Vālmīki Rāmāyaṇa 2.4.7 (context: Sumantra’s message); Rāmacaritamānasa Ayodhyākāṇḍa (Rāma summoned to the palace; parallel narrative episode)
Vedic śravaṇa-pradhānatā (hearing as initiatory act)
Ayodhyākāṇḍa opening sequence: summons, palace approach, impending boon revelation
Anuṣṭup (śloka)
Narrative-urgent
Madhyama-gati with quickened cadence on tvarayā/prayayau
Dharma as prompt responsibility: Rāma responds swiftly to a royal/parental summons, modeling readiness to serve rightful authority.
After Sumantra conveys the king’s desire to see him, Rāma immediately goes to the palace to meet Daśaratha again.
Rāma’s obedience and seriousness—he does not delay when duty calls.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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